Welcome to Horror

This week, we’re discussing Don Coscarelli’s “Bubba Ho-Tep”, and usually at this point, we would write a few amusing sentences about the film. But nothing we can come up with beats this premise: Elvis Presley didn’t die and is now stuck in an Old People’s Home in Texas. He teams up with a fellow resident (a black man who claims to be a post-assassination JFK) to fight a soul-sucking Mummy in Cowboy boots.

Seen and loved by many at the time of release, now 23 years later, “Bubba Ho-Tep” seems, sadly, overlooked. Despite its horror royalty combination of “Phantasm” creator Coscarelli behind the camera, and a magnificent portrayal of a bitter and forgotten Elvis/delusional Elvis impersonator by Bruce Campbell (in possibly his best role outside of “The Evil Dead”’s Ash), it just doesn’t seem to get mentioned much anymore. Which is a shame; Campbell’s marvellous double act with the impeccable Ossie Davis as JFK give this mondo idea some real humour and heart. Despite the madcap premise, the film is also a reflection on the regrets, sadness and indignities of old age, with Elvis mourning his lost potential, and his body’s decline (in a scatalogically graphic narration).

Like its protagonists, this film shouldn’t be forgotten as it ages, but allowed its time to shine forever.

Watch (or re-watch) to avoid spoilers and join us.

Get yourself a costume and slap on your face - we’re off to the cinema for 1991’s “Popcorn”.

A film in which we learn that reggae bands cannot be stopped by a power cut; your favourite Martian now owns a movie memorabilia shop; and, as always, if Dee Wallace is your mum, shit’s gonna get weird.

Made at that curious cusp of 2 decades, this should be standard 80s slasher fare, but it’s knowing references to horror film lore and elevated tone actually predict the direction the genre would take through the 90s. A fractious production with director and lead actor swapped out a few weeks into shooting, this could have been a real mess - the fact it’s as entertaining and coherent as it is is a testament to all involved. With a likeable cast exhibiting genuine camaraderie and some fine spoofing in the films within the film, this is a neglected little treat for the curious.

Watch (or re-watch) to avoid spoilers and join us.

We present a spoiler free look at director Jennifer Wolfe’s debut feature “Happy Ending”.

A couple losing the spark in their relationship seek advice from friends who recommend a trip to a massage parlour with “extras”.

An already uneasy and awkward visit for the pair is reflected in the back rooms of the parlour, where the workers are troubled by their situation and the obsessive attentions of a dangerous former customer. Events spiral into an eruption of chaos and violence, drawing everyone into the maelstrom.

Whilst that may sound like pure thriller fare, what sets “Happy Ending” apart is that it’s also extremely funny; our two main leads are engaging and realistic, their comfortable but strained partnership brings the laughs as they navigate their way through the tribulations of their relationship, and, latterly, attempt to get out of the deadly situation alive.

A big thank you to Jennifer Wolfe for reaching out to us (on recommendation from previous guest, “Bampire” director Zoë Wassman) and giving us the opportunity to view this excellent comedy/thriller.

“Happy Ending” is currently streaming on Amazon Prime, Plex and Fandango ar Home, and we urge you to seek it out!

Welcome To Horror Presents: “The We Have Been Watching Master Plan”.

It’s one of our semi-regular rundowns of all the visuals we’ve been spaffing into our eye globes, betwixt our regularly scheduled programming.

We discuss “The Devil’s Rejects” (2005); “Sinners” (2025); “Dellamorte Dellamore” (aka “Cemetery Man” 1994); “The Autopsy of Jane Doe” (2016); “The Monkey” (2025); BFI Southbank’s screening of Sophie Sleigh-Johnson’s “Code Damp: Experimenta Mixtape” and some honourable mentions.

There should be no need to prep for this ep, but listeners beware, as here be (possible) spoilers and (definite) swearing.

Join us!

Settle in your best (and only) coffin, grab a drink or twelve and join us for “The Comedy of Terrors”.

In film in which we hear possibly the only use of the phrase “Toss Pot” outside of the UK; Orangey displays why he was considered one of the finest cactors of his generation; and Osgood Fielding III gives the best scream this side of a Tom and Jerry cartoon.

Sadly, this is the last time that Vincent Price and Peter Lorre demonstrated their magnificent comedy double act as part of this amazing ensemble with Joyce Jameson, Boris Karloff and Basil Rathbone, all of whom totally embrace the grotesque insanity of their characters and the tale itself.

“The Comedy of Terrors” is a real refinement of the dark vein of humour the various cast members had begun exploring with Roger Corman in the Poe adaptations “Tales of Terror” and “The Raven”, but this time, it’s the legendary Jacques Tourneur behind the camera, with an original script from the pen of the great Richard Matheson, both of whom mould this original gem of Gothic Black Comedy.

