Hey there screamers, as part of our coverage of this years Dallas International Film Festival, we sat down with filmmakers and cast members from a number of films. We'll be bringing those interviews to you every couple of days over the coming weeks. First up is Austin Nichols and Adrianne Palicki director and star of The Salamander King, a charming comedy about big ideas and a community of weirdos. enjoy the conversation.

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The Salamander King teaser trailer

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

It's the last day of DIFF 2025, which means the last bit of Driving While Screaming (at least until the Oak Cliff Film Festival). On tonight's drive back, we talk Motherland, and Barron's Cove. DIFF 2025 was truly fantastic. We'll have extended coverage and interviews coming soon.

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

Day 5, a day of interviewing the wonderful filmmakers behind the following films: DIY: The Rise and Fall of Punk, Party People, and Eastern Western. Stay tuned, those interviews are coming soon. 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

Driving and Screaming: DIFF Recap Day 4 features the films Andre is an Idiot, All That We Love, and Toxic. We also swear at motorists. 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

Day 3 was another busy day of yapping and watching films. Today: Cafe Chairel, Friendship, Happy as Larry, and Black Spines. Come for the movie talk, stay for the bad Jimmy Stewart impressions and near car crashes.

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

Day 2 of DIFF 25. And Day 2 of nightly recaps. We talk about the films Due West, and The Other. Two films that already feel like standouts at this year's festival. 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

The Dallas International Film Festival is back! And that means we're back with daily festival recaps--Driving and Screaming. The first day: Salamander King, Omaha, and Daniela Forever.

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

On today's episode, we start our look at the filmography of Amanda Kramer with her, technically, first film: Paris Window. We also discuss the new films Borderline, and The Monkey, as well as remembering Val Kilmer and ranting about theaters (again).

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

Welcome back screamers to another episode where we discuss one of the great actors of our time—Gene Hackman. Gene hackman passed away in February, and we are here to look at a handful of his films: Scarecrow, Night Moves, The Package, and Loose Cannons.

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

“The Screamy is given in recognition of achievements (or lack thereof) in direction, performance, and “should have’s” that represents Wilhelm’s iconoclasm and overall opinionated views during “the previous year.”

Tonight, we invite you to Scream, sit back, and enjoy.

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_