It's our last day at DIFF and we try something different: Driving While Screaming...in Separate Cars. While the audio might not always be great, the conversation is. Films discussed: As We Breathe; If I Go Will They Miss Me; and Poetic License. We're already looking forward to DIFF 2027. 

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It's a solo rendition of Driving While Screaming. Brock had things he could not get out of; things that could not be avoided; Brock is not happy about that. But Jason is here to tell you all about day five of DIFF '26 (and some interesting non-DIFF films as well).

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We were honored to sit down with Ellen Rodnianski to talk about her film, American Baby. A powerful, and beautiful movie about a pregnant 15 year old confronting isolation, double standards, and adult choices. Keep an eye out for this one.

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We love DIFF. We think it's one of the top (and one of the most underrated) film festivals in the country. But even great film festivals have bad days.

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Coming to you from a corner of an Alamo Drafthouse, it's a midday recap: Misper, Obsession, and American Baby.

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We are back at DIFF, recording in any space and time we can find between trying to catch as many movies as possible. We recap day one by looking at the films Last Shot, Gaslit, and non-fest films The Drama, and Mother Mary--all from the crowded press lounge at Cineopolis. 

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DIFF 2026 is upon us, and first up, a real treat: the documentary Gaslit, and two separate interviews with the director, Katie Comosy, and activist Sharon Wilson. Gaslit is urgent and essential viewing. It plays at DIFF on Saturday, April 25th 3:45PM and Sunday, April 26th 1:45PM.

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A very special episode! Brock and Jason are joined by the dynamic duo of Joey LePage and Lindsey Robertson--the pair behind the funny, touching, and brilliant film Party People--to talk Robert Altman's 3 Women. A dreamy conversation for a dreamy film. 

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We're finally back with the second part of gift exchange. On this episode we're talking the Soviet film Kin-dza-dza!, the puppet thriller Abruptio, and the 1997 film Sunday. Also, prediction markets suck. Enjoy the show.

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Welcome back, screamers. On today's show: more of the early-Alts with Altman's take on the private eye (and we mean the private eye: Marlowe) The Long Goodbye. It's a shaggy, laconic tale of friendship, deception, and a man out of time and place. We also wonder what it would be like to be drug lords...but, you know, altruistic drug lords.

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Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

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Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_