This was created from and midi "sketch" that I had recently found which contained most of the "A" part--somehow it had gotten lost in a direrctly I genereally reserve for other artists midi's, but this one was definately mine. What is the "Land" it is up to you... it could be what it says, maybe a undiscovered land here on Earth, or another yet explored planent, or it could be the very landscape of this song itself which has many textures and curiosites in regards to fx. I think one of the strongest and favorite of mine is the orchestral Flute section... but like I said... it is what it is to you th e listener that mattters...

This is a more Piano driven compositon with about 2 new themes and one counter theme Modo Drums also got two new Tom rolls lines and there is now a Brass section that reflects the main Chord

Progression(an 16 bar phase/progression that I was very happy to resolve from bar 16 to 1 (C min #5 to C Maj)

the sequence:

CMj:Cmin7:Cmin6:CSus4:CSus2:C5:CMj7:CAdd9:

CSus2Sus4:CAdd9:C 7Sus2:CSus2Cus4:Cmin6:CMin:CAdd9:CMin#5

not "standard" by any stretch (when do I ever do that? ) but very pleasing to hear--at least to me it is ;)

So far this composition start to mixdown to release for both version has been under 6 hours max

This is a more Piano driven compositon with about 2 new themes and one counter theme Modo Drums also got two new Tom rolls lines and there is now a Brass section that reflects the main Chord

Progression(an 16 bar phase/progression that I was very happy to resolve from bar 16 to 1 (C min #5 to C Maj)

the sequence:

CMj:Cmin7:Cmin6:CSus4:CSus2:C5:CMj7:CAdd9:

CSus2Sus4:CAdd9:C 7Sus2:CSus2Cus4:Cmin6:CMin:CAdd9:CMin#5

not "standard" by any stretch (when do I ever do that? ) but very pleasing to hear--at least to me it is ;)

So far this composition start to mixdown to release for both version has been under 6 hours max

Yes the phase is normally "Helen of Troy" but I wanted this track to be set more at the battle of Troy: As she looks out over the battle field and seas....

WIP MTC

Yes's original song off of the "Relayer" album had me at first hearing, this version of mine is still a bit a WIP this one has taken me years to bring to production as it is a complexity (progressive jazz) within a complexity(Rock) times a complexity (Generating this with only a computer/electronically/Sans Band/Modeled VSTs/No Samples)

Steve's guitar work was so complex I had to use two tandam gujitar lines each controlled differently and I still had to filter the hell out of them to control them to avoid cracking and Squeaking. Slayer 2 has control over the damping. the tension, the velocity of the tension, the bending, and many more for just the string behavior, about 10 to 12 automation lines, or you live tweak all of that (yeah I know, it woould probably be easier to use a real guitar, but that is not the point ;) ) so at one point I thought about controlling at least one of the Slayer 2's "live" without using an automation.... but I thnk that can be avoided now... regardless, it was a labor of love....

Well Enjoy

This version brings the previous two together

Inspired both by recent events, and fears for future ones--Parliament goes very conservatives and a new King ascends the Throne....

This is a continuation of the previous track and as such, has a stronger narrative.

composition is in 3 movements:

0::00 - Passing of a Queen

2:46 - Once and Future King

5:46 - Futura Britannica

MTC

This track should offer Peace for:

For England, For Britain, For the UK, for Peace in all.. Peace for All..

G.S.T.K.

Inspired both by recent events, and fears for future ones--Parliament goes very conservatives and a new King ascends the Throne....

This is a continuation of the previous track and as such, has a stronger narrative.

composition is in 3 movements:

0::00 - Passing of a Queen

2:46 - Once and Future King

5:46 - Futura Britannica

MTC

This track should offer Peace for:

For England, For Britain, For the UK, for Peace in all.. Peace for All..

G.S.T.K.

MTC

MTC still a WIP