WEEK POINTS

James Bond in space.  What could go wrong with a premise like that?  A lot, as it turns out.

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It's a real mixed bag of a show as we take a break from our Bondathon to look at some of the other things that have taken out interest, so you can expect to hear us talk about our love of trash 80's and 90's videos, Rich having a breakdown over the imminent take over of artificial intelligence as well as his love of all things gothic drama.  Nick brings us Cocaine Bear, Air, Cocaine Air Bear and Bare Bears Air Coke Ware.  Masterchef gets a shout along with the dulcet tones and typing of Tom Hanks. Oh, and Rich went to the opera and longed for a loud Italian lesson.

Somewhere in all this is a little Bond quiz.

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AH! AH! It's the second part of our Goldfinger episode.  Sean Connery is still desperately trying to contain the hairs on his legs, 007 James Bond is still trying to comprehend a woman having more than one qualification and a rather disturbing collection of American mobster accents is assembled to receive some needlessly elaborate exposition from Auric.  You'll find Pussy Galore here too.  I tried to find a way not to include that but it's not beneath me so there it is.

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We're back with another hairy legged Sean Connery James Bond.  This time 007 is trying catch Goldfinger, which must be one of the few things that Bond hasn't caught, the filthy animal.  Because we went through the film in minute comedic detail it did go on in length so we've split it in two just to give your ears a breather.  Format is a little bit different too so let us know what you think and any other films or subjects you want us to look at at [email protected]

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Roger Moore is back!  And he's on the hunt for eight pussies! Or just one that's eight sided maybe, it's not clear.

Surprisingly this film turned out to be our most polarising, especially as we seemed to agree about everything right up to the point where we decided whether it was any good.

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WARNING: THE POD CONTAINS SPOILERS obviously, and BAD LANGUAGE, less obviously.

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Dalton is back for his second and last appearance as Bond.

In the pod you'll find references to the various "Gun Barrel" bond theme openings, specifically Brosnans works office award ceremony which you will find amongst this magnificent collection -https://youtu.be/3TAMEgqT6T0

 Licence To Kill has a great theme but the best version of it is probably this one where Gladys Knight not only vocally smashes it but is backed up by a great tight band in the BBC Concert Orchestra -https://youtu.be/ItDMFnCQT-o

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Another day, another Bond, this time it's Pierced Johnson taking the lead.  For some reason this film took some explaining so it's a marathon long one.  I would advise a break in the middle, like console games and overly preachy cars tell you to do now, or maybe just go to bed and fall asleep to it.  It had all the ingredients for a great Bond: decent director, good lead, great supporting cast with Berry and Pike, the basics of a good script: so did all these mix together successfully?  Well, here's a clue - Madonna did the theme and has a cameo.

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The year is 19Dalton7, The film is The Living Daylights.  A new Bond for a new era.

Will Timothy Dalton's Bond be a cold hearted bad boy or a louche sexual lothario?  Or maybe just that bloke in the office who you aren't really sure what he does and it's only when he has to give a quick talk on some new health and safety rules that you realise you haven't heard him speak before.  Find out in this weeks episode.

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The pods first look at a Roger Moore Bond.  Dressed to stand, not to run, this is a very different 007.

We'll also learn to never trust a man of the cloth, how a tailored ski jacket could change your life, what the best deals in holiday car rentals are and what Bond's opium resistance levels are at in 1981.

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Another DC effort where he fights villains until he finally gets to audition for Homes Under The Hammer.

Full of spoilers as we go through the fine points of every scene.

Next up is smooth operator Roger Moore in For Your Eyes Only.

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