In what feels like an odd echo of the previous film, an unlikeable protagonist wanders through a hellish, weird couple of days encountering terrible visions and softcore propositions while mapping the road from sin to regret. Or something. It's not very good, but Yakov and Josh get through it somehow and talk about all the little things that helped make the movie not work.

You got your cop noir in my Hellraiser franchise! No, YOU got YOUR obligatory Pinhead appearance in my unrelated spec script! Basically, Inferno's one of those "two okay tastes that taste like butt together" situations, and Josh and Yakov go into weary, maddened detail about just how and why the film manages to not do most of the things it's trying to do as well as it ought to have. Also: twin karate cowboys.

He's a brilliant French toymaker! She's a demonic princess from hell! They...raise hell! Yakov and Josh dig into the not-terrible, not-great fourth Hellraiser film, an anthology story set in 18th C. France, contemporary New York, and FUTURE SPACE STATION, and discuss what works and doesn't in this ambitious but hobbled attempt to create a proper backstory for Pinhead's friends and coworkers.

Yakov and Josh dig into Hell on Earth, and discuss Greenboro-as-Manhattan, ridiculous new Cenobites, how to be bad at journalism, Pinhead's philosopher/salesman chops, why you shouldn't have an actress named Terry in the same film as a different character named Terri, and whether Pinhead actually dislikes Jesus or just likes ribbin' him a little.

Yakov and Josh recap and deconstruct the 1988 Hellraiser sequel, Hellbound, and talk about parallels between the two films, Julia's assertive approach to the afterlife, the philosophy and metaphysics of The Labyrinth, and how much Roger Ebert hated this movie.

Josh and Yakov kick things off with a discussion of the ups and downs of the flawed gem that is Cliver Barker'soriginal 1987 Hellraiser film, and kibitz about their Hellraiser and horror memories.