Few first-time festival acts piqued our interest as much as Randolph & Mortimer, who made their North American debut at Terminus. The project's combination of groove-heavy EBM and subtly sardonic social commentary has intrigued us for years, and so we were delighted to sit down with Sam Evans to discuss how the project grew out of his backgrounds in techno and hardcore, as well as the socio-political perspective of the uniquely instrumental act.