Moffat marginalia, genre savviness, Tennant charisma, whodunnits/whydunnits/whodonewhats, suspense mystery farce, lying as authorship, Brits writing America, & more are discussed in this review of the first two episodes of Inside Man, Steven Moffat’s 2022 thriller.
(00:00:00) What is the show?
(00:04:40) Ideas of the show
(00:07:16) Jefferson Grieff, mini-cases, Sherlock style
(00:13:28) Genesis of the show
(00:19:15) Brits writing America, fantasy America genre
(00:23:30) Cleverness
(00:24:42) Moffat career stages
(00:30:28) Themes & focuses of the show
(00:35:19) Jefferson Grieff’s morality & ego
(00:37:24) Lies & authorship: major theme of the show
(00:42:41) Gender ideas, & Tennant’s charisma
(00:52:52) Mary & where the show might go
(00:58:14) Edgar & rewatching scenes
(01:06:36) Harry, Edgar, & religion
(01:15:21) ‘Normal people’
(01:18:23) Janice
(01:24:53) Memorable lines, Dillon, Mary’s speech about the Internet
(01:33:51) Style of the show
(01:41:49) Structure of the show
(01:46:57) What’s to come?…
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