You'll truly be surprised as to who had a whale of a time at Avatar: The Way of Water and Guillermo del Toro's Pinocchio is artful but still Pinocchio.

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James Cameron is finally back on Pandora with Avatar: The Way of the Water - and while we're all for his message of conservationism that does not mean we love a recycled story...

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Director Guillermo del Toro finally gets his stop-motion Pinocchio onto the big (and small) screens. Empire of Light has a ton of prestige elements, but feels like it fails to go beyond surface levels. 

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David Harbour is a surlier (and bloodier) Santa in Violent Night. Lee Jung-jae takes a crack at directing in a Korean spy thriller Hunt. 

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Was Steven Spielberg really the best person to tell his own origin story in The Fabelmans? Were we feeling any chemistry in our bones for Bones and All? Also questions about the origins and intentions of Disenchanted and The Guardians of the Galaxy Holiday Special abound.

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Two Hollywood centric tales with Steven Spielberg's "not" autobiography The Fabelmans, and the story of taking down H*rvey W*instein in She Said. Plus Disney Animation's latest is Strange World - which most importantly is a Day After Tomorrow reunion. 

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We're back for Black Panther: Wakanda Forever and diving in to mutant history. Also The Menu is mostly a tasty treat, She Said is Hollywood's heavy look at itself, and Lindsay Lohan brings holiday ... cheer? in Falling for Christmas. 

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The new Disenchanted lacks some of the magic and spark of Enchanted. Plus a duo of films with very challenging characters with The Menu and Triangle of Sadness. 

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We don't envy the expectations Black Panther: Wakanda Forever had to live up to. Meanwhile Spirited is a Christmas musical, but is it one for the ages? 

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Are our brains playing tricks on us when it comes to Enola Holmes 2? Also Harry Styles tries to capital A act again in My Policeman, and Blockbuster doesn't quite live up to its name for us.