Work. Shouldnt. Suck.

Work. Shouldn't. Suck. LIVE: The Morning(ish) Show with special guest Dave Archuletta, Chief Development Officer, New York Lives Arts. [Live show recorded: April 16, 2020.]

DAVE ARCHULETTA Since 2015, Dave has served as Chief Development Officer at New York Live Arts, where he is responsible for leading the organization’s fundraising efforts including individual giving, special events, institutional funding, and fiscal sponsorship. He is also responsible for the management and development of Live Arts education initiatives such as its partnership with the local James Baldwin High School and work with youthful detainees on Rikers Island.

Prior to joining New York Live Arts, Dave lived in San Francisco where he served as Executive Director of Joe Goode Performance Group (JGPG). While leading JGPG, he oversaw the capital campaign and buildout of the new Joe Goode Annex performance space, its capitalization and its public programs.

Previously he was a consultant and producer in Berlin, Germany, and before that he served as Program Director of the Bill T. Jones/Arnie Zane Company (BTJ/AZC) in NYC. In his role at BTJ/AZC he developed the Company's licensing program, increased touring revenue, and under his leadership the Company entered markets in Singapore and Taiwan for the first time. Dave also oversaw the development of the Company's education and community engagement programs and was instrumental in producing the Company's first talk series, Breaking Ground with Bill T. Jones at Harlem Stage, funded by JP Morgan Chase.

Dave has also held positions in the dance touring division at IMG Artists, and the performing arts curatorial department at Yerba Buena Center for the Arts. Dave is a UC Berkeley graduate with dual degrees in Art Practice & Rhetoric (film emphasis).

He is also an independent music producer, living in the LES with his wife, abstract artist Megan Olson and their senior cat Dandelion.

Work. Shouldn't. Suck. LIVE: The Morning(ish) Show with special guest Kristina Newman-Scott, President, BRIC. [Live show recorded: April 15, 2020.]

KRISTINA NEWMAN-SCOTT serves as President of BRIC, a leading arts and media institution anchored in Downtown Brooklyn whose work spans a contemporary visual and performing arts, media, and civic action. She is the first immigrant and first woman of color to serve in this position and one of the very few women of color leading a major New York cultural institution.

Under her tenure, BRIC embarked on an ambitious human-centered process in pursuit of clarity of purpose in the form of a new four-year Strategic Plan. That process led to a rearticulated mission, informed by the institution's impact and legacy, and a newly articulated vision statement, guided by aspirational goals. In addition, she led a renewed commitment to equity, diversity, and inclusivity in every aspect of the organization.

Previously, Newman-Scott served as the Director of Culture and State Historic Preservation Officer for the State of Connecticut; Director of Marketing, Events and Cultural Affairs for the City of Hartford; Director of Programs at the Boston Center for the Arts; and Director of Visual Arts at Hartford's Real Art Ways.

Ms. Newman-Scott's awards and recognitions include being a National Arts Strategies Creative Community Fellow, A Hive Global Leadership Selectee, and a Next City Urban Vanguard. In June 2018, Americans for the Arts presented Kristina with the Selina Roberts Ottum Award, which recognizes an individual working in arts management who exemplifies extraordinary leadership qualities.

A TEDx speaker, guest lecturer, visiting curator, Kristina currently serves on the Boards of the New England Foundation for the Arts, National Arts Strategies, and Downtown Brooklyn Partnership. She resides in Bed-Stuy, Brooklyn, with her husband and two children.

Work. Shouldn't. Suck. LIVE: The Morning(ish) Show with special guest Gail Crider, President & CEO, NAS. [Live show recorded: April 14, 2020.]

GAIL CRIDER is President & CEO of NAS. She facilitates strategy, program design and organizational alignment to values. She consults on strategy, leadership, planning and governance. Gail was Vice President and COO for over a decade and was instrumental in our transition from the National Arts Stabilization Fund to National Arts Strategies and providing the range of services offered today.

