What the Riff Next Gen

By Rob Marbury, Wayne Rowan, Bruce Fricks, John LynchMusic Music Commentary

What the Riff Next Gen episodes

October 21, 2024 1992 - February: Ozzy Osbourne ”No More Tears”
No More Tears, the sixth solo studio album by Ozzy Osbourne, was released at an interesting time in rock music. Hair metal acts were in decline, and grunge was about to take off. Nevertheless, Ozzy hit it big with this album, reaching number 7 on the Billboard 200 charts, and providing Osbourne's only solo top 40 hit. No More Tears is generally considered his best album since his first two solo albums, "Blizzard of Oz," and "Diary of a Madman," both of which featured the late Randy Rhodes on guitar.
The songs on the album are largely written by Ozzy, drummer Randy Castillo, and guitarist Zakk Wylde. Motorhead bassist and front man Lemmy Kilmister wrote the lyrics to four of the tracks on the album. Additional musicians for this album were Bob Daisley on bass, and John Sinclair on keyboards. This would be the last Ozzy album to feature Castillo and Daisley.
As became more common in the compact disc era of the 90's, the tracks on this album tend to be longer than the typical single. None of the tracks clock in at less than 4 minutes, and the longest falls just short of 7 1/2 minutes.
In addition to boasting Osbourne's first top 40 hit, he also received a Grammy for "Best Metal Performance" for the track "I Don't Want to Chane the World" when released on his "Live & Loud" album in 1994.
Rob brings us this heavy metal throwback for this week's journey back to the 90's.
Mama, I'm Coming Home
This track peaked at number 28 on the Billboard Hot 100, making it Osbourne's only top 40 solo single. This power ballad contains lyrics by Lemmy Kilmister, the front man from Motorhead. The song is about his wife Sharon, who helped turn his life around.
Desire
A crunchy deep cut talks about going for what you want - not changing over time, seeking the same desire. Osbourne also makes a reference to "Crazy train," his hit from the early 80's. "It's the same old desire, nothing's changed, nothing's the same. Burning like fire, don't you ever take my name in vain."
Road to Nowhere
The last song on the album is a reflection on life. Osbourne had gone sober after 20 years of drugs and alcohol, and he looking at how "the road to nowhere leads to me." "I was looking back on my life and all the things I've done to me."
No More Tears
This very dark title track has an epic feel, and despite its length hit number 5 on the US Mainstream Rock Tracks chart, number 71 on the Billboard Hot 100, and number 32 on the UK Singles chart. The lyrics are told from the perspective of a stalker in a red light district seeking a victim to torture.

ENTERTAINMENT TRACK:
Wayne's World by Aerosmith (from the Saturday Night Live skit “Wayne's World”)
This skit finds Wayne (Mike Myers) and Garth (Dana Carvey) partying in their basement with the band Aerosmith.

STAFF PICKS:
Tough It Out by Webb Wilder
Wayne starts out the staff picks with a deep cut. Webb Wilder was born John Webb McMurry in Mississippi, and carries a high energy combination of rock, psychedelic, blues, and rockabilly genres in this song that encourages the listener to keep fighting for dreams even when the odds seem stacked against their fruition.
Alive by Pearl Jam
Lynch brings us a song which evolved from songwriter and front man Eddie Vedder's original intention. Vedder reflects on the feelings of a boy discovering that he was a stepchild. While the lyrics were intended as reflecting the curse of an emotional weight from family history, fans interpreted it as an affirmation of life.
I Can't Make You Love Me by Bonnie Raitt
Bruce takes the energy way down with this soft hit off Raitt's eleventh studio album, "Luck of the Draw." Bruce Hornsby provides the piano accompaniment. Nashville writers Mike Reid and Allen Shamblin wrote the song after hearing about a drunk man being sentenced for shooting at his girlfriend's car. When asked if he had learned anything, he said, "I learned, Your Honor, that you can't make a woman love you if she don't."
Anybody Listening? by Queensryche
Rob finishes the staff picks with a "prog metal" song off the "Empire" album that questions whether we really are communicating with people, and wondering if we are understood whether by word or deed. It was an epic with multiple tempos, dynamics, and key changes that finished off the album.

INSTRUMENTAL TRACK:
Masquerade by Yes
We close out with a surprisingly short song by the prog rock virtuosos off their "Union" album.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
49 min
October 14, 2024 1978 - November: Kansas ”Two for the Show”
Kansas was at the height of their prowess and popularity as a prog rock-leaning band in 1978 when they released their first live album, Two for the Show. Recorded during tours in 1977 and 1978, the double album gives the listener a glimpse into the energy of the band at the time. The songs span the first five studio albums released by the group, from the eponymously named "Kansas" to the highly successful "Point of Know Return."
Kansas would have a number of personnel changes over time, but this lineup would be the classic one. Steve Walsh is on keyboards and vocals, Robby Steinhardt is on violins and vocals, Kerry Livgren is on guitars and keyboards, Rich Williams is on guitars, Dave Hope is on bass, and Phil Ehart is on percussion.
In addition to the complex metered songs and excellent harmonies, Kansas also features Robby Steinhardt on violin in most of their songs. The unusual use of violin in a rock band would create one of the signature sounds of Kansas.
Kansas would go on to have a number of hits in the 80's. In 1982 front man Steve Walsh would leave the group and be replaced by John Elfante. In 1983 both Livgren and Hope would leave the group to form the contemporary Christian band called AD. Later Elfante would also leave the group to join the Contemporary Christian music genre, replaced by a returning Steve Walsh.
Bruce presents this live prog rock masterpiece for this week's podcast..

