A podcast hosting platform stores your episode audio and generates the feed that podcast apps use to find and update your show. In this episode, Mr. E explains hosting in plain English and why uploading a podcast usually isn’t a “send it to every app” situation.

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Loudness standards are guidelines for how loud your finished episode should feel to a listener so it plays consistently across apps and devices. In this episode, Mr. E explains loudness in plain English and why “no clipping” isn’t the same as “consistent listening level.”

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Mixing voiceovers and music is about keeping speech clear while music supports instead of competes. In this episode, Mr. E explains what “mixing” actually means in plain English and why the goal isn’t just quieter music—it’s music that leaves room for the words.

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A limiter sets a hard ceiling so loud peaks don’t clip or jump past a set point. In this episode, Mr. E explains what limiters do in plain English, how they’re different from compression, and what it sounds like when a limiter is working too hard.

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Advanced EQ techniques are the more precise ways to shape tone when basic EQ moves aren’t enough—especially when a problem only happens sometimes. In this episode, Mr. E explains what “advanced” EQ really means and why it can keep you from overcorrecting the entire voice.Next up: Using Limiters.

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Editing and mixing can feel like a pile of tools with no order. In this episode, Mr. E connects EQ, compression, noise reduction, monitoring, file formats, audio interfaces, and multiple tracks into one simple workflow you can repeat.

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Multiple tracks are separate lanes of audio—like your voice, a guest, and music—so you can edit and adjust each layer independently. In this episode, we explain what multi-track editing actually means and the beginner mistakes it helps prevent.

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An audio interface is the bridge between certain microphones (especially XLR) and your computer, handling inputs, gain, and monitoring in one place. In this episode, we explain what an interface does in plain English and why it’s often the “missing piece” in a recording setup.

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Audio file formats are how sound is packaged inside a file—often as uncompressed “working” formats (like WAV) or compressed “delivery” formats (like MP3). In this episode, we explain the difference in plain English and why your editing workflow can change depending on the format.

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Monitoring means listening on purpose while you record or edit so you can catch problems early. In this episode, we explain why headphones reveal issues speakers can hide—like hum, fan noise, and distortion.

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