What the Riff Next Gen

By Rob Marbury, Wayne Rowan, Bruce Fricks, John LynchMusic Music Commentary

What the Riff Next Gen episodes

June 03, 2024 1986 - January: Michael McDonald ”Sweet Freedom”
We've made a few jokes in past episodes about Michael McDonald popping up in unexpected places. It's an easy joke to make, because McDonald has a distinctive voice and has worked with a lot of artists covering numerous genres. But the man is talented - both vocally and on the keyboards - and his career has put him at the forefront of rock music for a long time.
Sweet Freedom is a compilation album that explores McDonald's work from his first two albums plus a number of collaborations. The album title is taken from the track he had recently completed for the motion picture soundtrack “Running Scared,” a buddy cop comedy starring Billy Crystal and Gregory Hines.
After a troubled youth, McDonald began his music career in earnest as a vocalist and keyboardist for Steely Dan. After that he was tapped as keyboardist and vocalist for The Doobie Brothers, a position which would eventually lead to his fronting the band and turning it in a more soulful direction. In 1982 he started a solo career which would combine a soft rock style with his signature “blue eyed soul” sensibilities.
Lynch is examining this “greatest hits” album with an eye towards some of the collaborations that have involved Michael McDonald, many of which are signature anthems and ballads of the early 80's soulful catalog that will eventually become known as yacht rock.
We hope you enjoy this weeks podcast!

Sweet Freedom
Rod Temperton, known for his work with Michael Jackson and Quincy Jones, composed this single. It is a bit of a departure from McDonald's typical style with its upbeat melody and horns. It went to number 7 on the Billboard Hot 100, and of course became the title track for this compilation album.
Yah Mo B There
This song is a collaboration with the late James Ingram which peaked at number 19 on the Billboard Hot 100. Co-written and produced by Quincy Jones and Rod Temperton, the song was originally a more contemporary Christian song with the title "Yahweh Be There." Ingram suggested the title change, opening up the lyrics to more ambiguity to fit a wider audience.
On My Own
A number 1 song from the Billboard charts in the US, this track finds McDonald paired with Patti LaBelle on a breakup duet. Interestingly, the two recorded their tracks completely separately, and did not actually meet until they performed the song together on The Tonight Show in 1986.
I Keep Forgettin' (Every Time You're Near)
This song peaked at number 4, and was McDonald's first success as a solo artist. It was a cover originally sung by Chuck Jackson in 1962. McDonald's version features his sister Maureen providing backup vocals, adding familial harmony to the mix.

ENTERTAINMENT TRACK:
Main theme to the television game show “Card Sharks”
This game show originally ran on NBC from 1978 to 1981, and returned for a second iteration to CBS in 1986.

STAFF PICKS:
Too Late by Asia
Rob leads off the staff picks this week with a track from Asia's third album, “Astra.” John Wetton returned to the group after a brief separation in late 1983 when he was replaced by Greg Lake for tour dates. Steve Howe is replaced by Mandy Meyer for this third Asia album.
Goodbye by Night Ranger
Bruce brings us the last top 40 hit (to date) by Night Ranger. Drummer Kelly Keagy takes lead vocals on this Brian Blades-composed power ballad written after losing his brother to a drug overdose. “It's hard living life on this memory go-round.”
Walk Like An Egyptian by The Bangles
Wayne's staff pick is the best known song by the group. Songwriter Liam Sternberg took inspiration for this song from a rough trip across the English Channel, when his fellow passengers were walking carefully with their arms outstretched due to the choppy waters. It would become a number 1 single, and Billboard's number 1 song in 1987.
These Dreams by Heart
Lynch closes out the staff picks with as song that emerged from a collaboration between Bernie Taupin and Martin Page. Taupin originally envisioned it as a song for Stevie Nicks, but after she turned it down, the song was restructured for Ann and Nancy Wilson of Heart. Nancy Wilson takes lead on this song dedicated to her friend Sharon Hess, who had lost her battle with leukemia.

