White Rocket Entertainment

Open Wheel racing podcast: Alan and Van discuss the changes to both Formula 1 and IndyCar for 2018, then dive into the first two races of each championship.

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This seemed like a good time to RE-POST the episode from a couple years ago where John and Van discussed the Ready Player One NOVEL. This accompanies the MOVIE discussion show that was posted earlier this week.

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Van and John dig deep into the Ready Player One movie with a few minutes of non-spoiler review and then a deep dive into the geekery.

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GHOST RIDER 35 by Jim Starlin, from April 1979.

Jarrod Alberich returns with COMICS WITH NORMIES, where he shares classic comics with a non-comics reader. This episode he gets his friend Kirbie to read and react to the epic GHOST RIDER 35 by Jim Starlin, from April 1979.

Jarrod on Twitter: @yardsaleartist  @comicswithnormies

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Van looks at all 16 of the original PARKER crime fiction novels by Richard Stark (Donald Westlake), written between 1962-1974.

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Van is joined by Levi Stahl of the U of Chicago Press to discuss their reprints of the classic Parker crime novels as well as Levi's nonfiction book, THE GETAWAY CAR, collecting author Donald E Westlake's miscellaneous writings, and more.

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Levi Stahl on Twitter: @LeviStahl

THE GETAWAY CAR on Amazon

Van and John bring you two towers full of Lord of the Rings trivia as they battle it out for the holidays. Match wits with them and see who is the one trivia geek to rule them all!

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Van reacts to Star Wars VIII: The Last Jedi. Spoilers are held until after a very audible warning. (This is taken from the audio track of the video from Saturday morning.)

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I break down the Draw that took place today for the 32 teams heading to the 2018 World Cup.

These will be very occasional special episodes through next summer, with guests, interviews etc.

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Mark Bousquet and Jarrod Alberich join Van to discuss Ridley Scott's epic Crusades film, KINGDOM OF HEAVEN (Director's Cut), including its profound themes and symbolism as well as its massive battles and action. It is possibly the most improved film in the history of Director's Cuts.

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