Over the course of her career, Gail has been an entrepreneur, worked with a variety of nonprofit organizations and spent a decade in philanthropy. Prior to NAS, she was as a program officer for a private foundation where she worked on inner-city redevelopment and community building in Washington, D.C. Gail has also worked for the Arizona Commission on the Arts, Arena Stage, Shakespeare Theatre, the National Endowment for the Arts and Key Bank. She co-chaired the Community Development Support Collaborative in Washington, D.C., and has served as a senior fellow for the Center for High Impact Philanthropy at the University of Pennsylvania, on the audit committee for the National Assembly of State Arts Agencies and on grant panels for the Corporation for National Service (AmeriCorps), the National Endowment for the Arts and the Department of Treasury, CDFI Fund. She holds a B.S. in theater from Lewis and Clark College and continues to learn formally and informally through her work at NAS, including continuing education at Stanford University, Harvard Business School and University of Michigan – Ross School of Business.

Work. Shouldn't. Suck. LIVE: The Morning(ish) Show with special guest Syrus Marcus Ware, a Vanier Scholar, visual artist, activist, curator and educator. [Live show recorded: April 13, 2020.]

SYRUS MARCUS WARE uses painting, installation and performance to explore social justice frameworks and black activist culture. His work has been shown widely, including in a solo show at Grunt Gallery, Vancouver (2068:Touch Change) and new work commissioned for the 2019 Toronto Biennial of Art and the Ryerson Image Centre (Antarctica and Ancestors, Do You Read Us? (Dispatches from the Future)) and in group shows at the Art Gallery of Ontario, the University of Lethbridge Art Gallery, Art Gallery of York University, the Art Gallery of Windsor and as part of the curated content at Nuit Blanche 2017 (The Stolen People; Wont Back Down). His performance works have been part of festivals across Canada, including at Cripping The Stage (Harbourfront Centre, 2016, 2019), Complex Social Change (University of Lethbridge Art Gallery, 2015) and Decolonizing and Decriminalizing Trans Genres (University of Winnipeg, 2015).

He is part of the PDA (Performance Disability Art) Collective and co-programmed Crip Your World: An Intergalactic Queer/POC Sick and Disabled Extravaganza as part of Mayworks 2014. Syrus' recent curatorial projects include That’s So Gay (Gladstone Hotel, 2016-2019), Re:Purpose (Robert McLaughlin Gallery, 2014) and The Church Street Mural Project (Church-Wellesley Village, 2013). Syrus is also co-curator of The Cycle, a two-year disability arts performance initiative of the National Arts Centre.

Syrus is a core-team member of Black Lives Matter-Toronto. Syrus is a co-curator of Blackness Yes!/Blockorama. Syrus has won several awards, including the TD Diversity Award in 2017. Syrus was voted “Best Queer Activist” by NOW Magazine (2005) and was awarded the Steinert and Ferreiro Award (2012). Syrus is a facilitator/designer at the Banff Centre. Syrus is a PhD candidate at York University in the Faculty of Environmental Studies.

Work. Shouldn't. Suck. LIVE: The Morning(ish) Show with special guest Mara Walker, Chief Operating Officer, Americans for the Arts. [Live show recorded: April 10, 2020.]

MARA WALKER is the chief operating officer for Americans for the Arts and is responsible for the overall performance of the organization, working to ensure its resources are used effectively to accomplish the organization’s complex strategic plan. Prior to that role, Mara developed targeted programming to meet the needs of a growing constituency of organizations and individuals committed to using the arts to impact communities and lives. She was instrumental in the merger of the National Assembly of Local Arts Agencies and American Council for the Arts that led to the formation of Americans for the Arts and has played an active role in other partnerships and mergers that have grown the organization’s reach. When she first came to the organization there were 5 staff members and a budget of $300,000. Today there are 65 people in multiple offices and a budget of over $19 million.

Mara, a native New Yorker, has worked in arts administration for more than 25 years at a variety of theater companies and arts organizations nationwide. She is currently Vice Chair of theatreWashington and serves on the International Advisory Board of the Hong Kong Arts Development Council. She holds a B.A. in theatre from George Washington University and an MFA in theatre management from the University of Maryland.

Work. Shouldn't. Suck. LIVE: The Morning(ish) Show with special guest Christy Bolingbroke, Executive & Artistic Director, National Center for Choreography at The University of Akron. [Live show recorded: April 9, 2020.]

CHRISTY BOLINGBROKE Following a national search, Christy Bolingbroke was named the first Executive & Artistic Director of the National Center for Choreography located at The University of Akron. In this role, she provides both artistic and administrative leadership for NCCAkron, building upon her extensive experience in curatorial programs and external relations.