INSTRUMENTAL TRACK:
Shade Gate by Hawkwind
This instrumental appears on Hawkwind's fourteeneth studio album, which was inspired by the works of fantasy novelist Michael Moorcock.
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NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
40 min
May 27, 2024 1986 - March: Van Halen ”5150”
Van Halen’s New Era: The Launch of "5150" with Sammy Hagar
In 1985, rock legends Van Halen were at a pivotal juncture. Following the departure of charismatic lead vocalist David Lee Roth, the band faced the daunting task of finding a new frontman. After an exhaustive search, Eddie Van Halen connected with a familiar face from the music scene—Sammy Hagar, the dynamic solo artist and former Montrose vocalist. Their reunion sparked a creative resurgence, culminating in the release of "5150" in March 1986, a landmark album that would redefine the band’s trajectory.
"5150" not only marked a major milestone for Van Halen but also drew a clear line in the sand among their global fanbase. While some longtime followers preferred the "Diamond Dave" era, dubbing the new lineup "Van Hagar," the album’s overwhelming success spoke volumes. It soared to the top of the Billboard 200, achieving double platinum status by the end of May 1986, despite mixed initial reviews that later turned favorable.
The introduction of Sammy Hagar brought notable changes to Van Halen’s sound and stage dynamics. Hagar's guitar skills, while distinct from Eddie Van Halen’s iconic style, added a new layer of musical flexibility, allowing Eddie to showcase more keyboard talent during live performances. This shift was evident in their tours, which increasingly featured songs from the post-Roth era, adapting to Hagar’s vocal and instrumental style.
Throughout his tenure, Sammy Hagar helped propel Van Halen to new heights, contributing to three studio albums and a live album. He parted ways with the band in 1996, leaving behind a legacy of innovation and success.
Exploring "5150": A Track-by-Track Look
"5150": Beyond its chart-topping fame, the title track "5150" delves into the tumult of a romantic impasse, its title drawing from the California legal code for an involuntary psychiatric hold. This code is also the namesake of Eddie Van Halen’s recording studio, adding a personal touch to the song’s narrative.
"Summer Nights": This upbeat track captures the essence of youthful summer evenings with just a radio for company. Notably, it was Sammy Hagar’s first recording with Van Halen, originating from an impromptu jam session that set the tone for his role in the band.
"Why Can't This Be Love": Serving as the gateway to the Sammy Hagar era for many fans, this hit single climbed to number 3 on the Billboard Hot 100, reminiscent of the keyboard-driven vibrancy of "Jump" from their "1984" album.
"Love Walks In": This power ballad combines profound percussion with a slower, keyboard-oriented sound. Inspired by Sammy Hagar’s mystical experiences, the lyrics weave themes of alien encounters and telepathy, showcasing the band’s experimental side.
Join us on our rock and roll podcast as Rob dives deep into the enduring legacy of Van Halen’s "5150," exploring how this album continues to resonate with fans and musicians alike.

ENTERTAINMENT TRACK:
A Kind Of Magic by Queen (from the fantasy motion picture “Highlander”)
Queen provides the soundtrack to this fantasy drama about immortals clashing throughout history, because "there can be only one."

STAFF PICKS:
The Big Money by Rush
Bruce starts the staff picks with the leading track from Rush's "Power Windows." The lyrics explore the power of money, and aspects of power form the theme to the tracks on the album. There's a better balance on this album between the synthesizers and guitars than on the previous two Rush albums.
Don't Want to Know If You Are Lonely by Husker Du
Wayne brings us a high energy tune from Minnesota's punk/alternative band trio Husker Du. The song is about a broken up couple who still have feelings for each other, but know it is best to move on. While not charting, the song would receive significant airplay on college radio.
Kyrie by Mr. Mister
Lynch's staff pick was inspired by lyricist John Lang's memories of singing in an Episcopal church as a child. The words "Kyrie Eleison" means "Lord have mercy" in Latin, and forms an important part of the liturgy in both Roman Catholic and Orthodox christian traditions. This song topped the US charts in March for two weeks.
In My Dreams by Dokken
Rob picks up the pace as he wraps up the staff picks this week. The lyrics depict a guy who keeps thinking of his girl as still with him even though the relationship ended long ago. The band is named after founder and lead vocalist Don Dokken, and got their start in Los Angeles in 1978.

COMEDY TRACK:
Inside by Van Halen
We double dip this week as Sammy Hagar takes a humorous look at how he was selected for Van Halen, and what he had to do to transform himself into their front man.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
47 min
May 20, 2024 1989 - March: George Thorogood and the Destroyers ”The George Thorogood Collection”
Wilmington, Delaware's George Thorogood got his start on acoustic blues. He formed a band called the Delaware Destroyers in 1973, and this would eventually become his band, known as George Thorogood & The Destroyers. He released his first record in 1977, and received more mainstream notice when he opened for the Rolling Stones in 1981. The same year his touring schedule included the “50/50 tour” where George Thorogood & the Destroyers toured all 50 states in 50 days. Thorogood's high energy shows and relentless touring schedule would be a hallmark of the band, creating a dedicated audience worldwide.
The 1980's saw a resurgence in interest in blues rock, and this was a benefit for George Thorrogood. The band would see continued success from their commercial breakthrough album, “Bad to the Bone,” released in 1982. Albums would consist of both original material and covers of classic blues songs. Much of their material has a humorous angle, though the blues style is solid and unapologetic, drawing influence from such artists as Elmore James, John Lee Hooker, and Bo Diddley.
The George Thorogood Collection showcases some of the biggest hits from the band throughout the 70's and 80's. It was released in March 1989, and we will be covering several hits from this album today.
Wayne takes us through this blues boogie greatest hits album for this week's podcast.

I Drink Alone
One of the better known George Thorogood hits, this pun-laden song peaked at number 13 on the Hot Mainstream Rock Tracks, and was an original from Thorogood. “Now every morning just before breakfast, I don't want no coffee or tea. Just me and by good buddy Weiser - that's all I ever need.”
Bad to the Bone
This is the signature song of George Thorogood and the Destroyers. Despite failing to crack the Top 100 in the US, it is universally identifiable from commercials, TV shows, movies, and the song itself. It has been in over 25 films, including the iconic biker scene from “Terminator 2.”
Move It On Over
While this song does not appear on the “Collection,” we had to include it in this look at the band. It is a cover song originally written and recorded by Hank Williams in 1947, and depicts the struggles of a guy who has come home late and found himself - literally - in the doghouse.
Gear Jammer
The deeper cut originally came out in 1985, and has become an anthem of truckers everywhere. It talks about rolling down the road in an 18-wheeler, and looking to make time so the trucker can get home to his baby. You'll find yourself moving at a high speed if you play this song in your car!

