The 16th episode of the fourth season of the BBC anthology series Play for Today, Penda’s Fen – originally broadcast on 21 March 1974 – is widely celebrated as a visionary masterpiece of British folk horror and 1970s television drama. Written by David Rudkin and directed by Alan Clarke, Time Out London named it one of the 100 best British films.

The Visionary Realism of Alan Clarke

Director Alan Clarke is renowned for his stark social realism and controversial depictions of institutionalised communities. His 1977 borstal drama Scum was banned by the BBC, later returning as a 1979 feature film, while his television film Made in Britain introduced Tim Roth as a racist skinhead. He tackled corporate corruption in Beloved Enemy, military interrogation in Psy-Warriors, and directed David Bowie in Bertolt Brecht’s Baal. His final work, The Firm starring Gary Oldman, drew heavy press criticism for its depiction of violent football hooliganism in Thatcher’s Britain.

While Penda’s Fen trades Clarke’s urban realism for a mystical landscape of angels and demons, it retains his fierce preoccupation with identity, authority, and systemic oppression.

Cult Television & Audio Connections

The surreal atmosphere is driven by an electronic score from Paddy Kingsland of the BBC Radiophonic Workshop. Kingsland manipulated a Benjamin Britten recording for the play, and went on to score The Changes, the radio and TV versions of The Hitchhiker’s Guide to the Galaxy, and classic Doctor Who serials.

The cast links directly to landmark British cult media:

• Spencer Banks (Stephen Franklin): The quintessential 1970s television adolescent, Banks also starred as Simon Randall in the children’s sci-fi series Timeslip.
• Georgine Anderson (Mrs Franklin): A veteran of the Royal Shakespeare Company who later played May in the 2007 Doctor Who episode ‘Gridlock’ – representing the show’s first married same-sex couple.
• Ian Hogg (Arne): Famous as the lead in Rockliffe’s Babies and the villainous Josiah Samuel Smith in the Doctor Who story Ghost Light.
• Jennie Hesselwood (Mrs Arne): Mother of Toby Jones and wife of Freddie Jones (Dune, The Elephant Man).
• Graham Leaman (Sir Edward Elgar): Features a massive Doctor Who pedigree including The Macra Terror (tying directly back to the Macra in ‘Gridlock’), The Seeds of Death, and The Three Doctors.
• Ivor Roberts (Cooke): A familiar face from the ‘Croftiverse’ comedies Oh, Doctor Beeching! and You Rang, M’Lord?, as well as Genesis of the Daleks.
• Ron Smerczak (Joel): Later transitioned to action cinema in American Ninja 4: The Annihilation and Cyborg Cop.

Current Promotions & Events

• The General Witchfinders Book Club: Our debut spin-off episode is out now, run with independent bookshop Teaseland & Skylark in Dorchester. Host Ross welcomes author Ray Newman (The Grave Digger’s Boy) to unpack Andrew Michael Hurley’s folk horror novel, Starve Acre. Listen here: https://tinyurl.com/GW-BC-01
• Summer Spin-Off – Department X: Join James and Ross as they investigate the 1970s obsession with ESP, telekinesis, and psychic premonitions. Listen to 'Mysterious Powers & Strange Forces' here: https://tinyurl.com/MYSpower
• London Halloween Live Show: We are taking over ActOne Cinema in Acton on Friday 30th October at 7:30pm for a screening of Hammer’s Dr. Jekyll and Sister Hyde and a live podcast recording. Tickets are £14: https://tinyurl.com/DRJeky11
• 'Hammer Presents' Blu-ray Giveaway: Win a bundle of restored rarities including The Snake Woman, Dr. Blood’s Coffin, Cry of the Banshee, and Crucible of Horror. Enter before Friday 31st July: https://tinyurl.com/HamPrize
• General Witchfinders Issue 4: Grab our 76-page zine of unsettling folk horror fiction, original artwork, and deep-dive features: https://tinyurl.com/gwZINE

Support this show http://supporter.acast.com/general-witchfinders.

Hosted on Acast. See acast.com/privacy for more information.

Welcome to the very first episode of the General Witchfinders Book Club – a new spin-off from our regular British horror podcast, run in partnership with Teasel & Skylark, an independent bookshop in Dorchester.

To accompany our real-life, face-to-face book club meet-ups, host Ross Cleaver invites a special guest co-host onto the show every two months to discuss our latest reading choice.

