We Interrupt This Movie

🎃 Wouldst thou like to live deliciously?

Halloween is upon us, and this week on We Interrupt This Movie, we’re heading back to 1630s New England to explore Robert Eggers’ chilling 2015 directorial debut, The Witch!

Join us with special guest Blake as we venture into the dark woods to discuss one of the most unsettling horror films of the 21st century. From Eggers’ meticulous attention to historical detail and his breathtaking, haunting cinematography to the film’s oppressive atmosphere, religious paranoia, and slow-burning dread, there’s plenty to sink our teeth into. Just beware of Black Philip’s book of butter and pretty dresses.

🎙️ Hosted by: Tage Sickler and Steve Teasdale

Guest: Blake Newman

🎵 Theme song and incidental music composed and performed by: S.T.

⭐ Please rate and review wherever you listen, and send any questions, comments, or movie suggestions to [email protected].

This time, it’s war! This week on We Interrupt This Movie, we’re heading back to LV-426 for James Cameron’s 1986 sci-fi action masterpiece, Aliens! In our very first James Cameron episode, we discuss how he took Ridley Scott’s atmospheric horror classic and transformed it into one of the greatest action sequels of all time. From Ripley’s unforgettable showdown with the Alien Queen to Hudson’s hilarious meltdowns, the Colonial Marines, and some truly groundbreaking practical effects, there’s plenty to sink our teeth into. So grab your pulse rifle, check your motion tracker, and remember: Game over, man! Game over!

Hosted by: Tage Sickler and Steve Teasdale

Theme song composed and performed by: S.T.

Please rate and review wherever you listen, and send any questions, comments, or movie suggestions to [email protected].

This week on We Interrupt This Movie, the lads return to the rain-soaked, neon-drenched world of Blade Runner with Denis Villeneuve’s stunning 2017 sequel, Blade Runner 2049. Ryan Gosling stars as K, a blade runner whose latest assignment uncovers a long-buried secret that could change everything humans and replicants thought they knew about themselves—and eventually leads him to a very grumpy Harrison Ford hiding out in Las Vegas. We dig into Roger Deakins’ extraordinary cinematography, Hans Zimmer and Benjamin Wallfisch’s thunderous score, the film’s themes of memory, identity and what it means to be human, and the nearly impossible task of following one of the most influential science-fiction films ever made.

Hosted by Tage Sickler and Steve Teasdale. Theme song composed and performed by S.T. Please rate and review wherever you listen and send any questions, comments and movie suggestions to [email protected]

This week, the lads are turning back the clock — way back — as We Interrupt This Movie ventures into the 1930s for the first time with Charlie Chaplin’s 1936 classic, Modern Times. Join us as we discuss Chaplin’s final outing as the Little Tramp, the film’s incredible physical comedy, its satire of work and technology, and whether a movie made in 1936 can still make three guys with a podcast laugh in 2026 (spoiler - one of us enjoys this film much more than the other two). So tighten those bolts, keep up with the assembly line, and maybe don’t go roller skating blindfolded next to a three-story drop.

Hosted by Tage Sickler, Derek Wehrman & Steve Teasdale

Theme song and incidental music composed and performed by ST

If you enjoy the show, please rate and review We Interrupt This Movie and help more movie lovers find us.

Send any and all questions, comments and movie suggestions to [email protected]

On this episode of We Interrupt This Movie, we’re finally heading into the rain-soaked, neon-lit streets of 2019 Los Angeles to talk Ridley Scott’s science-fiction masterpiece, Blade Runner. Steve’s brother James joins us as we dig into Harrison Ford’s Deckard, Rutger Hauer’s unforgettable Roy Batty, Vangelis’ incredible score, the film’s astonishing production design and atmosphere, its complicated history of different cuts, and the questions about memory, identity, empathy, and humanity that have kept audiences debating the film for more than four decades. Join us as we ask the question at the heart of Blade Runner: what does it really mean to be human?