ENTERTAINMENT TRACK:
Bad Boys by Inner Circle (from the television series “COPS”)
This reality-based show premiered in 1989, and had an iconic song with a reggae riff.

STAFF PICKS:
You're What You Want to Be by Cruel Story of Youth
Rob launches the staff picks with a deep cut from a lost band. This Wisconsin foursome produced their only album (self-titled) in 1989). The song itself is a good one in the alternative music genre, though it seems overproduced to us.
Girl You Know Its True by Milli Vanilli
Bruce risks cancellation from the show for putting this decidedly non-rock travesty on the picks. Milli Vanilli released the album of the same name, which got them both commercial success and critical recognition via a Grammy award in 1989 despite not singing a note on the album. No musical survey of 1989 would be complete without acknowledging the Milli Vanilli controversy.
Eternal Flame by The Bangles
Lynch brings us a ballad from Susanna Hoffs from the girl group The Bangles. They started their career singing 60's rock songs, then incorporated some 70's punk before hitting it big with their own material. It topped the charts in 9 different countries.
You Got It by Roy Orbison
Wayne closes out the staff picks with a hit posthumously released from Roy Orbison's album "Mystery Girl." It went to number 9 on the Billboard Hot 100. Fellow Traveling Wilburys alumni Tom Petty and Jeff Lynne co-wrote the song with Orbison, and they play on the single along with an uncredited George Harrison.

INSTRUMENTAL TRACK:Ytse Jam by Dream Theater
We close out with a prog rock instrumental from Dream Theater's debut album.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
42 min
May 13, 2024 1988 - October: The Traveling Wilburys ”The Traveling Wilburys Vol. 1”
A supergroup is a band made up of musicians who have already achieved fame either as soloists or members of another band. One of the most iconic of supergroups would be formed in 1988 and go by the name of The Traveling Wilburys. In 1987 George Harrison released his album "Cloud Nine" with Jeff Lynne performing a number of instruments and co-producing. They started talking about forming a group during those sessions, with Harrison talking about bringing in Bob Dylan and Lynne talking about bringing in Roy Orbison. Tom Petty joined in when Harrison went to his house to pick up a guitar he had left there previously. The criteria that Harrison had, according to fellow Wilbury Tom Petty, was a group of folks "who you could hang out with." The group bonded over their appreciation for 50's-style rock n' roll, and their love of the Monty Python comedy troupe.
The group took on personas of half-brothers, with George Harrison as Nelson Wilbury, Jeff Lynne as Otis Wilbury, Roy Orbison as Lefty Wilbury, Bob Dylan as Lucky Wilbury, and Tom Petty as Charlie T. Wilbury Jr. Frequent collaborator Jim Keltner provides percussion work and takes on the name of Buster Sidebury. The name Wilbury comes from a running joke between Lynne and Harrison. When some error in the equipment would occur during the production of Harrison's "Cloud Nine" album, Harrison said, “We'll bury 'em in the mix.”
The Traveling Wilburys Vol. 1 had to be done in 10 days, because Dylan and Orbison had upcoming tours and projects. Generally the writing and recording of a song was completed in a single day. The result was a commercial and critical success, and the album won the Grammy for Best Rock Performance by a Duo or Group in 1990.
Bruce presents this supergroup in today's podcast.

Margarita
This track starts with an 80's electronic feel, but quickly moves into a Bo Diddley beat that is more roots rock. A deeper cut, this song was released as the B-side to the single "Handle with Care."
Handle With Care
The big single went to number 45 on the Billboard Hot 100, and number 2 on the Billboard Album Rock Tracks chart. This song was the impetus to bringing the group together, as it was originally supposed to be an extra track for a B-side of a European single, but the result was deemed too good for a limited release.
Not Alone Any More
This deeper track finishes off side 1. It was written mainly by Otis Wilbury for the vocal style of Lefty Wilbury, although all members are credited as songwriters. The lyrics reflect themes of loneliness, which were Lefty's signature style back in the 60's.
End of the Line
This was the band's second single. It peaked at number 63 on the Billboard Hot 100, but number 2 on the Album Rock Tracks chart. Roy Orbison died of a heart attack at age 52 after recording the song but before the video was made. The video features a guitar sitting in a rocking chair in memorial to Orbison

ENTERTAINMENT TRACK:
Baby Doll by Devo (from the motion picture “Tape Heads”)
Despite sporting an all-star cast, this comedy movie bombed at the box office.

STAFF PICKS:
Big League by Tom Cochrane and Red Rider
Wayne starts off the staff picks with a bittersweet song. Cochrane tells a tale of a young hockey star destined for the pros until he lost his life in a car crash. It was inspired by a true story told to Cochrane by the boy's father. This song went to number 9 on the American Billboard Rock Tracks chart, and gets frequent airplay on classic rock radio stations in Canada.
Didn't Know It Was Love by Survivor
Rob's staff pick finds the singer looking back at a relationship he missed, and hoping it isn't too late. Survivor had their big splash a few years prior with “Eye of the Tiger,” and this is off their seventh album, “Too Hot to Sleep.” Unfortunately it barely made it onto the Billboard 200 album chart at 187, and the group broke up shortly thereafter.
Kokomo by The Beach Boys
Lynch brings us the first number 1 US hit for the Beach Boys since the 60's. The song was featured in the Tom Cruise movie “Cocktail,” and the song reflects a relaxed tropical vibe. This single reinvigorated the Beach Boys, as fans began to look at their catalogue again.
What's On Your Mind (Pure Energy) by Information Society
Bruce wraps up the staff picks with the signature song from a Minneapolis synth pop trio. This song started as a 10-minute instrumental jam, but received minimalist lyrics reflecting the trouble people have communicating for the single release. It also features sampled lyrics from Star Trek, particularly the repeated "pure energy" lyric from Leonard Nimoy's Mr. Spock.