Song for America
This long-form masterpiece from the album of the same name was written by Kerry Livgren. Its 3+ minute instrumental prelude did not make it onto the single release, but was a staple of FM rock stations at the time. Livgren was inspired to write the song after viewing the country from a plane flight.
Dust In the Wind
The big hit from "Point of Know Return," went to number 6 on the Billboard Hot 100. Livgren originally wrote the music as a guitar exercise, and his wife encouraged him to develop it into a song. The lyrics for this ballad come from the Bible, where the Preacher from Ecclesiastes says "everything he (man) has accomplished is futile - like chasing the wind." This live version concludes with an acoustic guitar outro performed by Rich Williams.
Lonely Wind
The live version of this song from their debut studio album begins with a piano solo from Kerry Livgren. Steve Walsh penned this melancholy track about loneliness, with the wind personifying that feeling. "Cry for me, sigh for me, sad breezes blow. Stay for me, play for me, the song my friends will know. My lonely wind must blow."

ENTERTAINMENT TRACK:
Grease by Frankie Valli (from the motion picture "Grease")
John Travolta and Olivia Newton-John star in this blockbuster musical set in a 50's high school. 50's icon Frankie Valli performs the title song, written by Barry Gibb.

STAFF PICKS:
Strange Way by Firefall
Wayne goes more mellow than normal to start the staff picks. This was the first track and big hit from the third album by Boulder, Colorado's Firefall. It talks about a relationship based on relaying sorrow or self-pity, and not being able to move the current relationship forward.
Straight On by Heart
Rob brings us a well-known song from Ann and Nancy Wilson of Heart. This was the first single off their album "Dog & Butterfly," and became their third top 20 single, hitting number 15 on the Billboard Hot 100. The lyrics compare love to a game of chance, where you have to take some risks if you want to win.
Fat Bottomed Girls by Queen
"Get on your bikes and ride!" Lynch features a hit written by Brian May with Freddie Mercury in mind, knowing that Mercury appreciated women of "substantial girth." It was a part of a double A side release with "Bicycle Race," and the songs reference each other in the lyrics.
How Much I Feel by Ambrosia
Bruce's staff pick is a soft rock hit that went to number 3 on the Billboard Hot 100. Front man and co-founder David Pack wrote this song about a long-lost love that the singer will never truly get over. Pack would go on to perform on the Kansas album "Vinyl Confessions" in 1982.

NOVELTY TRACK:
Y.M.C.A. by the Village People
All skate, everyone skate for this fun throwback that tells a young man where he can go when he's short on the dough.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
46 min
October 07, 2024 1985 - November: Bruce Springsteen ”Born In the U.S.A.”
There were few rock albums in the 80's which achieved the popularity levels of Born In the U.S.A., the seventh studio album by Bruce Springsteen. Songs for this album were recorded with the E. Street Band over a two-year period from 1982 until 1984, the totality of songs far outstripping the available space on the album. Somewhere between 70 and 90 songs were created during those sessions, some being released as B-sides Ultimately twelve songs landed on the album, seven of which were released as singles. All seven singles reached the top 10 in the United States.
The songs reflect Springsteen's blue collar sensibilities, but also have more pop influence musically than some of his earlier works. Springsteen made more prominent use of synthesizers in these pieces, and the shorter, more radio-friendly tracks surely contributed to the success of the album. “Born In the U.S.A.” was the biggest selling album of 1985, and remains Springsteen's most successful studio album. The album's success also catapulted Bruce Springsteen's fame to stratospheric levels, a consequence which he considered a mixed blessing.
While the music is pop oriented and lively, the lyrics are often darker, reflecting the aftermath of the Vietnam war and struggles of blue collar life. It may be a strange juxtaposition, but it worked.
Born In the U.S.A. was released in 1984, but singles from the album were still being released in 1985, the last of which was released in November.
Lynch brings us this monster album of 80's heartland rock in this week's podcast

Glory Days
The fifth single released from the album was inspired by an encounter Springsteen had with an old friend and star high school baseball player in a bar in 1973. It reflects on the passage of time and the way we look back on the days of our youth with nostalgia.
Dancing In the Dark
This track was born out of frustration. Springsteen's manager was pushing for him to write a hit single, and the lyrics reflect the pressire Springsteen felt to write a hit. Interestingly the song became Springsteen's biggest hit, reaching number 2 on the Billboard Hot 100. The video is famous for a scene where Springsteen pulls a fan - the actress Courtney Cox before her fame on the TV show “Friends” - on stage to dance.
I'm On Fire
Springsteen developed this song in early 1982 while experimenting with a slow Johnny Cash rhythm. The lyrics are built around sexual tension for a seemingly unavailable love. The video portrays Springsteen as an auto mechanic working on a Thunderbird for an unseen female who brings the car in frequently and always asks for him to do the work.
Born In the U.S.A.
The title track and opening song to the album is a protest song disguised as a patriotic song. It was inspired by Ron Kovic, a Vietnam War veteran and wheelchair-bound anti-war activist who wrote the memoir “Born on the Fourth of July.” Despite its protest origins, it became associated with Ronald Reagan's optimistic 1984 campaign due to its strong chorus.

