Women, Gender, and Sex in the Ottoman World

with Susanna Ferguson

hosted by Chris Gratien

| What does the history of modern Arab political thought look like from the perspective of women authors? In this podcast, we sit down with longtime Ottoman History Podcast contributor Susanna Ferguson to explore this question, which animates her new book Labors of Love: Gender, Capitalism, and Democracy in Modern Arab Thought. Previous scholarship has focused on the role of women in discussing the roles of women, but as Prof. Ferguson argues, women writers of the 19th and 20th century can also be studied as producers of social theory and commentators on the important matters of their era. In our conversation, we use the lens of public discourse about child-rearing or tarbiyah as a window onto ideas about a wide range of topics, including morality, labor, and democratic governance. In doing so, we consider the importance of seeing the Arab world as a source of portable ideas about modern society, as opposed to a merely passive recipient of Western modernity.   

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with Nevila Pahumi

hosted by Susanna Ferguson

| In 1919, Paraskevi Kyrias went to Paris to advocate for Albanian independence. As a woman in the overwhelmingly masculine space of international diplomacy, she faced sexism and unwanted romantic overtures. Nevertheless, she called on her connections within a global Protestant community, her life in diaspora in the United States, and her experiences at the elite Constantinople Girls' School to play a unique role in the Albanian campaign for independence after World War I. In this episode, we speak with Dr. Nevila Pahumi about Kyrias' story, her leadership of the early Albanian women's movement, and the diary of her experiences in Paris she left behind. We also trace the history of this remarkable woman after 1919, as she and her family were repudiated by a secularizing Albanian state determined to exise Protestant activism from their national history -- until she was once again remade as a feminist icon in the last years of her life.

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Episode 448

with Burcu Karahan

hosted by Suzie Ferguson

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"One Thousand Kisses," "Plate of Cream," "Story of a Lily:" these are some of the provocative titles that graced the covers of Ottoman erotic novels in the early decades of the twentieth century. While erotic fiction and poetry had a long history in Ottoman and Arabic manuscript culture, the erotic novels of the second constitutional period (1908-1914), some creatively adapted from French originals, emerged in a period of unprecedented freedom for writers. Yet the novels themselves were often less explicit and transgressive than their their titles might suggest. In this episode, Burcu Karahan shows how, in late Ottoman fiction, stories about sex and desire celebrated not only sexual freedom, but also conservative fantasies about male sexual power and the power of heterosexual love.

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Bölüm 437

Leyla Kayhan Elbirlik

Sunucu Can Gümüş

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Osmanlı'da çiftler nasıl evlenir, nasıl boşanırdı? Bu podcast'te Leyla Kayhan Elbirlik ile İstanbul Bab, Davud Paşa ve Ahi Çelebi mahkemelerinin 1755-1840 yıllarındaki kayıtlarını inceleyerek tamamladığı doktora araştırması odağında, Osmanlı İstanbul'unda evlilik ve boşanma davaları üzerine sohbet ediyoruz. Elbirlik'in araştırması, kadınların evlilik, boşanma ve mülkiyetle ilişkili konularda mahkemeleri aktif olarak kullandıklarını gösterirken, Osmanlı ailesinde ve toplumunda kadının rolüne dair yaygın kanıları da yeniden değerlendiriyor.

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Episode 421

with Gülhan Balsoy and Tuba Demirci

hosted by Suzie Ferguson

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How did the experience of pregnancy and childbirth change in the Ottoman Empire in the context of nineteenth-century reforms? In this episode, we discuss how the question of managing a "population" become a key concern for the Ottoman state, bringing new opportunities and difficulties for Ottoman mothers and midwives alike. Questions about childbirth also became enmeshed in late-imperial demographic and cultural anxieties about the relationship between the Empire and its non-Muslim populations. As pregnancy and childbirth drew the attention of medical men, state bureaucrats, and men and women writers in the emerging periodical press, new technologies, regulations, and forms of medical knowledge changed what it meant to give birth and raise a child.

