WritersCast

Death in the Strike Zone: The Mystery of America’s First Baseball Hero — Thomas W. Gilbert — David Godine — Hardcover — 978-1-56792-759-7 — 192 pages — $27.95 — March 24th, 2026 – ebook edition available at lower cost

As most of my listeners probably know by now, I love baseball and I really love books about baseball. At one time I thought I knew alot about baseball history, but I have come to realize that I am a rank amateur in a world where there are true baseball historians at work on almost any baseball related subject one could imagine.

I loved reading Tom Gilbert’s wonderful book about James Creighton, arguably the first true baseball star, whose brief career took place in the heated era of early baseball in New York City. Pre-Civil War baseball is really not the same game as the one we play today. It was a precursor even to the game played in the late 19th century and early twentieth century, an era that at least some rabid fans today know something about. But baseball as it was played in the 1850s and 1860s was far different, and perhaps no more so than how pitching was done.

Reading this vividly written book, we learn about an era that is both strangely foreign and similar to our own in many ways. Baseball this early was still being defined by its players, and the game was emerging from pure amateur club sport played only in the big eastern cities, showing signs of popularity that would enable baseball to become the dominant sport in the entire country in less than 50 years.

Creighton was his era’s Babe Ruth and Shohei Ohtani, someone whose skills and manner of playing changed the game completely. What I learned from Tom Gilbert is that in this early time, pitching was much more like today’s slow pitch softball than what we recognize as hardball pitching today. The mount was much closer to home plate, and there were no balls and strikes – hitters just waited for a pitch “served” to them that they could hit, and it was fielding and running that made the game interesting, not today’s “inside game” where the pitcher and hitter define so much of what will happen.

Even if you don’t care as much about baseball as I do, Gilbert’s narrative weaves together the history of nineteenth century America into his narrative in a way that will interest many in the story of American culture.

Thomas W. Gilbert is also the author of How Baseball Happened: Outrageous Lies Exposed, The Truth Revealed, Baseball and the Color Line, Roberto Clemente, and Playing First. He grew up in Connecticut and lives in Brooklyn, not far from where James Creighton played and is buried.

We had a great conversation I hope you will enjoy as much as I did.

Author website

Authors Voices gives writers and poets a platform for reading their work. It’s been too infrequent a series in the past. Starting in 2026, inaugurated by this wonderful reading by Los Angeles poet Kim Dower, we will be presenting a monthly reading series with a representation of poets I feel have not received enough attention for their work.

Kim’s reading took place on April 1, 2026, the first day of National Poetry Month. Unfortunately we were delayed in publishing this episode, so apologies are due to the poet.

In this reading, Kim presents a range of her poems from her previously published books.

Kim Dower was born and raised on the Upper West Side of Manhattan, and has lived in Los Angeles for many years, where she is well known both for her poetry as well as her work in book publicity under the name “Kim from LA.”

Kim is the former City Poet Laureate for West Hollywood, California and is the author of five acclaimed books of poetry. Among her books has been a Los Angeles Times bestseller, a finalist for the 2023 Eric Hoffer Book Award, I Wore This Dress Today for You, Mom­.

Dower’s poems have been featured on Garrison Keillor’s The Writer’s Almanac and Ted Kooser’s American Life in Poetry, as well as in many anthologies and journals, including Ploughshares, James Dickey Review, Plume, and Barrow Street. She teaches poetry workshops for Antioch University, UCLA Extension, and the West Hollywood Library. Kim lives with her family in West Hollywood, California.

Her books are all wonderful and frequently funny.

I Wore This Dress Today for You, Mom­

What She Wants

Sunbathing on Tyrone Power’s Grave

Last Train to the Missing Planet

Her website is here.

Attention: Writing on Life, Art, and the World — Anne Enright — W.W. Norton — Hardcover — 978-1-324-12413-9 — 288 pages — $29.99 — April 7, 2026 — ebook and audio book versions available, prices vary

Anne Enright has quickly become one of my favorite writers over the past several years. Her fiction is superb, her characters fully alive, and the complex stories of their lives are gripping. She has rightfully won just about every major award, including the Man Booker, a Whiting Campbell award, the Andrew Carnegie Medal, and in 2022 a Lifetime Achievement Award from the Irish Book Awards. We talked in person in 2020 just prior to the pandemic about her beautiful novel, Actress, a great honor for me.