Christy came to NCCAkron from the San Francisco-based ODC (founded at Oberlin College in Ohio in 1971 as the Oberlin Dance Collective), where she served as the Deputy Director for Advancement. In that position she oversaw curation and performance programming, managed marketing and development campus-wide, directed a unique three-year artist in residence program for dance artists, and mentored emerging arts administrators.

Christy was formerly the Director of Marketing for the Mark Morris Dance Group in Brooklyn where she increased touring ticket sales worldwide and activated Access/MMDG events in major hub cities nationally. The Access/MMDG program uses custom-tailored arts and humanities-based activities to deepen and enhance the audience experience.

Bolingbroke has a B.A. in Dance from the University of California, Los Angeles, is a graduate of the DeVos Institute for Arts Management Fellowships Program (previously at the John F. Kennedy Center for the Performing Arts in Washington, DC), Arts & Business Council of New York’s Arts Leadership Institute, and holds a Master's Degree from the Institute for Curatorial Practice in Performance at Wesleyan University.

Work. Shouldn't. Suck. LIVE: The Morning(ish) Show with special guest Deborah Cullinan, Chief Executive Officer, Yerba Buena Center for the Arts. [Live show recorded: April 8, 2020.]

DEBORAH CULLINAN Yerba Buena Center for the Arts (YBCA) CEO Deborah Cullinan is one of the nation’s leading thinkers on the pivotal role arts organizations can play in shaping our social and political landscape, and has spent years mobilizing communities through arts and culture. Deborah is committed to revolutionizing the role art centers play in public life and during her tenure at YBCA, she has launched several bold new programs, engagement strategies, and civic coalitions. Prior to joining YBCA in 2013, she was the Executive Director of San Francisco’s Intersection for the Arts. She is a co-founder of CultureBank and ArtsForum SF, co-chair of the San Francisco Arts Alliance and on the board of the Community Arts Stabilization Trust. Her passion for using art and creativity to shift culture has made her a sought- after speaker at events and conferences around the world.

Work. Shouldn't. Suck. LIVE: The Morning(ish) Show with special guest Live with F. Javier Torres-Campos, Director, Thriving Cultures, Surdna Foundation. [Live show recorded: April 7. 2020.]

Javier Torres serves as Program Director of the Thriving Cultures program overseeing a $9 million grantmaking portfolio seeking to advance the Foundation’s social justice mission. His career has been committed to building just and sustainable communities in partnership with artists and culture/tradition bearers.

Prior to joining Surdna, Javier served as the Director of National Grantmaking at ArtPlace America. In his role, he was responsible for building a comprehensive set of demonstration projects that illustrated the many ways in which arts and culture can strengthen the processes and outcomes of the planning and development field across the United States. Under his leadership, the National Creative Placemaking Fund at ArtPlace supported 279 creative placemaking projects totaling $86.4 million across 46 states, the District of Columbia, American Samoa, Puerto Rico, and the U.S. Virgin Islands.

Prior to ArtPlace, Javier was Senior Program Officer for Arts and Culture at the Boston Foundation where he led an exploration of the role of culture as a tool for transformation, sustainability, and as central to the development of vibrant communities. Javier also spent six years as the Director of Villa Victoria Center for the Arts, a program of IBA, a community based multi-disciplinary arts complex that operates as a regional presenter and local programmer for Latino arts.

Javier was a board member for Grantmakers in the Arts and an advisory board member for the Design Studio for Social Intervention. He has previously served as a board member for the National Association of Latino Arts and Cultures, MASSCreative, was a member of the MA Governor’s Creative Economy Council and Chair for the Boston Cultural Council.

Work. Shouldn't. Suck. LIVE: The Morning(ish) Show with special guest Aaron Dworkin, Social Entrepreneur, Artist, Philanthropist, & Professor of Arts Leadership & Entrepreneurship. [Live show recorded: April 6, 2020.]