On this inaugural episode, Ross welcomes author Ray Newman. Ray is the author of the novel The Grave Digger’s Boy, as well as three exceptional collections of short stories: Municipal Gothic, Intervals of Darkness, and Thin Places in Hard Concrete. Together, they delve into Andrew Michael Hurley’s acclaimed 2019 novel, Starve Acre.

Starve Acre

‘An impeccable work of folk horror’ – The Irish Times

The worst thing possible has happened. Richard and Juliette Willoughby's son, Ewan, has died suddenly at the age of five. Convinced that the boy still lives on in some form, and desperate to make contact, Juliette seeks the help of the Beacons, a seemingly benevolent group of occultists. Richard, an art historian, tries to blot out the pain of his grief by turning his attention to the field opposite their house, Starve Acre. Patiently he digs in the barren soil looking for the roots of a legendary oak tree, but unearths something which ought to have remained buried.

‘I will confidently predict that no reader will guess where it's heading . . . Hurley's ability to create a world that's like ours in many ways and really not in many others is again on full display’ – The Times

We want to build a community around these books, both locally in Dorset and remotely with our podcast listeners and zine readers.

• Join us in Dorchester: Ross leads the in-person discussions at the King’s Arms Hotel. Spaces are limited, so sign up at the Teasel & Skylark shop. Local club members get 10% off the featured books, plus 10% off all other books and gifts in-store (excluding original artwork). These discounts are only available in person at the shop.

• Join us from elsewhere: If you are not local, read along at home and send your thoughts or audio voicemails to [email protected].

If you are close enough to Dorchester, please order your copy through Teasel & Skylark and pop in to collect it. If you cannot get to West Dorset, please find your local indie store via Bookshop.org.

• Book Club Info: General Witchfinders Book Club
• Our Partner Bookshop: Teasel & Skylark
• Find Indie Shops Nationwide: Bookshop.org
• Support the Show: General Witchfinders Patreon
• Social Media: Instagram | Bluesky

Featured Guest Links (Ray Newman):

• Blog: Precast Reinforced
• Bluesky: Ray Newman on Bluesky
• Books: The Grave Digger’s Boy | Thin Places in Hard Concrete | Intervals of Darkness | Municipal Gothic

Support this show http://supporter.acast.com/general-witchfinders.

Hosted on Acast. See acast.com/privacy for more information.

Summer is the season of the spin-off at General Witchfinders. We have a few episodes beyond our usual format to share, starting with James’s exploration of parapsychology in the 1970s.

Why did that decade see such a dramatic rise in the cultural obsession with ESP, telekinesis, and psychic premonitions? James has been digging into the archives and thinks he has the answer.

Join James and Ross for an intriguing journey into the seventies counterculture in our new spin-off: ‘General Witchfinders – Department X: Mysterious Powers & Strange Forces’.

For people who struggle with background music behind speech, here is a voice-only version – https://drive.google.com/file/d/1am2tJWJtB_wIqxax3E11S-7eZQVLzyAw/view?usp=sharing

Support this show http://supporter.acast.com/general-witchfinders.

Hosted on Acast. See acast.com/privacy for more information.

https://www.actonecinema.co.uk/movie/general-witchfinders-present-dr-jekyll-sister-hyde/

We are bringing General Witchfinders to London on Halloween-eve – Friday 30th October at 7:30pm.

We really want to make this night a success – and by success, we mean not spending a load of money just to watch a film in a cinema all on our own! If you can make it, please grab a ticket and bring along a Hammer-friendly friend or two to help us fill the room. We would also massively appreciate your help to spread the word so we can reach as many people as possible.

We are teaming up with ActOne Cinema in Acton for a big-screen outing of Hammer’s Dr Jekyll and Sister Hyde, followed by a live podcast recording.

Tickets are £14 and available now.

https://www.actonecinema.co.uk/movie/general-witchfinders-present-dr-jekyll-sister-hyde/

If you can tell everyone you know, it would mean the world to us.

ActOne Cinema, 119 – 121 High Street, London, W3 6NA

Acton Town (Tube) and Acton Central (Overground).

Bus routes 70, 266, 440, E3, 207, SL8, and 218 stop nearby.

Salisbury Street car park is a two-minute walk away.

Support this show http://supporter.acast.com/general-witchfinders.

Hosted on Acast. See acast.com/privacy for more information.