Her newest book, Attention: Writing on Life, Art, and the World, collects nearly thirty years of her essays that cover a wide range of topics, always focusing with laser attention on what matters most about her subjects, mostly writers. Some you will know well, others, unless you are Irish or particularly well read in contemporary Irish lit will be new to you, as they were to me. You’ve probably read James Joyce, Alice Munro, Angela Carter, and Toni Morrison, for example, but you may be less familiar with John McGahern or Maeve Brennan. I think Enright’s personal approach to these writers and the stories of how they have affected her life bring her unique perspective to all of them.

But there is more, much more in this collection than writing about writers. The book is divided into three sections: “Voices,” “Bodies,” and “Time.” The first section collects her writing about writers and the second presents her essays about women, their bodies and who will control them, while the third section is broader (as time is, isn’t it?) and less specific, including essays about Canada (beautiful), where Enright spent time in her youth, Honduras for a visit, children and religion (challenging), and traveling with her husband, among others.

Enright’s writing is always spot on, simultaneously warm and tough. It’s a great read. And the essays always leave the reader thoughtful and engaged, which I like very much.

We had a great talk about a great many things, some not included in the book at all. Talking to Anne Enright is like being in a room where a brilliant salon is taking place. The conversation is always great, and like her essays, spur one to thought and reflection. What more could you ask for?

“…she is one of the best essayists alive.”—Megan Nolan, Observer

Anne Enright’s blog

Buy: Attention: Writing on Life, Art, and the World

I discovered the very interesting Luke Palder by accident one day when I saw an ad he ran for his memoir writing and publishing business, MemoirGhostWriting.com. It sounded really interesting, and similar enough to some of my own work that I wanted to find out more about his work.

Luke is a serial entrepreneur in book publishing and production – he is the founder and CEO of ProofreadingServices.com, MemoirGhostwriting.com, TranslationServices.com, and TranscriptionServices.com. As he says about himself – “I’m committed to enhancing communication—whether it’s through the written word, across different languages, or from audio to text. My passion lies in empowering writers to share their stories, assisting businesses to overcome language barriers, and enabling individuals to immortalize their spoken words in written form. Leading these companies, my goal is to maintain the highest standards of service, treating every project with meticulous attention to detail.”

Publishing Talks has given me the opportunity to meet and talk to so many smart people in the book business. I really enjoy sharing the boundless creativity that motivates so many of us in the book business. Luke exemplifies those qualities and what this series of conversations is about. It was a pleasure to get to speak with him about his work and I am sure you will find this conversation of interest. We had a great conversation about his work, the book business and the importance of storytelling, among other subjects. His passionate commitment to people and their stories is visible in everything he does.

Luke is a Yale College graduate who also studied at Yale Law School, the Yale School of Management (SOM), Cambridge University, and Peking University. He is the founder of ProofreadingServices.com, serving more than 25,000 clients globally over 13 years. And he rode a bicycle across the United States, covering more than 4,000 miles in 63 days. He lives and works in North Carolina.

MemoirGhostWriting.com

ProofreadingServices.com

The Nazi and the Psychiatrist: Hermann Göring, Dr. Douglas M. Kelley, and a Fatal Meeting of Minds at the End of WWII — Jack El-Hai — PublicAffairs — 9781610394635 — 304 pages — Published September 2, 2014 — Paperback — $21.99 (ebook available at lower prices; audiobook download also available)

The Nazi and the Psychiatrist was originally published more than ten years ago. It had some terrific reviews, and then became, like most books published today, a “backlist” title mostly available from online retailers. But now that it has become the basis of the well received film, Nuremburg, directed by James Vanderbilt, with a star studded cast, including Rami Malek, Russell Crowe, and Michael Shannon, the book has been re-issued in paperback and has deservedly found many new readers.

In my conversation with its author, Jack El-Hai, we talked mostly about the book itself, and not so much about what it is like for an author to find his book rediscovered because of a movie, though Jack did explain that the film only focuses on a small part of the story El-Hai explored in the book. The Nazi and the Psychiatrist takes on what was a complex relationship between the American psychiatrist Douglas M. Kelley and the 22 Nazis who became his patients as they were imprisoned before their trial as war criminals in the 1945-46 International Military Tribunal at Nuremberg. Of course the key figure among the Nazis was Herman Göring, who was not only an important early supporter of Hitler, as well as one of the central figures in the rise of Nazism, the conduct of WWII as head of the Luftwaffe, and of course one of the architects of the Holocaust. At the time he was captured by the Americans, he expected to become the next leader of Germany.