ENTERTAINMENT TRACK:
Living In America by James Brown (from the motion picture “Rocky IV”)
Brown makes a cameo in this Rocky movie when Balboa's antagonist turned friend Apollo Creed fights an exhibition against Soviet athlete Ivan Drogo in Las Vegas.

STAFF PICKS:
She Sells Sanctuary by the Cult
Wayne gets the staff picks rolling with the first big hit from the Cult. The lyrics reflect the feeling of safety that the singer receives when being around a particular woman. Front man Ian Astbury has stated that "...plain and simple. It's about sex." This group channels a bit of goth rock and a bit of fuzzy psychedelia.
To Live and Die in L.A. by Wang Chung
Rob brings us a deeper cut from the film noir "To Live and Die in L.A." Director William Friedkin liked the group and asked them to compose the entire soundtrack. This piece is the title track for the soundtrack, and gives off the neo-noir feel of the thriller.
Overjoyed by Stevie Wonder
Bruce features a hit song of the twentieth studio album from Stevie Wonder, "In Squared Circle." The song was written back in 1979 for the album "Journey Through the Secret Life of Plants," but didn't make that album. It was first performed live on Saturday Night Live in 1983. Jazz guitarist Earl Klugh contributes on this song.
Running Up that Hill (A Deal with God) by Kate Bush
Lynch finishes the staff picks with a song that got new life from the series "Stranger Things." Bush's unusual lyrics reflect a desire to make a deal with God to trade places with her husband for a time so she would better understand him.

INSTRUMENTAL TRACK:
Where's the Walrus? by The Alan Parson's Project
We finish off today's podcast with an instrumental from The Alan Parson's Project album "Stereotomy."
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
43 min
September 30, 2024 1983 - June: Dire Straits ”Love Over Gold”
We covered the big commercial hit album "Brothers In Arms" back in episode 154, but many afficianados of Dire Straits consider their finest work to be the album that preceeded this one. Love Over Gold is their fourth studio album, released in late September 1982 and on the charts in June 1983. For this album, prime mover and lead vocalist Mark Knopfler, bassist John Illsley, and percussionist Pick Withers are joined by new members Hal Lindes on guitars and Alan Clark on keyboards.
The songs on this album are longer than your standard single, particularly the majestic 14-minute "Telegraph Road." Despite their length, "Private Investigations" was released as a single in the UK and reached number 2on the charts. The shortest song, "Industrial Disease" (still clocking in at 5:50) was released as a single in the US. It would reach number 75 on the Billboard Hot 100, but would be a staple of rock radio stations at the time.
A number of songs were written and recorded during the "Love Over Gold" sessions, but subsequently discarded from album release. Amongst these was the song "Private Dancer," which was instead provided to Tina Turner for her comeback album of the same name. Turner would take this song to number 7 on the US charts, and see her career reinvigorated by the success of her "Private Dancer" album.
"Love Over Gold" was a number 1 album on a number of charts, including Australia, Austria, and the UK, and reached number 19 on the US Billboard 200 albums chart.
Rob brings us this outstanding, deep, and thought-provoking album for this week's podcast.
Telegraph Road
This lengthy masterpiece was inspired while Knopfler was riding in his tour bus down the 70-mile road of the same name. The song narrarates the development and history along the road as the decades roll past. It is easy to describe this song as prog rock, but it also contains one of the best guitar solo riffs you will hear.
Industrial Disease
Goodness me, goodness me! We have to highlight the US single from the album. The title comes from a term for work-related illness, and the term in this song references both individual work illness and the decline of British industry in general. The reference to Dr. Parkinson is a British professor and satirist who is famous for the phrase "work expands to fill the time available for its completion."

ENTERTAINMENT TRACK:
Overture to the Marriage of Figaro by Mozart (from the motion picture “Trading Places”)
Eddie Murphy and Dan Aykroyd star in this comedy about a yuppie and a homeless man who are forced to trade places as the result of a bet by two rich stock brokers.

STAFF PICKS:
Murder By Numbers by The Police
Bruce initiates the staff picks with a dark song about becoming a serial killer. This Police song appears on the cassette and CD version of the album "Synchronicity," but was left off the vinyl due to lack of space. It was written by Sting and Andy Summers, the only collaborative song on the album, and was recorded in a single take.
Rock of Ages by Def Leppard
Lynch brings us a huge song from Def Leppard's "Pyromania" album. Producer Mutt Lange counts off the nonsensical "Gunter Glieben Glauten Globen," to open the song, and the lyrics form an anthem suitable for arena show openers. Joan Jett's "I Love Rock 'n' Roll" was an inspiration to the creation of this anthem.
Don't Pay the Ferryman by Chris deBurgh
Wayne's staff pick takes a fantasy approach to the story of Charon and the crossing of the river Styx, advising not to pay until the trip is done. Irish artist Chris deBurgh broke into the US top 40 with this song, peaking at number 34. Lines from Shakespeare's play "The Tempest" can be heard in the bridge to the song.
The Walls came Down by The Call
Rob finishes the staff picks with a song that is inspired by the Biblical tale of the fall of Jericho. Lead singer Michael Been would pull biblical references into his lyrics, including this song. The Call formed in 1980 in California, and blended rock, New Wave, and post-Punk. U2 and Simple Minds both consider The Call an influence in their music.

