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I was 32

She was 14

We met at the weekly

Cross burning

She was looking good to me

I felt her good grace

Federal law doesn't apply

And neither does my taste

I stepped into the moonlight

Said I wanna be your man

Swung my fist into her nose

With my Pabst Blue Ribbon can

We made love in my pickup truck

We made love in my pickup truck

Attach a fishing lure

Twist and twist and tie it off

Don't catch shit

Time to make beef stroganoff

I cast off again

I catch some small fishes

Not quite over the required size

Of six inches

Pretend it's bigger

With a camera trick

Just like the selfie

I took of my dick

We made love in my pickup truck

We made love in my pickup truck

We honeymooned at the old waffle house

She sat in her booster, and I helped with her blouse

She was too young to pierce her ear lobes

But old enough to needle our klan's new robes

The community agreed

I'm the best husband she's had

Since the one that got lost in the corn maze

He was pretty bad

It's so nice being back home

Can stop the pretentious fakes

No more plausible deniability

Just straight up openly racist takes

Mowing my lawn with a string

As the dog sucks my dick

Oh wait wrong song

In this one I'm just a hick

We made love in my pickup truck

We made love in my pickup truck

She was cheating on me

With my brother Dubris

Miranda, how could you

Do this to me

Well she ended her fling

Without repercussions

She said to Dubris

Let's just be platonic cousins

I was the simple man

Had a blue pickup truck

An underage gal

That I'd regularly

Take to the rally

Down at the church

Load up Qanon

Do my own research

Batman, Batman

Oh come back oh hell

Well I think he left church early

Christian Bale

We made love in my pickup truck

We made love in my pickup truck

I made love in my pickup truck

I made love in my pickup truck

2026 Copyright All rights reserved

2026 Copyright All rights reserved

continuing to try and use some of my live drum recordings as well as making the m8 feel more unquantized and less rigid (which kinda always comes back to juxtaposing it with rigidity ha).

Traveling so mix is tr45h but kinda loving the drive of the rim shot portion.

Imagining distant signals between typically isolated but trusted places

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"This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before."

So it goes.

So *something* goes. For now - until it becomes something else. Yet, still - the same.

Featuring bass clarinet, and breathing.

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Found a nasty 10min recording of me messing around with Make Noise Maths self-patched as an oscillator. Used M8 to chop it up and add some drums etc. As usual my studio sits neglected and this was all done on the train to work - don't think I'd be able to pump these out without the M8 and commuting time!

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MIDINES + Konami VRC7 expansion chip emulation

The Japanese version of the NES (Famicom) had support for expansion audio, which let 3rd parties add more sound channels via external hardware in (for example) the game cartridge. One of the most unusual expansion chips was the VRC7 by Konami, it implemented 6 channels of 2-Operator FM synthesis via an onboard Yamaha sound chip.

You can play around with the VRC7 and other expansion chips in Furnace Tracker, but I wanted to use the MIDINES alongside an emulated VRC7– so I whipped up a VST3 plugin that wraps Nuked's OPLL (YM2413) emulation – the VRC7 is based on this chip, and Nuked conveniently made a mode that emulates it specifically.

So everything in this track is the (real hardware) MIDINES alongside 6 virtual voices of the VRC7. I worked with the emulation plugin much like the MIDINES, just straight up MIDI and some automation, velocity for volume. No fancy mixing here. :)

And what did I make? Some cheesy eurotrance or something. I'm sorry.

In any case, this was a super fun setup and the lo-fi FM pairs really well with the sound of the 2A03.

<3

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Good Evening :)

This track marks the last track of the month of January.

There are a few things I’ve noticed during my first month of Beat of the Week:

- I’m always running out of time.

- Cool 90s rap vocals (like, for example, Mr. Vain by Culture Beat) are really hard to find

(yeah Splice, I’m talking to you 😅).

- You really have to put in the hours to hear any progress in your production skills.

So, here’s my entry for this week, enjoy! ;)

Cheers

KaZu

P.S. Always super grateful for any constructive feedback ^_^

Oh, and if you know some cool rap vocal sample packs, please let me know. Thanks :)

2026 Copyright All rights reserved

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Written entirely on Dirtywave M8 Tracker

Light mastering in Audacity

A continuation of last week's track's outro.

Same instruments, a very little touch of sound design, a few additional Zero-G CD samples.

Still amazed I'm not falling behind.

Thank you for checking it out and keep strong!

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Last week I made some crack about disaster ruining plans, etc... yeah well. Didn't really start this song till late last night lol.

But first - apologies, I didn't get to listen to much this week, missed a lot of my faves, and didn't get to comment or reply to comments. Life is chaos here.

I'm not sure this song is where I want it to be - it's finished, but I feel like the idea could be pushed into a more specific space. It's called rabbit hole because it started as one - this week, in the midst of stress and more work than time, I stole minutes at a time to throw on the headphones and just run a simple arp through the Grandmother and turn dials, and sometimes those minutes became a lot longer than I expected. Spent most of the week doing that, then sorta last minute Saturday night I recorded four takes and pieced everything together Sunday afternoon.

Grandmother > Zoia patch, and the Pulsar delivering that meaty kick via the modular. Rest was composited in Ableton.

Not where I expected this track to end up but I will take it for now and maybe come back to it later.

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