With her groundbreaking 1992 debut album, Little Earthquakes, Tori Amos paired pianos with guitars and shook the music world to its core. The record's most poignant and painful moment was the a cappella track “Me and a Gun,” a chilling account of the artist's sexual assault. Long before the MeToo movement, Amos was a hero and crusader who spoke truth to power, not only with her songwriting but with her work as the first spokesperson for the Rape, Abuse & Incest National Network (RAINN), the largest nonprofit anti-sexual assault organization in the U.S.

In this episode, we explore one of the most soul-baring, innovative releases of the ’90s—and the uphill battle its creator faced to get it made. With special guest Tori Amos.

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Rapper Ice-T faced major backlash after he and his heavy-metal side project Body Count released their dark, menacing track “Cop Killer.” They’d been performing the song for a year before it appeared on their 1992 debut album, but the record landed in stores just weeks before four police officers were acquitted in the trial for the beating of Black motorist Rodney King and riots over the verdict erupted in the streets of Los Angeles.

Police organizations accused “Cop Killer” of inciting violence across the country, and it became an ideal target for right-wing politicians, including President Bush and Vice President Dan Quayle, who aimed to strike down anything that challenged “family values.” With the FBI, the IRS, and the NRA on his back, Ice-T suddenly found himself at the center of a debate over the limits of freedom of speech.

In this episode, we explore the origins of “Cop Killer,” the outrage it sparked in 1992, and how Ice-T and his label reacted to the fallout. With special guests Ice-T and Body Count guitarist Ernie C.

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With his steamy good looks and painted-on jeans, muscley, mulletted country newcomer Billy Ray Cyrus came out of nowhere with a hit that catapulted him to superstardom. But he and his butt also became the butt of many, many jokes. Still, if his 1992 crossover smash, “Achy Breaky Heart,” is widely regarded as one of the cheesiest songs of all time, its music video transformed line dancing into a global sensation, and turned legions of top 40 listeners on to a genre they’d previously dismissed.

In this episode, we delve into Cyrus’ complicated legacy, the lasting influence of his notorious hairstyle, and how he had the last laugh when he returned to the pop charts nearly three decades later to break records and once again flip the world of country upside down.

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Sophie B. Hawkins dominated the airwaves with her 1992 debut single, “Damn I Wish I Was Your Lover,” a song with homoerotic overtones that were rare in mainstream pop at the time. If they went unnoticed by many listeners, she fought nearly every step of the way to express her progressive views and maintain her independence at her label, and struggled to find her place in the LGBTQ community.

Meanwhile, k.d. lang’s 1992 hit “Constant Craving” and her album Ingenue ushered her out of Nashville and into the Top 40 spotlight. After she came out, picketers protested her Grammy nominations, but her star quickly rose, with Vanity Fair tapping her for one of its most memorable, provocative covers and cementing her status as a sex symbol and a queer icon.

In this episode, we explore how the two artists navigated the music industry and their sexual orientations as they were thrust into the public eye. With special guest Sophie B. Hawkins.

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“Oh… my… God, Becky. Look. At. Her. Butt.” It may be one of the most unforgettable opening lines of a song in the history of popular music. Say those words and they instantly conjure images of rump-shaking models, a pair of very annoying Valley girls, Cosmopolitan magazine, Jane Fonda, Ross and Rachel’s baby on Friends, Shrek, high school dances, bar mitzvahs, keggers, karaoke parties, and wedding receptions. The impact of Sir Mix-a-Lot’s “Baby Got Back” was massive, its legacy undeniable. The song was big, thick, and juicy then, and it will forever be big, thick, and juicy. 

This week, we talk to the director of the “Baby Got Back” music video, the MTV exec who initially refused to air it, Mix himself, and the iconic, big-bootied model at the center of it all. 

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1992: The year of big-butt anthems, achy-breaky hearts, and Madonna’s Sex book. The year that Boyz II Men and Whitney Houston shattered chart records, while U2 and TLC confronted the AIDS crisis head-on. The year that introduced us to grunge, G-funk, and… Right Said Fred. In this podcast, journalist Jason Lamphier (Entertainment Weekly) looks back at the major hits, one-hit wonders, shocking headlines, and irresistible scandals that shaped what might be the wildest, weirdest, most controversial 12 months in music history.

Featuring interviews with music video directors, MTV bigwigs, obsessive superfans, and the artists themselves, Where Were You in '92? poses the question: What was it about 1992 that made it so groundbreaking, so bonkers, and so absolutely fabulous? New episodes drop every week beginning Nov. 16.

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