COMEDY TRACK:
My Bologna by "Weird Al" Yankovic
We close out with Weird Al's meaty take on "My Sharona by" the Knack.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
44 min
September 23, 2024 1972 - August: Emerson, Lake & Palmer “Trilogy”
If you are exploring the rise of prog rock, it doesn't take long until you encounter the power trio of Emerson, Lake & Palmer. This progressive rock band is actually a supergroup. Keyboardist Keith Emerson came from The Nice, vocalist and guitarist Greg Lake was in King Crimson, and percussionist Carl Palmer was from Atomic Rooster. Emerson, Lake & Palmer formed in 1970 and would make their mark as a prog rock band which adapted classic and symphonic music into the rock genre, with elements of jazz, acoustic, and art rock coming into play. Most ELP songs are long and complicated, not making any attempt to stay within the confines of the “hit single” pop track.
Trilogy is the trio's third studio album, following their eponymously named debut, their second studio album entitled “Tarkus,” and their live album, Pictures at an Exhibition. Trilogy continues a tradition of combining original material with adaptations of classical music. It was also a challenging album for the group to make, utilizing more overdubs than previous albums. The upside is a great sounding, polished album. The downside is that the music was difficult to duplicate live, causing a number of the songs from Trilogy to be minimally used in set lists.
The album was considered both a critical and commercial success, reaching number 2 on the UK albums chart, and number 5 on the US Billboard 200 chart.
ELP would continue as a force in the 70's, breaking up in 1979. Both partial and full reunions would continue through the 1980's and 1990's, with their final performance being held in 2010. Both Keith Emerson and Greg Lake died in 2016.
Wayne takes us through this prog rock masterpiece for this week's podcast.

Fugue
We open with an instrumental featuring Keith Emerson on keyboards. A fugue is a style of music involving counterpoint, popular in the Baroque musical era of the 1600's. You will get exposure to a lot of serious musical compositions and style listening to this group.
From the Beginning
This is the "hit" from the album, if you think of Emerson, Lake & Palmer in terms of popularity. It went to number 29 on the US charts, and is the highest charting US single. Greg Lake wrote the music and lyrics, and plays the acoustic guitar for this ballad. The lyrics take on a philosophical sone, emphasizing the importance of the present moment, while not missing past mistakes and missed opportunities.
The Sheriff
Keith Emerson wrote the music and Greg Lake wrote the lyrics to this western-themed track. It tells the story of an innocent man fleeing the law, encountering the law in the form of the Sheriff, then taking the Sheriff's place after shooting him. It ends with a great honkytonk piano solo.
Hoedown
Immediately following “The Sheriff” on the album, the group creates an adaptation of Aaron Copeland's iconic “Hoe-Down,” written for his classic ballet entitled “Rodeo” in 1942. This tune became well known after being used in advertisements by America's Beef Producers.

ENTERTAINMENT TRACK:
Main theme from the motion picture “Super Fly”
Curtis Mayfield created this song for the black-oriented crime drama film of the same name.

STAFF PICKS:
Best Thing by Styx
Bruce leads off the staff picks with the first single from Styx's first album. Dennis DeYoung and James Young wrote the song and trade off on lead vocals. It peaked at number 82 on the Billboard Hot 100. This is a great tune to hear and grasp what the early days of Styx sounded like.
Rock and Roll, part 2 by Gary Glitter
Rob brings us a glam rock anthem made famous today by its use in sports stadiums nation wide. This single off “Glitter,” the debut album by Gary Glitter, is the only one of his singles to crack the U.S. top 10. Both “Rock and Roll” part 1 and part 2 peaked at number 2 on the UK singles chart.
Brandy (You're A Fine Girl) by Looking Glass
It is a mystery how Lynch was able to pick up this well-known classic of yacht rock this late in the podcasts. This track tells the story of a waitress who gives her love to a sailor, knowing that he would never be on shore for long.
Will It Go Round in Circles by Billy Preston
Wayne's staff pick is a funky tune from the man often known as the fifth Beatle. Preston played with a number of musicians, including Ray Charles, Little Richard, Sam Cook, Eric Clapton, Aretha Franklin, Joe Cocker, and of course the Beatles. This soulful tune sold over a million copies and topped the Billboard Hot 100 chart.