COMEDY TRACK:
A Nightmare on My Street by DJ Jazzy Jeff & the Fresh Prince
This single reflects the Halloween vibe as Will Smith aka The Fresh Prince riffs on Freddy Kruger's horror in “A Nightmare on Elm Street.”
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
39 min
May 06, 2024 1993 - January - Stone Temple Pilots “Core”
Stone Temple Pilots, often abbreviated as STP, burst onto the rock scene in the early 1990's, becoming one of the most commercially successful bands of that era. Their debut album, Core, was released in late September 1992, and we're highlighting it in January 1993 when many of their hits were on the charts.
The DeLeo brothers form the heart of the band: Dean DeLeo's guitar work provides the sonic foundation, and Robert DeLeo's bass playing adds a groove to the band's sound. Eric Kretz anchors the rhythm section on percussion. And front man Scott Weiland completes the lineup with his charismatic presence and distinctive vocal style. Weiland's emotion and raw energy helped make "Core" a pivotal release in the grunge movement.
"Core" hit he airwaves with a sonic explosion, with an energy that captured the angst and spirit of the early 90's grunge movement. Several tracks from this album would become anthems of the 90's generation, led by tracks like "Plush" and "Sex Type Thing." Despite its commercial success (reaching number 3 on the Billboard 200), "Core" was initially met with poor critical reviews, with many critics considering it too derivative of other grunge artists like Nirvana and Pearl Jam. Over time, however, "Core" would receive more positive reviews as it took its place as a seminal release of the grunge movement.
Lynch takes us on this journey back to 1993, when the Stone Temple Pilots were introducing themselves to the world.

Creep
This song is a slower, more introspective track that highlights the band's grunge influences. The lyrics deal with feelings of isolation and alienation, with Weiland delivering a haunting vocal performance. The acoustic arrangement is a nice contrast to the heavier tracks of the album.
Sex Type Thing
The opening track to the album features an aggressive guitar riff and a powerful vocal performance from Weiland. It was controversial due to its lyrical content, which is written from the perspective of a rapist. Despite the controversy (or perhaps because of it) “Sex Type Thing” became one of STP's most recognized songs.
Plush
This track is arguably the most famous song from the album. “Plush” showcases STP's softer side with its acoustic guitar intro and catchy chorus. Weiland's lyrics were inspired by a news story about a woman who was found dead in San Diego, adding a layer of mystery and intrigue to the song. The video for "Plush" won the band an MTV Video Music Award for Best New Artist and features the band playing in various desert scenes.
Wicked Garden
A hard-hitting rock track known for its gritty guitar riff and energetic chorus, this may be considered a deeper cut. The song deals with the loss of innocence and the darker side of human nature, themes that recur throughout the album. Over time “Wicked Garden” has become a fan favorite and a staple of STP's live shows.

ENTERTAINMENT TRACK:
Main theme to Star Trek: Deep Space Nine
The third entry into the Star Trek franchise takes place on a fixed space station near the border of the Federation. It had its debut in January of 1993.

STAFF PICKS:
Love Is On the Way by Saigon Kick
Bruce leads off the staff picks with a one hit wonder. Miami-based Saigon Kick released this single from their second album, "The Lizard," and it went to number 12 on the Billboard Hot 100. Jason Bieler provides guitar, keyboards, and backing vocals for the band, and wrote this song. Lead vocals are provided by Matt Kramer. Additional band members were Tom DeFile on bass and Phil Varone on percussion.
Regret by New Order
Rob brings us the lead song from New Order's sixth studio album, "Republic." The single went to number 28 on the Billboard Hot 100. New Order formed from the remnants of the band Joy Division. The album was made in order to save the Hacienda - a Manchester club part owned by the band.
Teen Angst (What the World Needs Now) by Cracker
Wayne's staff pick is from Cracker's debut album, and features catchy, clever, ironic songs. The lyrics take a swipe at late 80's and early 90's folk rock songs. Interestingly, the lyrics do not include the words "Teen Angst." The track got airplay on alternative radio stations, and went to number 1 on the new Billboard "Modern Rock" chart.
All Apologies by Nirvana
Lynch closes out the staff picks with one of Nirvana's most poignant and introspective works from their third and final studio album "In Utero." Songwriter and front man Kurt Cobain describes the song as a tribute to his wife and daughter, but it took on significance as a farewell note of sorts after Cobain's death.