Kelley was brought in to examine the Nazi leaders who were to be the first tried for war crimes by the Allies – the idea being to determine whether they were each rational enough to stand trial for their horrific actions. As a psychiatrist, this gave him an exceptional opportunity – to gather information about the psychology of Nazis and to understand whether they were indeed within the range of normal human behavior or pathological.

Kelley became especially close with Göring, a formidable figure, who ultimately committed suicide rather than experience the humiliating death by hanging to which he was sentenced by the Tribunal. Kelley’s life was deeply influenced by his experiences with the Nazis, and El-Hai, who had access to Kelley’s files and talked extensively with his surviving children, paints a compelling portrait of a man whose suffering was extreme and led ultimately to his own unfortunate suicide some years later.

Given our present circumstances, a book about the psychological components of authoritarianism and the individuals who led Germany’s fascist enterprise cannot help to resonate. Reading this book will make you think about the nature of evil (and Arendt’s calling it “banal”) as well as the way that fascism masks the personal greed and pursuit of power that drove it.

I do recommend this book at anyone who is trying to grapple with what is happening to us now. And this conversation will be illuminating as well.

Jack El-Hai is an award-winning writer who has published innumerable articles and more than a dozen books. Jack’s other books include Face in the Mirror, The Lost Brothers,  and The Lobotomist: A Maverick Medical Genius and His Tragic Quest to Rid the World of Mental Illness.

He has contributed articles to Scientific American, Wired, Discover, GQ, The Atlantic, Smithsonian, Aeon, The Washington Post Magazine, and many other publications. He lives in Minneapolis.

“This intimate and insightful portrait of two intersecting, outsized personalities‑‑one an exemplar of public service and the other an avatar of evil‑‑is as suspenseful as a classic Hitchcock film that hinges on an eerie psychological secret. Readers of The Nazi and the Psychiatrist will be riveted by Jack El‑Hai’s moving study of how good and evil can converge in a heightened instant and across a lifetime.”—Andrew Solomon, National Book Award winning author of Far from the Tree

Author website

I started Publishing Talks as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture. It has been great fun talking with people in the book industry about the evolution of publishing in the context of technology, culture, and economics.

These conversations have been inspirational to me. I have had the pleasure of speaking with visionaries and entrepreneurs, editors, publishers and others who have influenced and changed contemporary literature and culture. I’ve also had the opportunity to speak with a number of friends and colleagues in the book business.

I really enjoy the opportunities to find out about the boundless creativity that motivates so many of us in the book business, and I also really enjoy talking to others in the business, who like me, have tried to make sense of it all in some way or another.

Today’s conversation is with Kathleen Schmidt, a long time book publicist whose Substack newsletter Publishing Confidential, is widely read within the book business. Her newsletter is always a great source of thoughtful ideas and commentary about the current state of publishing and book marketing and promotion. I was inspired to speak with her after reading one of her truly great posts this past December, “Marketing + Publicity in 2026: Change Needs to Happen: The good, the bad, and the ugly.”

Here’s a key quote from that piece that caught my attention right away:

“The industry must accept that some books absolutely will not get attention from legacy media and move towards what works for each book, whether that’s a marketing-heavy campaign or just pitching podcasts. Why are we still creating arbitrary publicity plans for every title when we know most of it is b.s.?”

She went on from there to provide a meaningful list of ideas and practices that any publisher, publicist or author can learn from, be inspired by, and adapt for their own best practices. I appreciate her honesty, willingness to try new things, and her understanding that failure is not a bad thing, but a way to learn and get better at what we do. Everyone in the book business is frustrated by the current media landscape and by the massive number of new (and old) book titles that makes getting attention for any new book so difficult, not to mention the competition from other media forms, social media included, that take attention away from books and reading. But that frustration needs to be converted into positive energy. Otherwise you may as well quit doing what you love to do.

Having a chance to speak with Kathleen was rewarding for me, and I am sure will be for you as well. She’s smart, creative and realistic. I am sure she is a good marketer too. We need more radical honesty, more innovation and more enjoyment in book marketing!

Her bio: Kathleen is the founder and CEO of Kathleen Schmidt Public Relations with three decades of experience spanning publicity, literary representation, acquisitions editing, and ghostwriting. She has worked on more than 50 New York Times bestsellers and led global media and branding campaigns for politicians, A-list celebrities, athletes, and other high-profile figures.

I found another recent interview with Kathleen by Christelle Lujan at She Writes Magazine.  In that interviewsays: “First and foremost, I want Publishing Confidential to be a resource for authors to learn about the publishing industry.”

And here are a couple more of her posts:

30 Years in Book Publishing: What I’ve Learned

And here is her business website, Kathleen Schmidt Public Relations.