INSTRUMENTAL TRACK:
Walk In the Night by Junior Walker & the All Stars
This jazz-infused (largely) instrumental track closes out the podcast for the week.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
36 min
September 16, 2024 1980 - February: Bob Seger & the Silver Bullet Band ”Against the Wind”
If you're looking for great Heartland Rock, a great choice would be the album Against the Wind. Depending on how you count it, it could be considered Bob Seger's eleventh studio album, but it is the third album of the iteration known as Bob Seger & the Silver Bullet Band. Seger is joined by Drew Abbott on guitar, Chris Campbell on bass, and David Teegarden on drums. The band became the Silver Bullet Band a bit by accident. They were arguing about what to call themselves, and the manager got tired of it. When they got paid the manager wrote the name "Bob Seger and the Silver Bullet Band" on the paycheck and the name stuck.
Against the Wind was an immediate success. It went to number 2 on the Billboard 200 charts in its third week, and it sat there for 5 weeks, kepts out of the top slot by Pink Floyd's monster hit album, "The Wall." Finally, it topped "The Wall" to take the number 1 slot and remained there for six weeks, making it Bob Seger's most successful album in his career.
There are a number of well known hits on this album, and an excellent collection of musicians as well. In addition to the Silver Bullet Band, Seger makes use of session musicians out of Muscle Shoals Sound Studios, and is joined by backing vocals from members of the Eagles as well.
Seger retired at the end of 2019, but he performed in 2023 at Patty Loveless's induction in to the Country Music Hall of Fame in Nashville, so we hold out hope that there will be some occasional performances still to come.
Bruce presents this folksy heartland singer songwriter for this week's podcast..

Her Strut
While not released as a single, this song received some airplau as the B-side to "The Horizontal Bop." Seger has been criticized for his adolescent humor in this song, but he claims that the inspiration for it was feminist activist Jane Fonda and her appearance before the Campaign for Economic Democracies.
Against the Wind
Bob Seger has written a number of songs about looking back on life, and the title track is an example of this. Seger was a cross country runner in high school, and he uses running as a metaphor for growing old. This song went to number 5 on the Billboard Hot 100, and he is joined by his friend and Eagles alumnus Glenn Frey for backing vocals.
Fire Lake
This track is about taking risks, risking love, and just heading off with a bunch of wild people. Seger recorded this one at Muscle Shoals Sound Studios. If the backing vocals sounds a lot like the Eagles, there is a reason for it - those backing vocalists are Glenn Frey, Don Henley, and Timothy B. Schmit.
You'll Accomp'ny Me
This ballad is a little more country, with lyrics that basically say, "look, you may be playing the field now, but we both know in the end we'll be together." Little Feat co-founder Bill Payne joins Seger on this track to provide organ, synth, and piano parts. It hit number 14 on the Billboard Hot 100.

ENTERTAINMENT TRACK:
Sleepless Nights by Gram Parsons (from the motion picture "Cruising")
Al Pacino starred in this crime thriller about a serial killer targeting gay men.

STAFF PICKS:
I Like to Rock by April Wine
Wayne rocks out to start the staff picks with this Canadian band. April Wine formed in 1969, and have released over 20 albums. This song may be time stamped in the early 80's but it rocks out, and you can't beat lyrics like, "journey to the stars, Rock N Roll guitars!"
Take the Long Way Home by Supertramp
Rob brings us one of the hits off Supertramp's multi-platinum album, "Breakfast in America." The lyrics to this one depict a couple growing apart as the husband starts staying away from home due to feeling like he's being ignored. It can also be a reflection of missed opportunities to live in alignment with your heart, and not being at peace with yourself.
Rock With You by Michael Jackson
Lynch features a hit from MJ's disco album, "Off the Wall." Original lyrics were a bit more suggestive, but these were toned down to fit Jackson's wholesome image at the time. Rod Temperton wrote "Rock with You" as his first song for Jackson, setting the stage for more collaborations, including the iconic "Thriller."
I Wanna Be Your Lover by Prince
Bruce's staff pick is the lead single from Prince's self-titled second album, and his first major hit, reaching number 11 on the Billboard Hot 100 in January 1980. Prince performs lead and backing vocals, and plays all instruments on this hit. The end of the track includes an extended instrumental jam which is edited out for the single.

INSTRUMENTAL TRACK:
Give It All You Got by Chuck Mangioni
Flugelhorn player Mangioni wrote this song for the 1980 Winter Olympics in Lake Placid, New York.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
43 min
September 09, 2024 1990 - October: Various Artists, Soundtrack for “Goodfellas”
This week we are taking an opportunity to explore some songs which would normally be outside our time frame by following the soundtrack to the movie “Goodfellas.” This Martin Scorsese film is a mafia story told from the view of Henry Hill in his book “Wiseguy: Life In a Mafia Family.”
The movie follows Henry Hill as he looks back on his life beginning during a time when he looked up to the Wise Guys and gangsters who ran his neighborhood. Hill starts his narrative as a child in 1955 and continues until 1980 when Hill becomes an FBI informant on the Luccese crime family and enters the witness protection program.
The songs from that film provide the backdrop of different times in Hill's life. Rat Pack hits reflect scenes with the gangsters, while songs from the Who and Cream reflect more disjointed times.
Hill was paid $480,000 for his contribution to the movie. Hill passed away in 2012.
Wayne takes us through this time spanning soundtrack this week on our podcast, because this gives us the opportunity to cover some songs which are not normally in our album "window," while still giving us a window into a popular film and into the happenings of the early 90's.