COMEDY TRACK:
Bedrock Anthem by "Weird Al" Yankovic
Weird Al channels a couple of well-known songs from the Red Hot Chili Peppers for this prehistoric parody.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
42 min
April 29, 2024 1984 - October: Steve Perry “Street Talk”
It will come as no surprise to regular listeners of this podcast that we are all big fans of Steve Perry, the chief vocalist of Journey. So it should also not come as a surprise that we would want to feature his debut solo studio album called Street Talk. Perry embarked on this solo project shortly after the release of Journey's "Frontiers" album, at a time when the group was packing arenas around the world. The name of the album comes from his pre-Journey days when he was leading a band called Alien Project - but he had at one time considered naming it, "Street Talk." Perry also used Craig Krampf as drummer, who was also a previous member of Alien Project.
The album obviously has similarities to Journey due to Perry's vocals, but it is significantly softer than the more pop rock/hard rock approach typical of Journey. The songs are written or co-written by Perry, and showcase Perry's voice in a more ballad-heavy manner. The lead single, “Oh Sherrie,” was written about his relationship with Perry's then-girlfriend Sherrie Swafford, and hit number 3 on the Billboard Hot 100. We covered “Oh Sherrie” on episode #148, but there are three other singles that broke into the top 40, powering the album to number 12 on the Billboard 200 album charts and to 2x Platinum in sales.
Perry had worked outside of Journey during his tenure with the band, including vocal work with both Sammy Hagar and Kenny Loggins. Other members of the band were also working on side projects, so it was expected that all would return to the group after their separate projects. Perry followed suit, this, but troubles began to surface with personnel changes and Perry's mother's failing health causing the "Raised on Radio" Journey album to be delayed.
Street Talk gives us a good look at Steve Perry outside of the rest of the Journey band members, during a time when Perry was at the top of his vocal game.
Rob brings us this excellent album for today's podcast.
She's Mine
The track that starts side two is a slow rocker that demonstrates Perry's versatility in musical styles. The lyrics describe a struggle between a guy and his rival over a girl. It made it to number 21 on the US charts - and you can't go wrong with a sax.
Captured By the Moment
This song is deeper lyrically, with Perry looking at significant times in history and music as snapshots in a frame. He pays tribute to some key figures from the 60s and 70s including Martin Luther King Jr, Jackie Kennedy, the Beatles, Janis Joplin, Jimi Hendrix, and others. It has a distinctive 80's keyboard sound.
Foolish Heart
A subdued piece, this track is the second-biggest hit from the album after "Oh, Sherrie." The lyrics depict a guy longing for love, but who does not trust his heart to make good choices. It was co-written with Randy Goodrum, who wrote "You Needed Me" for Anne Murray. It was the last single released from the album.
Strung Out
This faster paced track closes out the album, and discusses love from the perspective of a guy longing for a woman in a relationship with another. "I feel like Bogart in a crazy movie. Bogie and me, we never beg - but this time maybe I've got voices in my head."

ENTERTAINMENT TRACK:
Main theme from the television series “Who's the Boss?”
Tony Danza plays a former baseball athlete trying to raise his daughter while working as a live-in housekeeper for a single advertising executive. Alyssa Milano played Danza's daughter.

STAFF PICKS:
I Wanna Rock by Twisted Sister
Wayne kicks off the staff picks with glam rock sensation Twisted Sister in their follow-up to "We're Not Gonna Take It." Many listeners may be more familiar with a cover of this song performed by SpongeBob SquarePants in "The SpongeBob SquarePants Movie" entitled "Goofy Goober Rock."
For Whom the Bell Tolls by Metallica
Lynch brings us a signature song from Metallica's 1984 album, "Ride the Lightning." The heavy riffs typical of Metallica are accented by the toll of chimes, and the lyrics are inspired by Ernest Hemmingway's novel of the same name dealing with war, death, and fate set in the Spanish Civil War.
Hard Habit to Break by Chicago
Bruce takes the tempo way down with a hit off Chicago 17. Vocal duties are carried by Bill Champlin and Peter Cetera, and the song is arranged by David Foster. The lyrics depict a man struggling to get over a long lost love whom he took for granted. Chicago 17 is Chicago's best selling album, and their last with Peter Cetera in the group.
No More Lonely Nights by Paul McCartney
Rob closes out the staff picks with a single from the soundtrack to McCartney’s film, "Give My Regards to Broad Street." McCartney brings in Pink Floyd alumnus David Gilmour for guitar work on this song. Gilmour requested that his session fee be donated to a charity of Paul's choice. It went to number 6 on the Billboard Hot 100.

INSTRUMENTAL TRACK:
Zoolookologie by Jean Michel Jarre
We close out on a jazz fusion number from the time which uses samples of voice and spoken words to form an art rock sonic landscape.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
40 min
April 22, 2024 1975 - July: Outlaws “The Outlaws”
The Outlaws had a long history as a band prior to the release of this debut album. Formed originally in 1967 in Tampa, Florida, the original name for the group was "The Four Letter Words." They toured off and on through the early 70's, and made an aborted attempt at an album the late 60's. Finally, they were signed by Clive Davis and Arista Records while opening for Lynyrd Skynyrd. Ronnie Van Zant told Davis and future Outlaws manager Charlie Brusco, "If you don't sign Outlaws, you're the dumbest music person I've ever met - and I know you're not."
The debut and eponymously named album Outlaws would blend Southern rock with Country and hard rock, and would create a great concert draw for the band. Their use of three guitars would come to be known as "the Florida Guitar Army." Hughie Thomasson and Billy Jones both provided lead guitar and vocals, and Henry Paul would provide further electric and acoustic guitar as well as vocals. Monte Yoho on drums and Frank O'Keefe on bass would round out the group.
While there's definitely a Southern Rock feel to the Outlaws, there is also a lot of Country and even bluegrass mixed in. The technical chops are impressive, and there is a lot of harmony employed in the group as well. The album would peak at number 13 on the Billboard Top LP's & Tape chart.
Wayne takes us through this guitar-driven Southern Rock album for this week's podcast.

