In spite of a stellar cast Armando Iannucci's The Personal History of David Copperfield fails to make the Dickens classic widely watchable. Guy Pearce tries to give an artistic rendering of a World War 2 art crime thriller in The Last Vermeer but lays it on too thick. Finally Vanessa Hudgens tackles her most ambitious role yet: poorly acting as 3 different versions of herself in Netflix's The Princess Switch: Switched Again. 

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Wonder Woman 1984 is coming to HBO Max on Christmas and so like the Justice League, THEDHK, Jacque and Matt gathered together when urgently called by this important news. What does this mean for films like Black Widow and James Bond? Will we be able to buy WW84 toys in time for the holidays?!

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Should all episodes of The Mandalorian take place on aquatic planets? Why does Matt resent LEGOs? Will we ever see the 1978 Star Wars Holiday Special on streaming? Why can't we have original content vs retellings of the SAMEEE stories over and over? Where did Nicole Kidman's accent go in The Undoing? THEDHK, Jacque, and Matt dive into in this week's episode.

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We wish Come Away would go away as it's one of the worst movies we've seen all year (and that's saying something). Also a brief FYI that Ammonite is out in theaters but will be on streaming Dec 4 - it's worth a watch but with tempered expectations. 

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Does Baby Yoda aka The Child actually not understand language or are they just a naughty toddler? How important are male skin care routines? Does anyone actually sit at home wallowing on Valentine's Day? All questions THEDHK, Jacque and Matt dive into as they discuss The Mandalorian, Holidate, and The Undoing. 

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You should absolutely not go to Let Him Go and unfortunately you also probably shouldn't make a date with Holidate on Netflix (which feels like it was sponsored by a mall lobbyist group).

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How does a Sarlacc digestive system actually work? Are we going to have to watch Star Wars: The Clone Wars? Why did Jango Fett never have a problem taking off his helmet? Does any of this really matters or do we just care about our beloved Baby Yoda returning (yes yes we know it's "The Child") in The Mandalorian Chapter 9?

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How far are we from narrative plentitude? Will there come a day when POC won't feel pressured to support a project JUST because it centers around diverse representation? Is there space for successful animated films that aren't big budget but have artistic integrity?

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The only scary thing about Come Play is how bad it is. Thankfully there's The Queen's Gambit on Netflix to keep our interests pinned.

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Why would you try to outdo Hitchcock at his own game? What makes a great adaptation (or in this case bad ones)? Why are there so many movies that have plots that could be solved by one conversation?

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