Rags to Riches by Tony Bennett
This crooner song is used as the backdrop when Henry Hill reflects on his childhood and states, "As far as I can remember I always wanted to be a gangster - being a ganster is better than being the President of the US." This sets the table for the remainder of the film.
Then He Kissed Me by The Crystals
Phil Spector co-wrote this song and was instrumental in increasing the popularity of the Crystals before he moved on to work with The Ronnettes. This track is used as the backdrop of a long take where Hill and his date go to the Copacabana restaurant through the back door to a table set on the dance floor for them.
Ain't That a Kick In the Head by Dean Martin
Rat Pack member and ultra-cool crooner known for his roasts and singing with a martini glass, Martin's song is the perfect fit to a montage of mob life. Henry's wife Karen narrarates this montage. The inspiration for the song may have been a film starring Martin and Frank Sinatra, in which Sinatra's character says, "ain't that a kick in the head." during a poker game.
Magic Bus by the Who
This Who song is used in the movie during a scene of frantic, intoxicated driving where Hill believes that he is being tracked by the Feds.

ENTERTAINMENT TRACK:
Main theme from the motion picture “Troll 2”
This film may be one of the best "worst" movies made, but it was in the theaters at the time, so we thought we'd brush off the theme and trot it out this week.
STAFF PICKS:
Cradle of Love by Billy Idol
Rob kicks off our staff picks this week with a single off Idol's fourth studio album "Charmed Life." Idol was in a near-fatal motorcycle accident earlier in the year, and his appearances in the David Fincher video include head shots and close-ups from the waist up, obscuring the fact that he was still recovering from his leg injuries.
Praying for Time by George Michael
Lynch features the lead single from Michael's second solo album, "Listen Without Prejudice Vol. 1." This somber, contemplative tone is a departure from his more pop-oriented hits. Michael addresses poverty, injustice, and the human condition, concluding that some things can only be healed with time.
Tick Tock by The Vaughan Brothers
Bruce's staff pick is off "Family Style," the only studio album featuring brother Jimmie and Stevie Ray Vaughan. The song lyrics about the need to recognize that time is short are more poignant, given that the album was released a month after Stevie Ray Vaughan died in a helicopter crash.
Waiting for the Angels by The Darkside
Wayne brings us one of his Manchester sound groups. The Darkside is out of central England and have a neo-psychedelia sound with heavily distorted guitar and synthesizers. The song lyrics are about a guy seeing lots of women in life, but not making a connection. He's waiting for angels to bring the right one his way.

INSTRUMENTAL TRACK:
Guitar Voodoo by The Darkside
We finish up this week's podcast by double-dipping on the Manchester sound with this instrumental.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
39 min
September 02, 2024 1992 - June: Rage Against the Machine ”Rage Against the Machine”
Rage Against the Machine recorded their eponymously named debut album in May-June of 1992 and released it in November 1992. The Los Angeles-based group consisted of Zack de la Rocha on vocals, Tom Morello on guitar, Tim Commerford on bass, and Brad Wilk on drums. The group was known for their anti-establishment and politically charged lyrics. Rage Against the Machine combined a lot of genres of music into a single hard-hitting sound. The influence of hard rock and metal is clear, and elements of rap, funk, hip hop, and punk rock are clearly infused into the sound.
This group was not just political in nature, every song is laced with revolutionary rants. The group draws inspiration from mondern revolutionary groups such as the IRA and the Black Panthers, and is highly critical of the policies of the United States, both foreign and domestic.
RATM's debut album is largely based on their demo tape released a year before, which contained seven of the ten songs appearing on the album. That demo tape was recorded prior to the group's first live show, and was used as a means to build awareness of the group in the days before their signing with Epic Records.
The album was a quick critical success and a slower commercial success. The group began to really take off on the strength of the single "Killing In the Name," and after their performance at the Lollapaloosa festival in mid 1993.
Lynch brings us this high energy album in this week's podcast.

Bombtrack
The opening track starts with a strong guitar riff, and deals with themes of social injustice and resistance against oppression.
Bullet In the Head
Media manipulation and control of information are the issues dealt with in this track, which became a staple of the band's live shows. "Just victims of the in-house drive-by / They say jump, you say how high."
Wake Up
This song will be familiar to fans of the 1999 film "The Matrix," as it is used at the conclusion when Neo calls the Matrix announcing he will reveal their existence. They lyrics are a critique of racism, the CIA and government corruption.
Killing In the Name
The big single from the album addresses police brutality and institutional racism.

ENTERTAINMENT TRACK:
Face to Face by Siouxie & the Banshees (from the motion picture “Batman Returns”)
This movie finds Michael Keaton reprising his role as the caped crusader, facing Danny DeVito's "Penguin" and Michelle Pfeiffer's "Catwoman."

STAFF PICKS:
Empress of Pop by Insane Jane
Wayne starts the staff picks with an underrated local Georgia band. This song is a screed against Sinead O'Conner. Insane Jane produced two albums, the first called "Each Finger," and the second (which contains this song) entitled "Green Little Pill."
Let's Get Rocked by Def Leppard
During a time when hard rock was on the downswing, it is nice to hear a solid rocker which would have been at home on any of Def Leppard's 80's albums. Rob's staff pick shows that there was still some solid rock music going on in the midst of the grunge movement.
57 Channels (and Nothin' On) by Bruce Springsteen
Bruce features a Springsteen song which reflects the proliferation of cable television, but not necessarily good content on the tube. While Springsteen considers this sone a bit of a "playful misfire," the song did go to number 68 on the Billboard Hot 100 and number 6 on the Mainstream Rock charts.
Would? by Alice In Chains
Lynch closes out the staff picks with a song written as a tribute to Andrew Wood, the late lead singer of Mother Love Bone, who died of a heroin overdose in 1990. The lyrics deal with the aftermath of rehab and the uncertainty of the future.