Waterhole
This instrumental song leads off side two of the album, and has a bluegrass feel. It is the opening track to side two of the album.
There Goes Another Love Song
The hit single on the album also is the leading track. It peaked at number 34 on the Billboard Hot 100, and features Hughie Thomasson on lead vocals. The lyrics depict a guy on the road who is missing his faraway love, and seems to encounter love songs one after another.
Song for You
This may appear to be an instrumental at first because of the long intro before the vocals come in. The lyrics reflect a guy who is breaking a girl's heart, but can't seem to avoid doing so. There are some great harmonies in this track.
Green Grass and High Tides
The last song on the album is a true epic. The album version is almost 10 minutes long, but has been stretched to 30-minute versions in concert jams. Hughie Thomasson conceived the album while at a beach cookout and imagining all the rock greats who had passed on rising from the grave to play a show. The name comes from a Rolling Stones' "Best of" album title.

ENTERTAINMENT TRACK:
Main theme from the motion picture “The Apple Dumpling Gang”
Walt Disney Productions put out this comedy western about a gambler tricked into taking care of a group of orphans. Bill Bixby, Don Knotts, and Tim Conway star in this movie.

STAFF PICKS:
One of These Nights by the Eagles
Lynch starts off the staff picks with a song penned by the duo of Glenn Frey and Don Henley. It became the second number 1 single for the group in the US, behind "Best of My Love." This track takes inspiration from soul music like Al Green and B.B. King, and has been described as an anthem for procrastinators and dreamers.
Blue Sky by Joan Baez
Rob profiles a cover song originally performed by the Allman Brothers on their 1972 album, "Eat a Peach." Originally written by Dickey Betts about his girlfriend Sandy "Bluesky" Wabegijig, Baez covers this on her 1975 album "Diamonds & Rust." If it sounds familiar to you, Baez is actually backed up by the Allman Brothers Band for this single.
Landslide by Fleetwood Mac
Bruce features a song written by Stevie Nicks at a time when she was considering whether to continue to pursue life as a musician or give up her dream and go back to school. Despite its popularity today, the song was not originally released as a single until the live version from "The Dance" in 1997.
Motorhead by Hawkwind
Wayne closes out the staff picks with a B-side from the prog rock group Hawkwind written by bassist Ian "Lemmy" Kilmister while he was with the group. Lemmy was fired from the band one day before the album's release, but would go on to fame in the band Motorhead.

INSTRUMENTAL TRACK:
Journey of the Sorcerer by the Eagles
A rare instrumental from the Eagles takes us out this week.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
40 min
April 15, 2024 1992 - August: Eric Clapton ”Unplugged”
Eric Clapton is a living legend in the rock world. He was a member of the Yardbirds from 1963 to 1965, a founding member of the supergroup Cream, founding member of Blind Faith, founder of Derek and the Dominos, and a multi-album soloist. He has received 18 Grammy awards, sold more than 280 million records world-wide, and is the only three-time inductee into the Rock and Roll Hall of Fame.
Unplugged was recorded in front of an audience at Bray Studios in England for the "MTV Unplugged" series. This series was started in 1989, and several artists would release albums from this show, including Mariah Carey, Nirvana, and Page and Plant. Clapton's Unplugged album was a monster hit, winning three Grammy awards in 1993. It was Clapton's bestselling album, and the bestselling live album of all time, selling 26 million copies. Clapton recorded this in January 1992, and it contains a mix of his solo material, songs from previous groups, and blues standards from long ago.
Eric Clapton continues to play and tour today. He recently released a song called "Voice of a Child" in late 2023 and organized a charity concert to raise funds for children in the Gaza Strip. He also collaborated with Van Morrison in November 2020 on an anti-lockdown single called "Stand and Deliver," and said regarding vaccine mandates that he would not perform on any stage where there is a discriminated audience present.
Bruce presents this laid back live blues album in this week's podcast.

Running On Faith
This track was originally on the Journeyman album from 1989, Clapton's eleventh studio album. Jerry Lynn Williams wrote this song, as he did several other Clapton songs including "Pretending" and "Forever Man." They lyrics tell of taking each day as it comes in confidence that love will come to the singer in due time.
Tears in Heaven
This song originally appeared on the soundtrack for the 1991 film "Rush." In March of that year Clapton's 4-year old son Connor died in a fall from a New York City apartment, causing Clapton to isolate himself for a while. Scoring the music for the film gave him a way to cope with the loss. He wrote the first verse and asked Will Jennings to write the rest. It is deliberately ambiguous, as it is about his son, but also meant to be part of the film. It is his best-selling single in the United States.
Rollin' and Tumblin'
The recording of this song picks up mid-verse because it was recorded in a break when the cameras and recording equipment were off. Clapton began performing this Muddy Waters blues song impromptu, and the musicians around him joined in. It was last performed by Clapton when he was with Cream, and the audience clearly loves it.
Layla
The signature song from Derek and the Dominos was significantly altered by Clapton and acoustic guitar player Andy Fairweather. They changed it to a shuffle beat, removed many of the familiar riffs and piano exit, and jazzed it up. Clapton is also singing an octave lower than the original, which was at the top of his vocal range back in the day.