Hammer Horror delivered one of its finest 1970s films with Blood from the Mummy’s Tomb, despite a notoriously cursed production. This 1971 British release is the studio’s fourth and final Mummy film, loosely adapted by Christopher Wicking from Bram Stoker’s 1903 novel The Jewel of Seven Stars. Crucially, it remains the only entry in the franchise where a physical mummy never actually appears.

The trouble began early when a gap in the studio schedule forced the film into premature production. Wicking wanted to keep Stoker's original book title, but James Carreras refused, leading to a brainstorming session that birthed Blood from the Mummy’s Tomb – a title Wicking never expected them to use. Wicking also clashed with producer Howard Brandy and was barred from the set, forcing him to work with director Seth Holt secretly in the evenings. Brandy later claimed the script was unshootable and heavily rewritten by Holt. Brandy also wanted to cast Amy Grant, but Sir James Carreras insisted on Valerie Leon.

Tragedy struck five weeks into the six-week shoot when Seth Holt suffered a fatal heart attack on set, collapsing into the arms of actor Aubrey Morris. Michael Carreras tried to recruit Don Sharp to finish the film, but Sharp was committed to a project in Israel. Michael Carreras ultimately directed the final week himself, later noting that Holt’s footage did not cut together well, forcing them to salvage what they could.

Valerie Leon shines in the dual roles of Margaret Fuchs and Queen Tera. Beyond her famous Hai Karate aftershave adverts and seven Carry On appearances – including Carry On Christmas: Carry On Stuffing – Leon delivered a critically praised performance but clashed with the studio. She was deeply upset when producers denied her time off to attend Holt’s funeral, and her refusal to perform a nude scene required a body double. Hammer never hired her again. Her career later included roles alongside two different James Bonds, Roger Moore and Sean Connery.

The supporting cast features incredible British character talent. James Villiers plays Corbeck, George Coulouris plays Berigan, and Aubrey Morris features as Doctor Putnum. Morris was described by Jeremy Brett to Noël Coward as the finest small-part player in London, boasting roles in The Wicker Man, A Clockwork Orange, and as the bubble-bathing B-Ark captain in The Hitch Hiker's Guide to the Galaxy. Rosalie Crutchley plays Helen Dickerson. James Cossins brings his trademark blustering authority to the role of an abusive psychiatric nurse, and a young Anthony Head makes an uncredited appearance.

Andrew Keir plays Julian Fuchs, stepping in after Peter Cushing completed just one day of filming before leaving due to his wife’s emphysema diagnosis. Keir's presence links back to our Quatermass and the Pit reviews, Daleks’ Invasion Earth 2150 A.D., and Cleopatra alongside Richard Burton. The film is elevated by a brilliant electronic score by Tristram Ogilvie Cary, the pioneer who founded EMS, created the VCS 3 synthesiser, and composed the music for the first Doctor Who Dalek serial.

Support this show http://supporter.acast.com/general-witchfinders.

Hosted on Acast. See acast.com/privacy for more information.

In this special live episode, we dive deep into the world of Folk Horror, discussing the legendary Big Christopher Lee, the ghost stories of M.R. James, and the groundbreaking television work of Nigel Kneale.

Recorded live at the King’s Arms Hotel in Dorchester, this event was hosted in partnership with our local independent bookshop, Teasel & Skylark, to celebrate the launch of our new zine. We explore the roots of British weird fiction, the enduring legacy of classic horror cinema, and the stories that keep us up at night.

This episode features the main discussion from the evening. If you would like to hear the five live readings from the zine, you can grab a physical copy from our website or sign up as a supporter to get access to additional exclusive content.

• Get the Zine: www.generalwitchfinders.com
• Support us on Patreon: patreon.com/generalwitchfinders

A massive thank you to Teasel & Skylark and everyone who came out to support our first live event!

Support this show http://supporter.acast.com/general-witchfinders.

Hosted on Acast. See acast.com/privacy for more information.

In this episode, we investigate the 1978 supernatural horror thriller The Medusa Touch. Directed by Jack Gold and adapted from the Peter Van Greenaway novel, The Medusa Touch is a quintessential piece of seventies British cinema that sits at the dark intersection of the disaster movie and the occult thriller. The film follows the investigation into the apparent murder of John Morlar, played with volcanic intensity by Richard Burton.