NOVELTY TRACK:
Achy Breaky Heart by Billy Ray Cyrus
Long before his daughter began her career in "Hannah Montana," Billy Ray Cyrus was all over the charts with this cheesy country song.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
45 min
August 26, 2024 1980 - May: Devo “Freedom of Choice”
While Devo is known as an early 80's new wave synth pop band, their history goes back to 1973. The classic lineup of Mark Mothersbaugh, Bob Mothersbaugh, Gerald Casale, Bob Casale, and Alan Myers developed the name Devo from "De-evolution," the idea that mankind is regressing to a herd mentality. This was a bit of a joke idea that Gerald Casale and co-founder Bob Lewis formed while at Kent State University. The band gained some local fame in 1976, and were signed to Warner Brothers in 1978 with recommendations from David Bowie and Iggy Pop.
Freedom of Choice is Devo's third studio album and their breakout commercial success. While their first two albums had generated some following, the commercial success was not at the level Warner Brothers sought, and the third album was considered a "make or break," one with the studio ready to drop the group. Success did follow this album, with Devo exploiting the upcoming popularity of new wave while drifting a little bit towards R&B and funk sensibilities within their synth-pop framework.
The album was recorded and mixed in six weeks, with bass, guitars, and drums being recorded together live, and with synthesizers and vocals being overdubbed later. The album peaked at number 22 on the Billboard 200, and the big single, "Whip It," reached number 14 on the Billboard Hot 100 singles chart.
Rob brings us this synthisizer-driven new wave album for this week's foray into the early 80's.
Freedom of Choice
Thie post-punk title song initially sounds like it is about freedom of choice. However, it is really about people not really having freedom of choice. Consumerism - choosing between green sneakers and blue sneakers for example - isn't really choice at all. "Freedom of choice is what you got. Freedom from choice is what you want."
Whip It
Everyone knows this signature Devo song. Mark Mothersbaugh has stated that the song was written as a subtle Dale Carnegie-esque message to Jimmy Carter, saying "you can do it." The song benefitted greatly from airplay on the fledgling cable channel MTV, where their strange video involving a guy knocking the clothes off a girl with a bullwhip received continual play.
Gates of Steel
The lead song from side 2 is a bit of a commentary on the mechanization of humanity. No matter how much we believe mankind has accomplished, we're not far removed from the ape. "A man is real, not made of steel."
Girl U Want
This was the first single released from the album, though it did not chart well. The song was supposedly inspired by The Knack, though the track reminds us more of The Cars. "She's just the girl, she's just the girl, the girl you want."

ENTERTAINMENT TRACK:
Fame by Irene Cara (from the motion picture “Fame”)
Irene Cara sings the theme song and stars in this teen musical drama about students auditioning to study at the High School of Performing Arts.

STAFF PICKS:
Crazy Little Thing Called Love by Queen
Lynch's staff pick is a song inspired by Elvis Presley. Freddie Mercury wrote the song lyrics in about 10 minutes, and the band created the song in about 30 minutes. Mercury played lead guitar for the original stuido recording. It was the first number 1 hit that Queen had on the US Billboard Hot 100 singles chart.
Cars by Gary Numan
Wayne brings us the signature song from Gary Numan. It was inspired by an incident of road rage Numan experienced in London, where he had to lock his doors and drive on the sidewalk to avoid getting attacked. He was safe in his car, and inspired to write a song in about 30 minutes. It is a signature song of the New Wave genre, and there are no guitars in this track.
Two Headed Dog (Red Temple Prayer) by Roky Erickson
Bruce features a strange hard rock song with lyrics inspired by Soviet scientist Vladimir Demikhov. Demikhov's research focusted on organ transplants, and he conducted dog head transplants in the 1950's. This song is off Erickson's debut album with his band the Aliens, and is considered a cult classic.
Call Me by Blondie
Rob finishes the staff picks with a hit that feaured in the film "American Gigolo." It went to number 1 on the Billboard Hot 100 for six weeks, the biggest hit of Blondie's career. Lead vocalist Debbie Harry wrote the lyrics from the perspective of the main character in the film, a male prostitute.

