What Now with Simo

What Now with Simo

By Simo Sakari AaltonenArtsMusic
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What Now with Simo episodes

  • 4.15 Northern Dream, Morricone and Tiomkin, and Tremendous Freedom

    Northern Exposure dream — Rich and long — Many scenarios and segments — Dreams are a gift — Places familiar from earlier dreams — Another puzzle piece — Stan Jones song “Riders in the Sky” (1948) — A seed for Ennio Morricone — Great Western music — Finding my own way — Sergio Leone asked him to write in the style of Dimitri Tiomkin’s Western soundtracks — Born in Russia, moved to the United States — “Do Not Forsake Me, Oh My Darling” from High Noon (1952) — Later instrumental music — The two influences — Spotify playlist “What Now 1956–1959” — Performance by Nelson Riddle — Music composed by Tiomkin — Two John Wayne movies — Rio Bravo (1959) and The Alamo (1960) — Johnny Puleo & His Harmonica Gang’s “You Are Always in My Heart” — Now in the 1960s — Journey through music — So far listened to 72,268 tracks — Created 3,201 playlists — New: “What Now 1960–1964” — Name and cover art changes — Great freedom — The Scorpions: “(Ghost) Riders in the Sky” — The Ventures: “Pipeline” and “Spudnik (Surf Rider)” — Firing the imagination — This freedom never existed before — How elusive it is — Only some very special artists have the key to that freedom always — David Lynch’s INLAND EMPIRE (2006), Mulholland Dr. (2001), and Twin Peaks season 3 — So much more to do with that freedom — Freedom and fragmentation — With regard to my own work — It comes through you — It’s somewhere out there — Flowing through what you do — Can’t be faked — You know the real thing immediately — Marketing tricks — May take a long time — Finding your way to ever more true and real things — Goes for life as well — Don’t settle if… — Feeling truly loved — “You are the one. I don’t want anyone else.”

    14 min
  • 4.14 Sky Flowers, Just One More Thing, and Three Ravens or Crows

    Back at the lake — Episode of updates — Water perfect for swimming — One of my very favourite things in the world — Immersing myself in water — Lake, swimming pool, bathtub — When I start to float — Your own private world of blueness — The good type — The fresh smell of the lake — If you could bottle that… — Pierre Estève’s new album Sky Flowers — On Bandcamp — You never know what to expect — All kinds of musical realms — Musical explorer and adventurer — Flowers of Change — Fresh listening — Store selling used books and magazines — The memoirs of Peter Falk: Just One More Thing — Columbo — A book very much after my own heart — Varied and modular style — Kin to David Lynch’s Catching the Big Fish, John Cage’s Silence, and my own Art & Love series — Mostly short chapters — Great use of titles and subtitles (subheadings) — Adventurous and fun books — Small chunks — More light on negative space — Thinking and talking became a second-best choice — An illustration of negative space — Negative space defines the work — It opens and frees you up — Book designs I dislike and like — A joy or a chore — Why I do things the opposite way in my own books — My music now on numerous streaming and download sites and social media platforms (e.g. Instagram and TikTok) — Passages Dark and Light — All this is legit — The music remains completely owned by me — Will never give away the copyright to my work — Spotify, Apple Music, Amazon Music — More than 150 platforms — Royalties — Art full time — Living the dream — A huge plus of Bandcamp — Warm thanks to my first supporters there — Stephen, Roberta, and Michael — You made this possible — Working on new albums — Folk song “The Three Ravens” — Spotify playlist for 1956–1959 — Raveny rendition by Frances Faye — Three crows on the wooden bridge — On the cover of At Dawn: Early Short Stories — When things like this happen — Something I believe

    15 min
  • 4.13 Wild at Heart, Negative Space, and Petering Out

    Weather totally amyaazing — Midsummer — Drifting and talking — Quick course correction — Too close to a marker — A whole episode about negative space — Other thoughts — David Lynch film Wild at Heart (1990) — Starring Nicolas Cage and Laura Dern — Beautiful sequence — Gas station — Drive through a desert — Trying to get good music on the radio — 100 miles to go — Horrible stuff — Violence, death, health issues — Lula — Sailor Ripley — Powermad (band) — Letting go — From heavy metal to a classical song — Richard Strauss’s “Im Abendrot” (“At Sunset”) (1948) from Four Last Songs (Vier letzte Lieder) — “Abendrot”: “evening red” — Different versions of the song — Rowing — Great tempo — Finnish for “world”: “maailma” — “Earth” (“maa”) + “air” (“ilma”) = “earthair” (“maailma”) — Concise way of saying “planet” — Earth surrounded by air (the atmosphere) — Negative space