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Episode 419

with İpek Hüner Cora

hosted by Işın Taylan

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Ottoman literature is heavily associated with verse, namely, Ottoman court poetry, and to some extent, folk literature. Ottoman stories, however, remain unexplored, even though they circulated in the empire and entertained many. For us, today, they are an invaluable source to study daily life, gender and space in the early modern Ottoman world. What is an Ottoman story? What do Ottoman stories tell us? In this episode, İpek Hüner Cora joins the podcast to talk about fictional prose stories in the Ottoman Empire and we discuss the gendered and spatial aspects of stories scattered in manuscript collections.

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Bölüm 384

Muzaffer Özgüleş

Sunucu: Can Gümüş

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Toplumsal cinsiyet bakış açısının son birkaç on yılda Osmanlı tarih yazımına yaptığı müdahaleler, saray kadınlarının imar faaliyetlerinde üstlendiği rolün giderek daha çok araştırılmasına da vesile oldu. Muzaffer Özgüleş’i konuk ettiğimiz bu bölümde, Sultan IV. Mehmed’in hasekisi, Sultan II. Mustafa ve Sultan III. Ahmed’in validesi Gülnuş Emetullah Sultan’ın imar faaliyetlerini detaylandırırken kadın baniler odağında kent, mimarlık üretimi ve toplumsal cinsiyet ilişkisini değerlendiriyoruz.

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Episode 378

with Özlem Gülin Dağoğlu

hosted by Sam Dolbee and Shireen Hamza

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Many myths have accompanied the life of Mihri Rasim, but few are as interesting as her life itself. Born to a wealthy family in Istanbul in the late Ottoman period, Mihri Rasim became a politically connected painter, living in Italy for several years on her own and then Paris, where she played a key role in the salons of Ottoman dissidents known as the Young Turks. In the wake of the 1908 Constitutional Revolution, she returned to Istanbul, and opened the Fine Arts School for Women in Istanbul, where she went on to teach. After the war, she went to Italy, and then the United States, where she continued her work painting and teaching. In addition to many self-portraits, she also painted various powerful figures, among them Mustafa Kemal, Mussolini, and Thomas Edison. Listen for a discussion of art, gender, and migration in a period of momentous political change.

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Episode 369

with Jane Hathaway

hosted by Sanja Kadrić and Emily Neumeier

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For more than three centuries, a cadre of African eunuchs were responsible for guarding the Ottoman harem at the imperial palace in Istanbul. The head of this group, the Chief Harem Eunuch, emerged as an extremely influential individual at the court. This was especially true during the crisis years of the long seventeenth century, when the palace became divided along ever-shifting lines of political factions. In this episode, we trace the long trajectory of the office of Chief Harem Eunuch, from its establishment—coinciding with the sultan’s decision to begin residing full-time in the harem—until the ultimate demise of the empire. In particular, we highlight the high degree of mobility for these eunuchs, beginning with their initial journey from Ethiopia to the shores of the Bosphorus, and later on using their position to maintain strong ties to Cairo as well as the Holy Cities of Mecca and Medina. A liminal figure in every sense of the word—in terms of gender, race, and his duties at the court—the Chief Harem Eunuch offers unique insights into the nature of political life at the Ottoman palace.

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Episode 357

with Didem Havlioğlu

hosted by Chris Gratien

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What did it mean to be a woman in the intellectual world of early modern Islamic empires? In this episode, our guest Didem Havlioğlu offers one answer to this question through the life and works of Mihrî Hatun, an Ottoman woman from 15th-century Amasya whose poetry survives to this day. Mihrî was unique within the male-dominated sphere of early modern love poetry, and as we discuss in this podcast, her position as a woman was integral to her poetry and its meaning. These poems and the relationships of this exceptional writer are the subject of Havlioğlu's new book entitled Mihrî Hatun: Performance, Gender-Bending, and Subversion in Ottoman Intellectual History (Syracuse University Press).

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