INSTRUMENTAL TRACK:
Airlane by Gary Numan
We close out with a double dip on new wave synth artist Gary Numan this week.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
35 min
August 19, 2024 1968 - May: Sly and the Family Stone “Dance to the Music”
Sylvester Stewart was born in Dallas, Texas, but moved to the Bay area of California before becoming a multi-instrumentalist and changing his name to Sly Stone - the primary driver of the group Sly and the Family Stone. This was one of the first integrated groups, and one that crossed many genres. They played what would become known as psychedelic soul, but you can trace the origins of funk, soul, and psychedelic music through Sly and the Family Stone.
The first Family Stone album was called “A Whole New Thing,” and it caught good critical coverage. Unfortunately it was a commercial failure. Clive Davis asked for a more pop friendly sound, and Sly Stone created an approach to their second album, Dance to the Music, which followed a formula. Each lead singer would take turns on lead vocals or sing together in unison, the songs would feature a prominent solo for the instrumentalists, and the lyrics would appeal to a wide audience even though they would still focus on peace, love, and opposition to racism. The group really did not care for the formulaic approach of this album, but it worked when it came to commercial appeal. “Dance to the Music” became a top 10 pop hit, and it inspired several groups to gravitate towards psychedelic soul, including the Temptations, the Impressions, and the Four Tops.
Sly Stone is the primary driver of the group, writing almost all of their songs, serving as a multi-instrumentalist, and as a primary vocalist. His borhter Freddie Stone is on vocals and guitar, and his sister Rose Stone joins the group for the first time on this album. Other members are Larry Graham on vocals and bass, Cynthia Robinson on trumpet and vocals, Jerri Martini on saxophone, Greg Errico on drums, and backing vocals by Little Sister (Vet Stone, Mary McCreary, and Elva Mouton).
Sly and the Family Stone would release a number of songs to hit the top 10 in the Billboard Hot 100 in the years to come. The follow-up album to this one is called "Stand!," and is considered the band's high water mark, along with their performance in 1969 at Woodstock. The band would encounter instability and drug problems as time went on, with the original group dissolving in 1975. Sly Stone would continue to record as "Sly and the Family Stone" for many years afterwards using rotating musicians, until drug problems basically forced him to retire by 1987.
Bruce brings the early funk for this week's podcast.

Are You Ready
This song is an expression of opposition to racism with lyrics like "Don't hate the black, don't hate the white, of you get bit, just hate the bite. Make sure you heart is beatin' right."
Ride the Rhythm
This song starts off side two of the album. It is a straightforward dance song, and has some obvious comparisons to James Brown. It has a nice mix of horns and "wah wah" guitar.
Don't Burn Baby
Scat was an early precursor to rap music, and this track is a good example of a rapid rhyme scat. The eastern feel is also reminiscent of George Harrison. "Don't burn, baby, burn. Just learn, baby, learn."
Dance to the Music
Here is the big hit off the album, and the first Sly and the Family Stone single to reach the top 10 on the Billboard Charts, peaking at number 8. It is a straight up party record, but was also one of the most influential songs of the late 60's. The formula used by Sly Stone to make the songs on this record are clear here, even though he and the group did not like that approach.

ENTERTAINMENT TRACK:
Shape of Things to Come by Max Frost and the Troopers (from the motion picture Wild In the Streets)
This dystopian comedy-drama became a cult hit of 1960's counterculture. Max Frost and the Troopers was a fictional rock band in the film.

STAFF PICKS:
Ain't Nothing Like the Real Thing by Marvin Gaye and Tammi Terrell
Lynch starts out the staff picks with a smooth grooving song off the soul duo's album “United.” Ashford & Simpson wrote and produced this song, which became a hit within a week of its release, going to number 8 on the Billboard Hot 100 and number 1 on the Hot Soul Singles chart.
Anyone for Tennis by Cream
Rob brings us the theme song for the 1968 film “The Savage Seven,” an outlaw biker exploitation movie. Eric Clapton's lyrics depict a callous disregard for all the turmoil going on in the world, with the singers discussing going out for a game of tennis while everything disintegrates around them.
She's A Heartbreaker by Gene Pitney
Wayne features an early 60's crooner who turns to a Motown sound for this go-go hit. It peaked at number 16 at the time. It is about a guy who is continually drawn to a woman who breaks his heart every time.
Love Is All Around by The Troggs
Bruce's staff pick is probably most familiar to fans of the Christmas movie "Love Actually," where an old rocker converts it to a cheesy Christmas song called "Christmas Is All Around." The Troggs' lead singer Reg Presley wrote it in about 10 minutes, inspired by a broadcast of the Salvation Army Band performing an evangelical song called "Love That's All Around."

NOVELTY TRACK:
The Unicorn by The Irish Rovers
The Irish story of how the unicorn missed its appointment with Noah's Ark was on the charts in 1968, and closes out our podcast this week.

Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
30 min

About What the Riff Next Gen

From the publisher's feed

Every episode of “WHAT THE RIFF NEXT GEN” brings a ROCK AND ROLL album that debuted on the U.S. Billboard charts during a random month between 1995 and 2005. Four Classic Rock fans discuss the artist and 4 tracks from the album as it plays in the background. Then we riff on 3 additional “staff picks” of other artists that were also on the charts during that month and year. You’ll hear Classic Rock bands that were still producing new work, as well as some newer Alternative and Grunge bands that were gaining momentum during this Millennium Y2K Period. We encourage you to find and purchase the tracks and albums from Apple Music, Spotify or your other favorite music service. Please subscribe so you don’t miss any release! In addition to “Next Gen” you can search our ORIGINAL “What the Riff?!?” episodes (1-373) covering 1965 - 1995. We also invite you to follow us and learn more about us @whattheriff on Facebook.

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