Richard Burton is the undeniable gravitational centre of The Medusa Touch. Despite Richard Burton only filming for three weeks and demanding a massive upfront fee, his presence as the telekinetic John Morlar defines the movie’s grim atmosphere. We discuss how Richard Burton portrayed a man who believed his thoughts could cause jumbo jets to crash and cathedrals to crumble. Interestingly, because of Richard Burton’s high cost, his character is often seen heavily bandaged in a hospital bed, allowing a stand-in to do the heavy lifting while Richard Burton provided the piercing close-ups and that legendary voice.

Fans of 90s rock will know that a specific line from Richard Burton in The Medusa Touch – ‘I will bring the whole edifice down on their unworthy heads’ – was famously sampled by the Manic Street Preachers. This misanthropic energy is what makes John Morlar such a compelling antagonist. Throughout our review of The Medusa Touch, we explore how Richard Burton channeled his own real-life disillusionment into the role of John Morlar, creating a performance that feels both radioactive and world-weary.

The supporting cast of The Medusa Touch is equally impressive. We look at Lino Ventura as Detective-Inspector Brunel, the man tasked with solving the mystery of John Morlar. Since The Medusa Touch was a co-production between the UK and France, Ventura provides a gritty, European perspective to this very British tale of destruction. Lee Remick, known for her work in The Omen, appears here as Dr Zonfeld, the psychiatrist who holds the keys to understanding the psychic pressure building inside John Morlar.

We also dive into the rich layer of British character actors that populates The Medusa Touch. From Jeremy Brett, the future Sherlock Holmes, playing the man who steals John Morlar’s wife, to the ubiquitous Harry Andrews and Gordon Jackson, The Medusa Touch serves as a ‘who’s who’ of the era’s talent. We even touch upon the vocal work of David de Keyser, whose rich tones dubbed Ventura and appeared in everything from Superman to Doctor Who.

Whether you are a fan of seventies horror, telekinesis films, or the legendary career of Richard Burton, this deep dive into The Medusa Touch has something for you. We examine the film's legacy, its sociopolitical commentary, and the sheer technical spectacle of the climactic cathedral collapse.

Support this show http://supporter.acast.com/general-witchfinders.

Hosted on Acast. See acast.com/privacy for more information.

Join the General Witchfinders for our first-ever live show! We are partnering with Dorchester’s premier bookshop, Tasel and Skylark, for a night of high-strung atmosphere and folk horror.

• Date: Tuesday 5th May
• Venue: Kings Arms Hotel, Dorchester
• Featuring: Live music, exclusive story readings, a deep-dive talk on Folk Horror, and the official launch of our brand-new zine.

Tickets are strictly limited – grab yours now at www.generalwitchfinders.com

Support this show http://supporter.acast.com/general-witchfinders.

Hosted on Acast. See acast.com/privacy for more information.

Welcome to another atmospheric installment of the General Witchfinders podcast. In this episode, we are throwing chronology to the wind and jumping straight into the heart of the Hammer Films oeuvre. Having previously explored the Baron’s first experiment in The Curse of Frankenstein and his final bow in Frankenstein and the Monster From Hell, we now settle into the middle of the franchise with the 1967 cult classic: Frankenstein Created Woman.

Directed by the undisputed master of gothic cinema, Terence Fisher, and featuring a career-defining performance by Peter Cushing, this film stands as one of the most intellectually provocative entries in the Hammer Horror canon. Interestingly, this is famously cited as one of Martin Scorsese’s favorite films, proving that the brilliance of the Baron transcends the "B-movie" label.

In Frankenstein Created Woman, Peter Cushing returns as Baron Victor Frankenstein. Unlike earlier iterations where the focus was on the stitching of limbs and the reanimation of dead tissue, the screenplay by Anthony Hinds (writing as John Elder) takes a metaphysical turn. Here, the Baron is obsessed with the soul.

The plot follows the wrongful execution of Hans Werner (Robert Morris), the lover of the physically scarred Christina Kleve (Susan Denberg). After Christina takes her own life in grief, the Baron captures Hans’s soul and traps it within Christina’s surgically repaired body. This results in a "soul-swapping" revenge thriller that remains unique within the Frankenstein series. Cushing’s performance is refined, showing a Baron who is less of a graverobber and more of a cold, calculated philosopher of the macabre.

The casting of Susan Denberg is central to the film's legacy. A German-Austrian model and 1966 Playboy Miss August Playmate, Denberg was already known to sci-fi fans for her appearance in the Star Trek episode "Mudd’s Women." While her visual presence is striking, the production decided her Austrian accent was too strong for the character.

