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  • Week 19 - Michael Morrow - I Will Be Forgiven
    This week I've been stuck on some lines from Psalm 25: "Do not remember the sins of my youth and my rebellious ways; according to your love remember me, for you, Lord, are good.' It struck me again how outrageous these words are. How can we respect a God who forgets? For God to be just, how can he overlook the wrong we have done? What was David thinking when he first prayed this prayer? Could he have imagined a time, hundreds of years in the future, when Jesus would make a way for his sins to be paid for in full, leaving no trace of them in God's memory? Could he have imagined that Jesus would completely satisfy both God's justice and his mercy?
    I've also had one of Sister Carita Kent's rules stuck in my head this week: 'Consider everything an experiment'. There is much more to be said about God's mercy and justice, but here is this week's experiment in expressing in song the mind-blowing mercy and justice of God:
    I know I’m wrong and you know it too
    How can we pretend that the truth is not true
    Justice demands I pay back what I stole
    The law will not rest till I’ve paid it in full
    Where your justice and mercy meet
    I will be forgiven
    No more guilt hanging over me
    I will be forgiven
    There’s a God of unfailing love
    There’s a God who would die for us
    To satisfy his justice
    To satisfy his love
    You make me bold to come your throne
    I’m on my knees but I know I belong
    Justice is done and mercy flows free
    Lord, you are good, will you be good to me?
    Where your justice and mercy meet…
    © 2026 Michael Morrow
    2026 Copyright All rights reserved
    0 min
  • Week 19 - Dustsucker - Silver Spork
    ..can I ask you kind of a weird question?
    › Production brmpdfpm‹ Production brmpdfpmAnother track started with a crunchy OP1-F drum loop. Through messing with the option to add pauses in the sequencer it turned into this strange 7/4 groove that felt pretty interesting. Sampled it in M8 in two different keys, then went to work layering a bunch of synths on top.
    Usually I do bespoke sounddesign on M8, but this time I mostly went with a cool preset pack recently released by fellow Weekly Beats user Joshua Morgan on the M8 discord, which features remakes of their favorite Hydrasynth sounds. I did mess with their settings a bit and added in a sneaky Hypersynth of my own, among some other small additions.
    The initial loop proved difficult to get out of when I layed down the initial beat. I took another jab at it in the train when I went into the city to meet my mom today, then added all of the leads and a bunch of other stuff when I got back home in the evening.
    The 7/4 groove makes this one kind of panicky, especially combined with the overload of hi-end crunchiness. I have no idea what is going on with the harmony. A lot of the lead noodling is super janky, cause it's hard to pin the exact tuning on the root note. Even with a bunch of tweaking I couldn't find a stable tuning. Ended up pitching all synths up by an 8th step, no idea if that really fixed it.
    Some additional mastering in Logic, fancy plugin version. For those interested the chain is Pro-Q4, UAD Verve, Gullfoss, True Iron, Sausage Fattner, Pro-DS, JST Clip, Pro-L2.
    Download the M8 bundle
    2026 CC Attribution Noncommercial (BY-NC)
    0 min
  • Week 19 - Exxy - Grem
    Unassuming and wry, they often travel at night. 
    2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)
    0 min
  • Week 19 - Xjs - Mother (Have A Drink)
    Mother's Day today. Turned up the gain of the mic quite high and had to filter some noise. But the deep frequencies of my voice seem to come out quite nicely in turn. F# minor.
    › Lyrics‹ Lyrics
    Mother, have a drink
    Mothers, have a drink
    Enjoy the sun
    The weather's fine
    until the rain
    Mother, have a drink
    Mothers, have a drink
    Mother, have a drink
    your son is here
    to bring you peace
    Mother, have a drink
    2026 CC Attribution Noncommercial Share Alike (BY-NC-SA)
    0 min
  • Week 19 - brian botkiller - GUILLOTINE PARTY
    Felt like angry protest electro this week.
    right place
    wrong hands
    one way to the promised land
    death trap
    they say   
    they come for you every day 
    wrong place
    wrong time
    lying bastards will just say you're fine
    What's that
    You hear
    drop the blade to end your fear
    take these fuckers to the guillotine
    their time is up if you know what I mean
    take these fuckers to the guillotine
    it's a fucking party if you know what I mean
    another fucking billionare
    these dumbfucks think they're better than you
    another fucking trillionaire
    first agiansts the wall stomp em under my shoe
    wrong place
    wrong time
    lying bastards will just say you're fine
    What's that
    You hear
    drop the blade to end your fear
    take these fuckers to the guillotine
    their time is up if you know what I mean
    take these fuckers to the guillotine
    it's a fucking party if you know what I mean
    take these fuckers to the guillotine
    take these fuckers to the guillotine
    take these fuckers to the guillotine
    take these fuckers to the guillotine
    their time is up if you know what I mean
    take these fuckers to the guillotine
    their time is up if you know what I mean
    take these fuckers to the guillotine
    it's a fucking party if you know what I mean
    take these fuckers to the guillotine
    their time is up if you know what I mean
    take these fuckers to the guillotine
    it's a fucking party if you know what I mean
    2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)
    0 min
  • Week 19 - Continuous Nonlinearities - Soft myths
    Another noisy one, but quiet-ish? Not in terms of volume, but mood.
    Ample use of Fairfield 20% More, which finds its way onto the Pulsar-23 bass synth and some half-hidden guitar. Other bass synth feature: Fairfield Conflict of Interest modulating the tuning at audio rates for some abrasive FM tones.
    I actually tried using the Pulsar less this time; I've been feeling like I'm making my drums too busy lately so I tried pulling back. Relatively minimal everything else: the bleep synth is a very simple Prophet patch arpeggiating or playing through the notes of a Cm7 chord, the chorus pad is three notes on the Alpha Juno, some small hihats from the Digitakt, and... that's pretty much it.
    My audio interface decided to start dying as I tried to mix down the track, adding a shrill wail onto everything that makes me think it has a dying capacitor. Fortunately I was able to mix down into my field recorder, but this makes another in the list of "equipment that needs replacement/fixing". I'll have to take a look at it when I've got an opportunity/get to buying all the new things I've already decided I need to get.
    2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)
    0 min
  • Week 19 - J_men - Don't Think Too Much
    This was a bit of a rushed track, but... ☺️
    Started out practising a bit of question and answer structure, but ended up with a bit of speed producing against the deadline 🙈
    2026 Copyright All rights reserved
    0 min

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