ENTERTAINMENT TRACK:
Theme from the television series “Martin”
Martin Lawrence had a comedy series popular in the US at this time, with Martin playing many characters, both male and female.

STAFF PICKS:
Sister Shade by Mary's Danish
Wayne brings us an unfortunately underrated song from the 90's as his staff pick. This grunge group actually featured two female lead singers: Gretchen Seager and Julie Ritter. Mary's Danish formed in the late 1980's and released four albums. Unfortunately, they became a victim of mismanagement, incompetent promotion, and a difficult contract that left them without money from the royalties.
Even Flow by Pearl Jam
Lynch's staff pick is a signature song from Pearl Jam. The music was written as an instrumental demo before Eddie Vedder's arrival as front man for the band. Vedder wrote the lyrics focusing on the life of a homeless person overlooked by society. Originally performed live in October 1990, it has become Pearl Jam's most performed song.
These Are Days by 10,000 Maniacs
Rob showcases another group with a female lead for his staff pick. The song encourages the listener to recognize the miracle in front of you, to live in the moment. Many associate it with the birth of a child, though the meaning is left ambiguous. This song is one of 10,000 Maniacs' biggest hits, and is one of the last the group did before Natalie Merchant left to pursue a solo career.
Runaway Train by Elton John (featuring Eric Clapton)
Bruce wraps up the staff picks with the second single from John's 1992 album "The One." The song includes contributions from Eric Clapton, who plays guitar and provides vocals in the second verse. "The One" was Elton John's 23rd studio album, and his biggest selling album in the US since 1976. The lyrics compare trying to get back into control of life to a runaway train.

COMEDY TRACK:
Taco Grande by “Weird Al” Yankovic
You can't go wrong with the sultry parodies of Weird Al as an exit from today's podcast.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
47 min
April 08, 2024 1985 - October: Scorpions ”World Wide Live”
While we may think of the German band the Scorpions as an 80's metal band, they started much earlier - way back in 1965. Things didn't really come together for the group until the 1978-1992 personnel lineup of Klaus Meine on lead vocals, Rudolph Schenker on rhythm guitar, Mattias Jabs on lead guitar, Francis Buchholz on bass, and Herman Rarebell on percussion. By the time that the live album entitled World Wide Live came out in 1985, the group had established itself as an international commercial success.
Recorded during their 1984 world tour, "World Wide Live" showcases the band at their best, and is a testament to their skill as live performers. The album was produced by Dieter Dierks, and was initially released as a 2-LP vinyl set, a cassette, and a VHS of tour footage showing off the band's stage presence. Folks, you got your money's worth when you originally purchased this album!
From the high intensity of rockers like "Big City Nights" and "Rock You Like a Hurricane," to the raw emotion of ballads like "Still Loving You," the Scorpions deliver a performance that connects with their audience. Hearing the live versions gives you a sense of the band in a way that is hard to capture from the studio arrangements.
Lynch leads this journey back to 1985, when the Scorpions were rocking the world like a...well...they were rocking the world.

Big City Nights
This song from "Love at First Sting" leads off side two of the first LP. Schenker and Meine composed this one, as they did with many Scorpions songs. This homage to night life in the city was released as the third single from their studio album, but failed to chart.
No One Like You
Originally appearing on their 1982 album, "Blackout," this track deals with infatuation and desire. Despite its only reaching number 65 on the Billboard Hot 100, it is one of the songs that established the Scorpions as premiere hard rockers of the 80's.
Still Loving You
Long before the hair metal ballad became a trope, the Scorpions demonstrated their ability to handle a slower song while still maintaining intensity and raw emotion. The lyrics are of a guy struggling to convince the girl he has lost to give their love a second chance.
Rock You Like a Hurricane
The Scorpions' signature song first appeared on "Love at First Sting" the year before this live album was released. It reached number 25 on the Billboard Hot 100, a rare Scorpions song to break the top 40. The track leads off side three of the album. The risqué video would be a prime exhibit of the PMRC in their quest for more parental control over child access to music videos.

ENTERTAINMENT TRACK:
Crazy by Patsy Cline
A film called "Sweet Dreams" chronicles the life of country music star Patsy Cline, and was in American theaters in this month.

STAFF PICKS:
Whole of the Moon by The Waterboys
Wayne gets the staff picks started this week with the best-selling song from an overlooked British-Irish rock-folk band. Cerebral and artsy, with lyrics like "I saw the crescent, you saw the whole of the moon," the song is about individuals with rare depth. The Waterboys reformed in 2000, and can still be seen touring, primarily in Europe.
Lay Your Hands On Me by The Thompson Twins
Rob brings us a song from the British group that has neither members named Thompson nor twins. It went to number 6 on the Billboard Hot 100. Thompson Twins member Tom Bailey has said that the song takes religious ritual as a metaphor for the connection between artist, performer, and artist.
It's Only Love by Bryan Adams and Tina Turner
Bruce's staff pick is the sixth and final single from Adam's amazingly popular album "Reckless," and also appears on Turner's "Tina Live in Europe" released in 1988. Loaded with melancholy and anger from a breakup, the song encourages the jilted lover to remember - it's only love. This song went to number 15 on the Billboard Hot 100.
Money for Nothing by Dire Straits
Lynch features a signature song from Mark Knopfler and Dire Straits, with a strong helping of Sting to boot. This Grammy Award-winning track was a staple of MTV, and spent three weeks atop the US pop charts. The lyrics are a conversation between two working-class men as they watch music videos.

