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In this episode, we discuss “The Cask of Amontillado” by Edgar Allan Poe. What can we learn from this classic horror story? How much is needed to create the main effect of the story? What can be done with a good story premise? How do we choose the central character for a story based on a good premise? How has style and language changed since the 19th century?

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In this episode, we discuss “How to Eat Chicken Wings” by Kristen Arnett. What can we learn from this fun little piece? Are chicken wings a metaphor? Can a metaphor change through a story? How can food help develop an idea in a story? How can we push the boundaries of form?

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In this episode, we discuss “The Frog Prince” by Robert Coover. What can we learn from this retelling of a classic fairy-tale trope? Should we take a story like this literally? What does it mean to have a writer’s eye? How do we find the perfect details? How is seeing great details not merely a matter of choosing the best words?

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In this episode, we discuss “Milkwishes” by Kristen Roupenian. What can we learn from this story that happens so much in the character’s thoughts? How can memories be the main focus of a story? How can we develop subtle narrative voice in a third-person story? What can you do with a really long sentence?

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In this episode, we discuss “Redemption” by John Gardner. What can we learn from this story based on true events from the author’s childhood? How important is it that depictions feel real? How can we very quickly introduce characters? How important is it to develop the arc of a story to depict true events?

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In this episode, we discuss “A Temporary Matter” by Jhumpa Lahiri. What can we learn from this story with such a simple premise? How can memory inform a story? How does memory differ from flashback? How can a story be driven by a character’s thoughts? How can a secret help develop drama?

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In this episode, we discuss “The Worshipful Society of Glovers” by Mary Robinette Kowal. What can we learn from this historical fantasy story? Do fantasy stories have a steep learning curve? How can we quickly build an alternate world in a short story? How can mixing genres create exciting stories? Despite the trappings of genre, how can such stories always still be about the human condition?

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In this episode, we discuss “To Build a Fire” by Jack London. What can we learn from this classic, straightforward story? How can immediacy drive a story? How can the story’s setting be an intrinsic part of the narrative? What can we learn from the line “And then it happened”? How does point of view shape our experience of the immediacy of the story?

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In our one-hundredth episode, we discuss “The Lady with the Pet Dog” by Joyce Carol Oates. What can we learn from this retelling of Anton Chekhov’s story “The Lady with the Little Dog”? How does the retelling affect our understanding of the characters? How does the non-linear narrative help the story develop? How does varied sentence structure help develop the prose style? What story would we retell?

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In this episode, we discuss “Lamb to the Slaughter” by Roald Dahl. What can we learn from this classic story? How versatile can a story’s point of view be? How can subtle shifts of point of view change how we see a character moment to moment? What is the value of a great story idea? How can we use indirect dialogue?

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