    9 min
  • 4.11 Lake, Land of Youth & Beauty, and Plans

    Good morning from the lake — Back to rowing — Future presentations of my books — At Dawn: Early Short Stories — Land of Youth & Beauty: Early Poems — Hardcover and ebook — Low profile for the moment — The Land of Youth and Beauty — Feeling truly loved — Then you feel young and beautiful — Chronological age — Chris Stevens in Northern Exposure — A kind of companion book — Title, cover design, nature — No assembly line — So many things — Screenplays and stage plays — Poems from a time of searching — From my heart, soul, and secret self — The most special things — Many styles and topics — Now a very clear sense of direction — Markers to my future — The commentary section of At Dawn — Dates and comments — Classical poems — Sonnets — Other rhyming styles — Different rhyme schemes — “Oisín and Niamh” — From the game Serena (2014) — Free verse — Stream of consciousness — Spare poems — Happy, unhappy, absurd, funny… — No dates — Pedantry and lyricism rarely go together — Earliest poem from the year 2000 — Magazine of the Department of English — Only hardcovers and ebooks in the future — The beauty of the hardcovers — “These are now the final versions of these books.” — Royalties about the same — No gouging — Every piece of art is a result of the artist’s whole life — Not only the mechanical action — Avoiding getting killed for thousands of days and night — Great relief — Weight off my shoulders — A local lake monster — Finishing things — Need to update website — Readings and other types of events — Videos — A right time for everything — Forgot to bring a hat — Sun beating down on my head — Looking forward to working on future creations — Backlog project — Many things to do and feel — Great feeling — Bare stage or fresh page — Visual art — Early music — Transcripts — Long intervals between episodes — David Lee Homb — Pierre Estève — Some future episodes — More room to breathe — Episodes on a more regular basis — Need to prioritise — Future presentations — Dedicated episodes — Spontaneity — Thank you for joining me on my little rowboat — Beautiful morning — Take care

    27 min
  • 4.10 In Which I Go on a Picnic

    Good spot for a picnic — Green grass — Forgot the pillow — Shade — Sandwich — S.Pellegrino sparkling natural mineral water — Shoes — Rainbow-coloured blanket — Helmet — Why haven’t I done this before? — I don’t believe in beating yourself up — Easygoing — A long time ago — Academia — Dry place — Parties and picnics — May Day — That part of the day — In warmth with a breeze — Basic things most important — Fresh air — The smell of grass — Colours — Tastes — Smells — A touch — Senses — Art & Love, Vol. 1 — Next part — Chapter on sensuality — Not hedonism — Indulgence leads to unhappiness — Distorted looking glass versions — What I see right now — Sunglasses — Bottle — Black bag — Shoulder bag from London — Zoom recorder — Lime-coloured helmet — Adjusting mechanism — Cars — Buildings — Hotel — Red brick factory — Caterpillar beer festival tent — Lakeside — Future topics — At Dawn: Early Short Stories — Passages Dark and Light — Ambushed — Amusement park — Creepy Carnival — Everything has its own time — Pushing, imposing, forcing — No — Eating the sandwich — Your battery — Eating outside — Perfect picnic moment — Very early summer — Buzz — “It was a picnic kind of a day…” — Mouthful — Taking photos — Thanks for joining me — Moving on — Sun — Find myself a city bike — Packing up — Paper Tiger — You’re on my leather gloves now — For protection — Crumbs for birds — Down the hill, past the dandelions — Take care