INSTRUMENTAL TRACK:
Tears In a Prophet's Dream by Celtic Frost
This Swiss heavy metal bands instrumental takes us out for this week's podcast.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
43 min
April 01, 2024 1978 - December: The Doobie Brothers “Minute By Minute”
There are two distinct eras of music by The Doobie Brothers. From their formation in 1970 until 1975, Tom Johnston was the lead vocalist, and the group had a mainstream rock sound, with some folk and “California Country” influences. Starting in 1975, Michael McDonald joined the group as a keyboardist, as well as providing lead vocal work to help Johnston, who was having health problems at the time. Over the following years, Johnston would have less influence as he neared retirement from the group in 1977. Michael McDonald would influence the group into a more soulful sound, often called “blue eyed soul.” Today we would call this “yacht rock.”
Minute By Minute, the eighth studio album from the group, comes from the height of the McDonald era. It is a high water mark for the Doobie Brothers both commercially and critically. The album would spend 87 weeks on the Billboard 200 album charts in the U.S., topping the charts in five of those weeks. It would also produce multiple nominations and wins at the Grammy awards in 1980 including Record and Song of the Year wins for “What a Fool Believes.”
The Doobie Brothers would break up in 1982, then reform with Johnston back as front man in 1987. Michael McDonald would rejoin the band full time in 2019 in time for their 50th anniversary tour. You can still find them on tour today.
Rob brings us this soulful album for today's podcast.
What A Fool Believes
The lyrics of this hit narrate the story of a man who meets an old crush and tries to rekindle their relationship, only to find out that there never really was a relationship in the first place. Michael McDonald and Kenny Loggins wrote this single, which became a number 1 hit in the US and Canada.
Dependin' On You
Michael McDonald and Patrick Simmons wrote this song, and Simmons takes over lead singer duties. It went to number 25 on the Billboard Hot 100. The Latin-infused call-and-response song celebrates a rock solid love that is always there.
Don't Stop to Watch the Wheels
This shuffle beat deeper cut is sung by Patrick Simmons, and was the B-side from the single release of “What a Fool Believes.” “Look out, hold on, don't stop to watch the wheels go 'round. Look out, hold on, I got to cover ground.”
Minute By Minute
The title track finds Michael McDonald handling lead vocals, and was written by McDonald and Lester Abrams. The single was released in April of 1979, and it went to number 14 on the US charts. The smooth keyboard-driven sound reflects the Motown inspiration, and is a hallmark song of the “yacht rock” genre.

ENTERTAINMENT TRACK:
Every Which Way But Loose by Eddie Rabbitt (from the motion picture “Every Which Way But Loose”)
Clint Eastwood would take a break from his action and western movies for this comedy with an orangutan co-star named Clyde.

STAFF PICKS:
Don't Stop Me Now by Queen
Bruce leads off this week's staff picks with a single from Queen's "Jazz" album. While this tribute to hedonism did well in the UK, it only hit number 86 on the US charts. It would grow in popularity over time, and would be featured in multiple commercials including Toyota, L'Oréal, and American Idol.
Double Vision by Foreigner
Lynch features a song from Foreigner's second album of the same name. It reached number 2 on the Billboard Hot 100. Surprisingly, the inspiration for the song title was an event at a hockey game when a goalie had to be removed after a collision on the ice because he was experiencing double vision.
Homicide by 999
Wayne brings us a band from London that is named for the number used in the UK to reach emergency services. This punk-infused song takes a tongue-in-cheek look at serial killers. While a top 40 hit in the UK, it didn't chart in the States. You might recognize this song from the soundtrack to the John Wick series, “The Continental.”
Follow You Follow Me by Genesis
Rob closes out the staff picks with a softer song from the progressive group Genesis, the closer from their album “...And Then There Were Three...” The group had condensed to the three members of Phil Collins, Mike Rutherford, and Tony Banks, after former member Steve Hackett chose to leave.

INSTRUMENTAL TRACK:
Steamer Lane Breakdown by The Doobie Brothers
We get a little double dip of the Doobies as we exit today's podcast on this instrumental number.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
37 min

About What the Riff Next Gen

From the publisher's feed

Every episode of “WHAT THE RIFF NEXT GEN” brings a ROCK AND ROLL album that debuted on the U.S. Billboard charts during a random month between 1995 and 2005. Four Classic Rock fans discuss the artist and 4 tracks from the album as it plays in the background. Then we riff on 3 additional “staff picks” of other artists that were also on the charts during that month and year. You’ll hear Classic Rock bands that were still producing new work, as well as some newer Alternative and Grunge bands that were gaining momentum during this Millennium Y2K Period. We encourage you to find and purchase the tracks and albums from Apple Music, Spotify or your other favorite music service. Please subscribe so you don’t miss any release! In addition to “Next Gen” you can search our ORIGINAL “What the Riff?!?” episodes (1-373) covering 1965 - 1995. We also invite you to follow us and learn more about us @whattheriff on Facebook.

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