AARON DWORKIN Named a 2005 MacArthur Fellow, President Obama’s first appointment to the National Council on the Arts and Governor Snyder’s appointment to the Michigan Council for Arts & Cultural Affairs, Aaron P. Dworkin served as dean of the University of Michigan’s School of Music, Theatre & Dance (SMTD), which is ranked among the top performing arts schools in the nation. He is currently a tenured full professor of arts leadership and entrepreneurship at SMTD as well as serving as a Professor of Entrepreneurial Studies at the Stephen M. Ross School of Business at the University of Michigan. In addition, Aaron is a successful social entrepreneur having founded The Sphinx Organization, the leading arts organization with the mission of transforming lives through the power of diversity in the arts. He is also co-founder of SonoGrub.com, a weekly blog pairing great food and music. As a best-selling writer, Aaron has authored The Entrepreneurial Artist: Lessons from Highly Successful Creatives published by Rowman & Littlefield, a science-fiction novel, Ethos: Rise of Malcolm published by MorganJames, as well as his memoir titled Uncommon Rhythm: A Black, White, Jewish, Jehovah's Witness, Irish Catholic Adoptee's Journey to Leadership released through Aquarius Press, a poetry collection, They Said I Wasn’t Really Black, and a children’s book The 1st Adventure of Chilli Pepperz.

A lifelong musician, Aaron is a prominent spoken-word performing artist represented by Cadenza Artists. He has collaborated with a breadth of artists including Yo-Yo Ma, Damien Sneed, Anna Deveare Smith, Damian Woetzel, Lil Buck and others. His visual digital art project, Fractured History, has been exhibited at multiple galleries and museums to rave reviews. He recorded and produced two CDs, entitled Ebony Rhythm and Bar-Talk, in addition to writing, producing, and directing the independent film Deliberation.

A multi-media performing artist, author, social entrepreneur, artist-citizen, and educator, Aaron continually receives extensive national recognition for his leadership and service to communities. He has been featured in numerous media outlets, and was named one of Newsweek’s “15 People Who Make America Great.” He is the recipient of the Royal Philharmonic Society Honorary Membership, Harvard University’s Vosgerchian Teaching Award, National Governors Association 2005 Distinguished Service to State Government Award, Detroit Symphony Orchestra’s 2007 Lifetime Achievement Award, Detroit News’s 2003 Michiganian of the Year Award, Crain’s 40 Under 40 and Who’s Who Awards, BET’s History Makers in the Making Award, AT&T Excellence in Education Award, and National Black MBA’s Entrepreneur of The Year.

As an artist curator, he has served as a juror for some of the most prestigious international competitions including the Menuhin Competition, London Music Masters Competition, Stulberg International Violin Competition and the Sphinx Competition. A sought-after global thought leader and a passionate advocate for excellence in arts education, entrepreneurship and leadership, as well as inclusion in the performing arts, Aaron is a frequent keynote speaker and lecturer at numerous national and global arts, creativity and technology conferences. He served as commencement speaker at the Curtis Institute of Music, University of Michigan, Longy Conservatory and twice for Bowling Green State University. In May of 2013, the renowned Curtis Institute of Music awarded Honorary Doctorates to Aaron and Sir Simon Rattle, longtime maestro of the Berlin Philharmonic. Aaron also holds bachelor’s and master’s degrees in violin performance from the University of Michigan.

Aaron personifies arts leadership, entrepreneurship and community commitment with an unwavering passion for the arts, diversity and their role in society. He serves regularly as a board or advisory member for numerous influential arts organizations including the National Council on the Arts and Michigan Council for Arts and Cultural Affairs. As the co-chair of the Arts and Cultural Education Task Force for the State of Michigan, Aaron designed the required arts curriculum for Michigan schools.

Aaron has strong interests in politics, innovation, creativity, human pair bonding and issues of economic and social justice. In addition to various genres of music and disciplines of the performing arts, he enjoys travel, movies, and the culinary arts. He is married to Afa Sadykhly Dworkin, a prominent international arts leader who serves as President and Artistic Director of the Sphinx Organization and has two awesome sons, Noah Still and Amani Jaise. Find more at aarondworkin.com.

Work. Shouldn't. Suck. LIVE: The Morning(ish) Show with special guest Nina Simon, Spacemaker & CEO of OF/BY/FOR ALL. [Live show recorded: April 3, 2020.]

NINA SIMON spend her days working on OF/BY/FOR ALL, a nonprofit she founded to make civic and cultural organizations of, by, and for everyone.

If you like to read, check out her best-selling books "The Participatory Museum" and "The Art of Relevance." Both are available for free online or you can buy them for your very own. You can also read hundreds of posts on the Museum 2.0 blog, which she authored from 2006-2019, and her recent essays on Medium.

If you are more of an audio-visual person, the two TEDx talks she gave on opening up museums and deepening relevance are linked from her website, NinaKSimon.com. as well as a short video from when she was named Santa Cruz County Woman of the Year.