Sadly, “The Comedy of Terrors” failed to perform at the box office, and with Lorre’s death only a few months after release, it closed a chapter on what could have been a far more interesting direction for producers AIP.

Watch (or re-watch) to avoid spoilers and join us.

Grab your bandages and have a good sarcophagus - we’re watching Universal’s original 1932 version of “The Mummy”.

A film in which Zita Johann attempts to break the record for the number of 6’s you can put on your forehead; Edward Van Sloan returns as Van Helsing… er… plays the entirely new character of Dr Muller; and Jack Pierce bakes Boris Karloff for 8 hours at Gas Mark 5.

Having hit gold with their adaptations of Dracula and Frankenstein, Universal decided to add another monster to their roster, and turned to Egypt for inspiration. Returning star Karloff cements his reputation with his baleful portrayal of Imhotep/Ardath Bey, searching for his lost love from beyond the grave. He is ably matched by Zita Johann’s portrayal of Helen and, later, the long dead Anck-es-en-Amon. Makeup maestro Jack P Pierce once again makes a memorable monster, in both his forms. Although this in many ways retreads the story beats of Dracula, it still has its own iconic moments, and it may also surprise new viewers that the shambling figure in bandages they may expect is almost entirely absent. Whilst there are aspects and attitudes of the film that may not sit well with modern sensibilities; it is product of nearly a century ago, and should be taken as such. And as a key film of Universal’s original horror run, it really deserves to be seen.

Watch (or re-watch) to avoid 93 year old spoilers and join us.

It’s Poe Time! Join us as we venture out into the daylight and visit “The Tomb of Ligeia”.

A film in which Captain Peacock serves the tea, whilst Slartibartfast and Doctor Who’s Nero have dinner; meanwhile Vincent Price auditions as frontman of The Byrds, and attempts to convince us that he could hurt a cat.

The last of the Roger Corman / Edgar Allan Poe films finally sees the series move out of the studio for some beautiful location shooting in the English Countryside. A wonderfully distressed and melancholy Price is matched by two excellent performances from Elizabeth Shepherd as both feisty and romantic Rowena, and the foreboding, electrifying will of Ligeia. With support by an excellent cast of familiar British character actors, the film still ties in with the others in the series, with woozy dream (and dream-like) sequences, and the inevitable conflagration of the main setting.

Watch (or re-watch) to avoid spoilers and join us.

This episode we’re discussing the bang-up-to-date podcast “Broken Veil” from Joel Morris and Will Maclean.

Two intrepid podcasters gathering weird stories from friends, find the tales begin to coalesce in the liminal spaces of Essex….

To tell you more would be to ruin this utterly original and intricately written show. With an excellently selected cast and a definite hint of Nigel Kneale to proceedings, it should suffice to say that if you’ve ever spent too long disappearing down esoteric internet rabbit holes, or whiled away sunny days with your nose stuck in The Fortean Times, this show is for you.

SERIOUSLY - THIS SHOW IS A DEFINITE RECOMMENDATION FROM ALL OF US, SO PLEASE LISTEN (OR RE-LISTEN) TO THE 6 EPISODES IN FULL BEFORE YOU JOIN US FOR OUR SPOILER HEAVY CHAT.

We’re sticking with under-appreciated Hammer films this episode, and another from 1966 - “The Plague of the Zombies”.

A film in which André Morell is such a badass, he stabs a man who is already on fire; the local constabulary are so obliging that they don’t just turn a blind eye to grave robbing: they also help fill in the hole; and Servalan is feeling really rather tired.

This was originally released as a double bill with “Dracula: Prince of Darkness”, and while the Count brought the box office clout, “The Plague of the Zombies” is definitely the more exciting and interesting film. Hammer’s only foray into zombie territory wisely transplants the myth’s Haitian origins to Cornwall, thus bringing in an element of British colonialism, which is then married to a comment on capitalist exploitation of the workers, making for a remarkably modern subtext. But the gothic visceral chills are there too, both supernatural and all too horribly human, with a standout dream sequence that really gives these zombies some evocative menace, that may have played into George A Romero’s take on the monsters a mere two years later.

Watch (or re-watch) to avoid spoilers and join us.

Well sod me sideways; it’s a cheeky bonus episode from Welcome To Horror!

Adam and Lee spend time in the kitchen with the magisterial Mr Vincent Price, and take a look at his 1971 Thames TV series “Cooking Price-Wise”.

A truly delightful show in which VP demonstrates his culinary prowess, knowledge and love of good food, with a series of delicious treats you can make at home.

There’s no spoilers for a cookery show, so you can dive right in, but it’s a definite recommendation for fans of the great man.

Stick your apron on, clasp a wooden spoon and join us!