    30 min
  • 4.9 2nd Anniversary Special

    “Season 4 Theme — 2nd Anniversary Opening Version” (@ 0:00) — Two years from recording the first episode at Hótel Vellir in Iceland — My mother’s passing — My parents — “2nd Anniversary Lyre” (@ 1:52) — New leather couch from Denmark — “Passages Dark and Light — Part 1” (@ 2:40) — Note regarding earlier symphony discussion — At Dawn: Early Short Stories for a later episode — The three first Psycho films — Anthony Perkins — Lasting use of language — David Lynch and Ray Bradbury — Henry Purcell: “What Power Art Thou” from his opera King Arthur (1691) — David Lynch swearing — The music of Ron Jones — Sleeve notes from Film Score Monthly — What Star Trek was originally meant to be — Once upon a time — A person like a dragon — Philip K. Dick quote from his novel VALIS (1981) — Ideas — Intuition — Everything connects — Authentic and right — Don’t fake it until you make it or you may break it — Negative space — A novel can be any length — Freshness from leaving out all the extraneous things — The Hours (2002) — The Elephant Man (1980) — Twin Peaks: Fire Walk with Me (1992) — INLAND EMPIRE (2006) — Healing devastation — Best possible advice for dealing with trauma — Readings of Ray Bradbury — “The April Witch” (1952) — How can we forget beauty? — Close Encounters of the Third Kind (1977) — The suburb scenes — Roy Neary played by Richard Dreyfuss — Metaphor for creativity — Artists can eat their cake and have it too — Northern Exposure did that often and well — John Williams quoting from “When You Wish Upon a Star” from Pinocchio (1940) — Happy ending? I think not — Immature vs. mature — Field of Dreams (1989) — Dignity — Actors with dignity often get exploited for undeserving stories — Bryan Cranston — Jonathan Banks — The emotional toll this takes on the makers and viewers — I must speak my own convictions — Breaking Bad and Game of Thrones as examples of immature storytelling — Modularity as a creative principle — Quote about good teachers — Paul Chadwick’s Concrete — Melissa Strangehands — Art commenting on art — Drawing from life itself — Art in your favourite TV series — A rock garden — Fragmentation — More on art in story worlds — Do comedians exist? — Moments that would shatter the psychotic intensity of many series — “C’mon, man. Don’t be stupid.” — Twin Peaks, Northern Exposure, Seinfeld — Dreams of Norm Macdonald, Philip Glass, and David Lynch — All the things stories are — One thing, two things, three… — A series for the young at heart — Dear listener of the future — Drink cans — H. P. Lovecraft poem: “The Garden” — “Lovecraft’s Garden” (@ 42:41) — “Passages Dark and Light — Part 2” (@ 43:49) — Fake drinking in films and TV series — Imagine a world without potatoes — I had a dream of you today — About half done with the remaining notes — Cheering anecdote — All the music has been composed and performed by me — The future of my music — A video can give the best possible sense of how a book looks and feels — Good wishes to good people — Much love — “Season 4 Theme — 2nd Anniversary Closing Version” (@ 53:20)

    54 min
  • 4.7 Notes to Self, Plastic People, and Symphonies Then and Now

    “Notes to Self” (@ 0:25) — Backlog — Some individual points — Line by Rod Serling — “What are you, some kind of sadist?” — Nicholas Meyer on specificity and universality — The very picture of a violinist — Sir Yehudi Menuhin — Poster in a café — Tastes in music — Plastic people — A really bad idea — Symphonies were originally not expected to be heard by any single person more than once — What types of music and what pieces of music you can listen to over and over again — Expectations of Beethoven, Mozart, and others — Very different now — Expected relistenings — Theme music for this podcast — Most advertising jingles annoy on purpose — Angelo Badalamenti’s theme for Inside the Actors Studio — Twin Peaks theme by him and David Lynch — Highly relistenable — Sometimes you hit those times in life where the heaviness of what you need to experience is overwhelming — You can’t express love generically — Devalues expressions of love — The companion playlists: “What Now with Simo 1952–1955” and “What Now with Simo 1956–1959” — No longer tweeting about new additions — On Spotify — Sharing beautiful creations with others

    13 min
  • 4.6 Warmth, Light, and Freedom of Expression

    Year 2022 — On a train — Warmth — Finland has two great festivals of light and warmth — Midsummer and Christmas — Human warmth is a miracle — The most difficult thing to get across in art — Harder than comedy — Everything needs to be just right — Sense of balance and lightness — The Finnish Christmas song “Varpunen jouluaamuna” (“Sparrow on Christmas Morning”) — Prose translation in the season 4 book — Upcoming books and updates — The season 3 book will be special — Now all episodes play on all devices — A lot of catching up — Several books in the first half of 2022 — Collection of short stories — Hardcovers — Excellent printing — A tremendous change — Avenues of expression — Before the Internet and social media — We used to live in a world of far more limited freedom — Trilingual (Finnish, Swedish, English) announcement (Orivesi) — Algorithms — Editorial process — Nobody was in control of their own words — People have largely forgotten this — The bad old days — Everything was controlled by gatekeepers — The freedom of expression we now have — Struggle of thousands of years — Any threat to this needs to be fought — Always have final cut (David Lynch) — The rest of my backlog — After that, whole new fresh projects — Creations from times of searching — Different and distinct — These times — Blind faith in life working out — Even when it makes no sense to believe that — Light on the horizon

    14 min

About What Now with Simo

From the publisher's feed

A freeform, wide-ranging podcast by writer and composer Simo Sakari Aaltonen on any topics foremost on his mind at the time of recording. The seasons are also collected in book form. Some favourite…