Emily Jane Style is a relational scholar. She appreciates the intellectual dimension of ideas, but also knows that ideas matter relationally, because there are real flesh-and-blood people in any given room, people with real and complex life stories involved in any given discourse. My favorite tribute to Emily’s work comes from Christina Patterson Brown, an educator and activist who studied with her in 1991, and nearly three decades later thanked Emily for modeling “what woke and intersectional work looked like before there was an internet.”

On today’s show we discuss three of the most important concepts Emily taught me when we overlapped as colleagues: come to terms with the large slice of human experience that you don’t know you don’t know; remember that 50% of the curriculum walks in the room with your students; and make sure you’re providing a balance of “windows” and “mirrors” in the texts you ask your students to engage with. We do some school talk on this show, but I believe these ideas have a place in everybody’s toolkit. [Photo credit: Brenda Flyswithhawks. Emily is holding a print of Carmen Lomas Garza’s painting "Earache Treatment," which functions both as window and mirror for Style.]

Jason Grant is a dear friend and former colleague who also happened to be a participant with me in the first SEED cohort that Emily led at Westfield High School.

Emily’s 1988 essay “Curriculum as Window & Mirror” has been so influential that the Wellesley Centers for Women threw a 30th birthday party for it on October 4th, 2018.

I’ve used it so often that I adapted it into a one-page handout to use with groups of teachers in various settings.

Emily first wrote about what she calls “DKDK” (what you don’t know and don’t know that you don’t know) in an article called “In Our Own Hands: Diversity Literacy” for Transformations: The Journal of Inclusive Scholarship and Pedagogy, Vol. 6, No. 2 (Fall 1995), pp. 64-84. The piece is quite accessible, with good exercises.

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