It's another two hours of classic Waxing Deep! Superb, sometimes overlooked music from the world over with a mini-feature on the productions of Ben McPeek.

Adrian Leach provides another Happy Jazz session, which we follow with a quirky mix-up of bossa, psych, funk, and jazz.

This week we bring a superb exclusive mix from DJ Yosaku filled with monster jazz and funk selections. We also commit to more timely updates to the podcast!

This week we meander through obscure Canadian prog, Italian jazz waltzes, Romanian scat vocals, island funk, a little Sussex fun, some disco, and a great deal more.

Paulo of superflyrecords.com brings a mix of funky obscurities during hour one. We follow as best we can with a selection Brazilian records that have been on the top of our ‘to play’ stack for much too long.

We celebrate the release of "Si, Para Usted", our compilation of Cuban Funk on Waxing Deep Records, with some heavy tracks from the album. Pysch, garage, jazz, and Brazilian music follow in classic Waxing Deep fashion.

Waxing Deep eases into 2007 with a mix from the talented DJ Catalist and our first ever and much anticipated playlist!

Last week we had so much fun keeping the entire show to ourselves that we decided to postpone General Eclectic's guest mix and do it again! And so we happily, if somewhat selfishly, present two eclectic hours of classic Waxing Deep.

As the pile of records we have yet to air towered above us, it seemed like a good time for a classic Waxing Deep. We shelved the guest mix for another week and settled down in the studio for two hours of good music. The selection is as eclectic as you’ve come to expect; we slide between jazz, funk, Brazilian, and fusion and had a blast doing it.

San Francisco’s DJ Ferrari, a Silicone Valley executive by day and über-collector by night, provides an outstanding Afro-Brazilian mix for the first hour and a half of the show. Even jaded Brazilian collectors will appreciate the intelligence and deftness of Ferrari’s mixing. Hour two--what there is of it--features eastern jazz, some funk, the obligatory Cuban track, and another brilliant cut from Augusto Martelli’s “Black Sounds From White People”.