Enter the legendary Nikki van der Zyl. If you have watched a James Bond film, you have likely heard her voice. She famously dubbed Honey Ryder in Dr. No and provided dialogue for countless Bond girls and even Gert Fröbe in Goldfinger. Her work on Frankenstein Created Woman adds a layer of polished professional mystery to Christina’s character, bridging the gap between Hammer Horror and the 1960s spy-fi aesthetic.

As we always do at General Witchfinders, we track the "mother nexus" of British character actors who populated the halls of Bray Studios. This film is a treasure trove for genre enthusiasts:

• Thorley Walters (Dr. Hertz): A close personal friend of director Terence Fisher, Walters brings a much-needed warmth to the role of the Baron's assistant. Fans will recognize him as a recurring Doctor Watson in various Sherlock Holmes adaptations, including Sherlock Holmes and the Deadly Necklace.
• Duncan Lamont (Werner): A veteran of the Hammer stable, Lamont appeared in the original Quatermass Experiment and returned for the 1967 film version of Quatermass and the Pit. He is also a favorite of ours from The Creeping Flesh.
• Robert Morris (Hans Werner): Another Quatermass alum who brings a tragic weight to the first half of the film.
• Derek Fowlds (Johann): Long before he was a household name in Yes Minister and Heartbeat, Fowlds was a RADA scholar cutting his teeth in the world of horror.

The road to Frankenstein Created Woman was long. It was originally mooted as a follow-up to The Revenge of Frankenstein in 1958, capitalizing on the popularity of Roger Vadim's And God Created Woman. By the time it went into production at Bray Studios in July 1966, it was one of the penultimate productions at that iconic location.

Support this show http://supporter.acast.com/general-witchfinders.

Hosted on Acast. See acast.com/privacy for more information.

In this episode, we dive deep into the 1972 British science fiction horror cult classic, The Asphyx (also known as Spirit of the Dead or The Horror of Death). Set in the Victorian era, this unique period chiller follows a wealthy philanthropist and amateur scientist, Sir Hugo Cunningham, who stumbles upon a way to photograph the "Asphyx"—the Ancient Greek spirit of death that appears at the precise moment of a person's demise.

Before we get into the meat of the film, we have to address the elephant in the room: the visuals. Throughout the episode, you’ll hear us absolutely tear into the "pan and scan" and the ropy, grainy picture quality of the version we watched.

Full disclosure: We’ve since realized we were watching a particularly bottom-of-the-barrel DVD. It turns out there are actually stunning, high-quality HD versions of The Asphyx available for free on YouTube! From the Todd-AO 35mm widescreen transfers to beautifully restored prints, the real film looks pretty good. If you want to see what Freddie Young actually intended, go search for it—it’s easy to find and looks worlds better than the disc we suffered through.

Despite our technical hurdles, The Asphyx is a fascinating piece of British cinema history. We explore the career of director Peter Newbrook, who rose from a messenger boy to the second unit photographer for the legendary mirage shot in Lawrence of Arabia.

Key Discussion Points:

• The Legend Freddie Young: How a three-time Academy Award-winning cinematographer ended up shooting a 70s mad scientist flick.
• The Ghostbusters Connection: We examine the theory that this film’s spirit-trapping tech was the direct blueprint for the 1984 Ghostbusters equipment.
• The Remake That Never Was: Details on the failed 2011 reboot that was set to star Bond girl Alison Doody.
• Music: Composer Bill McGuffie (of Daleks' Invasion Earth 2150 A.D. fame) and his incredible story of overcoming a childhood injury to master the piano.

The acting pedigree in this film is surprisingly high, featuring some of the most recognizable faces in British television and film:

• Robert Stephens: The star of The Prime of Miss Jean Brodie and The Private Life of Sherlock Holmes. We discuss his marriage to Maggie Smith and his iconic work in The Box of Delights.
• Robert Powell: From Jesus of Nazareth to fighting rats in Doomwatch, Powell brings a certain intensity to the role of Giles.
• Jane Lapotaire: A Tony-winner and star of The Crown (as Princess Alice). We also take a detour into her role in One of Our Dinosaurs Is Missing.
• Fiona Walker & Ralph Arliss: Spotting familiar faces from Doctor Who, I, Claudius, The Abominable Dr. Phibes, and the classic series Survivors.

Support this show http://supporter.acast.com/general-witchfinders.

Hosted on Acast. See acast.com/privacy for more information.