Hosted by Tage Sickler, Derek Wehrman and Steve Teasdale

Guest: James Teasdale

Theme song and incidental music composed and performed by ST

Please rate and review us wherever you get your podcasts, and send your thoughts, questions, and movie suggestions to [email protected]

This week on We Interrupt This Movie, the lads crack open one of the greatest adventure films ever made as we dive into Raiders of the Lost Ark— a movie that might just be our favorite Steven Spielberg film… and honestly, a damn near perfect movie. From Harrison Ford’s effortlessly iconic performance as Indiana Jones to the legendary action set pieces, John Williams’ unforgettable score, snakes (why did it have to be snakes?), and one of the greatest opening sequences in film history, we dig into what makes Raiders still feel so thrilling and timeless over 40 years later.

Hosted by Tage Sickler, Derek Wehrman, and Steve Teasdale. Theme song and incidental music composed and performed by ST.

Please rate and review our show wherever you listen. Please email us at [email protected] with any and all questions, comments, suggestions, or corrections.

This week on We Interrupt This Movie, we’re setting sail through The Odyssey, Christopher Nolan’s massive, ambitious, and stunning new epic—and we’ve brought along a special guest: Connor, the Telemachus to Steve’s Odysseus and a fan of the show who joins us to break down the film. We get into Nolan’s vision, the incredible IMAX experience, the performances, the scale and spectacle, and why this might be one of the most impressive films we’ve seen in a long time. We also somehow managed to keep the runtime of this episode shorter than the movie itself—barely.

Hosted by Tage Sickler & Steve Teasdale

Guest: Connor Teasdale

Theme song and incidental music by ST

Please rate and review the show, and send us your thoughts at [email protected]

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This week, the lads dive into Obsession (2026), the unsettling psychological horror film from up-and-coming writer/director Curry Barker, who made the leap from YouTube comedy shorts to feature filmmaking with an impressively confident debut. We discuss the film’s unique premise, its mounting sense of dread, standout performances, memorable score, and whether its ending sticks the landing. Join us as we unpack one of the year’s most surprising horror films—and remember… if someone offers to grant your deepest wish, maybe read the terms and conditions first.

Hosted by Tage Sickler and Steve Teasdale.

Theme song and incidental music composed and performed by ST.

Please rate and review our show wherever you listen.

Please email us at [email protected] with your thoughts, questions, corrections, and movie recommendations. We’d love to hear from you!

This week on We Interrupt This Movie, the lads crack open one of the greatest adventure films ever made as we dive into Raiders of the Lost Ark— a movie that might just be our favorite Steven Spielberg film… and honestly, a damn near perfect movie. From Harrison Ford’s effortlessly iconic performance as Indiana Jones to the legendary action set pieces, John Williams’ unforgettable score, snakes (why did it have to be snakes?), and one of the greatest opening sequences in film history, we dig into what makes Raiders still feel so thrilling and timeless over 40 years later.

Hosted by Tage Sickler, Derek Wehrman, and Steve Teasdale. Theme song and incidental music composed and performed by ST.

Please rate and review our show wherever you listen. Please email us at [email protected] with any and all questions, comments, suggestions, or corrections

Send us Fan Mail

This week we enter the world of Goodfellas and break down Martin Scorsese’s gangster masterpiece. We talk about Scorsese’s electrifying direction, the legendary needle drops, Ray Liotta’s unforgettable laugh and narration, Robert De Niro’s cool and terrifying performance, and Joe Pesci’s stature as one of the most intimidating tough guys in movie history… no pun intended. From the “funny how?” scene to the Copacabana tracking shot, we discuss why this film still stands as one of the greatest crime movies ever made. As far back as we can remember, we always wanted to record this episode.

Hosted by Tage Sickler, Derek Wehrman, and Steve Teasdale. Theme Song and Incidental Music Composed and Performed by ST

Please rate and review our show wherever you listen. Please email us at [email protected] with any questions, comments, and movie suggestions.