Devouring Time: Jim Harrison, a Writer’s Life — Todd Goddard — 9781799902362 – Blackstone Publishing — Hardcover — 558 pages — $29.99 — November 4, 2025

Jim Harrison was for so many readers – and other writers – one of the central voices of American literature for the last half century. When Harrison began writing, it was as a poet, and most readers came to his fiction and nonfiction much later. It was the novels and many novellas that drew large numbers of readers to him, while his first hand style nonfiction writing about food and his many adventures introduced him to a completely different audience who in many case, I am sure, also read his fiction. And then there was the film writing and the stories of fishing, carousing and gourmand like intake of food, alchohol, and drugs with friends like Thomas McGuane, Peter Matthiessen, Jimmy Buffett, and Jack Nicholson in Key West, Montana and Hollywood. Harrison became more than a writer, but also a publicly imagined character much like Ernest Hemingway and F. Scott Fitzgerald, whose persona became entwined with his writing and made him that much more attractive to some of his readers.

His output as a writer was amazing: poetry, novels, novellas, short stories, magazine nonfiction, film scripts. His appetite for life was immense. His friendships were legendary and he was loved by many whose lives he touched. Fittingly, he died alone while in the midst of writing a poem.

In Devouring Time, Todd Goddard presents a meaningful account of this writer’s life, from beginning to end, including much about his persona that many readers could not have otherwise known. I’ve read much of Jim Harrison’s writing, and knew more than a little about his life. But I learned much more from this book, feeling after reading it that I understood Harrison more clearly both as a writer and a person. This is not a celebratory paean to someone’s hero, or the work of a starry eyed fan. Nor is it a reductionist scholarly account. This book is a carefully constructed narrative worthy of the subject’s complicated, sometimes very painful, but always meaningful life. Goddard refuses to turn away from Harrison as a human being whose life included physical and emotional challenges, who suffered, who lived a full life also of joy and beauty, and despite his foibles, his accomplishments were immense and lasting.

Jim Harrison was born in Michigan in 1937 and died Patagonia, Arizona in 2016. He wrote twenty-one books of fiction and fourteen books of poetry that influenced many other writers of all kinds and won him legions of readers. Harrison helped shape the course of contemporary American literature, revitalizing in particular the novella, a form he mastered and reinvigorated.

Though it was his fiction, nonfiction, and film writing that made him famous (and by which he made his living), it was always poetry that he loved most, and while he was a thoroughly social writer who enjoyed the company of many friends (and lovers), he was simultaneously a private person who cherished remoteness, the singularity of the wilderness, and solitude, and also the company of his wife and children at home.

Todd Goddard conducted over a hundred interviews and had full access to Harrison’s collected papers, as well as the cooperation of Harrison’s family to create this fully formed literary biography of one of our most important writers of the last half century.

I very much enjoyed the opportunity to speak with Todd. We talked about Harrison, of course, but also about the art of biography and the process of writing a book with so much depth of attention and detail. Whether you are a reader of Jim Harrison’s poetry or prose, this biography will capture your attention and in all likelihood, lead you to want to read further in Harrison’s extensive body of work.

“Todd Goddard tells the story of this bon vivant, outdoorsman, hellion, and great poet from his ancestors to his end with grace, momentum, generosity, and insight…and what a great American life it was, wreckage, glory, gifts, and ALL.”—Rebecca Solnit, author of Orwell’s Roses

Calendars

from IN SEARCH OF SMALL GODS, Copper Canyon Press, 2010

Author website

Echoes of Our Origins: Baboons, Humans, and Nature — Shirley C. Strum, with Cassandra Phillips — Johns Hopkins University Press — Hardcover — 978-1-4214-5203-6 — 376 pages — $32.95 — September 9, 2025 — ebook edition available.

This book was a fantastic discovery for me. I consider myself fairly well read; I’ve studied anthropology extensively and I even briefly went to graduate school to study biology, but my knowledge of primates is woefully poor. Shirley’s book was a great introduction for me to one part of a much wider field, and got me excited and engaged with baboons, who turn out to be incredibly interesting animals, and of course connect us not only to issues of human evolution, but also historical and modern ecology, issues of human/animal interactions, and human responsibilities in relation to other animals, especially primates.

I feel like I learned more from this book than almost anything I have read in the past year. Shirley Strum’s story of her fifty years studying baboons is completely compelling.

Her baboon story started in 1972, when as a graduate student, Strum traveled to Kenya to study the origins of human aggression by observing baboons. Her earliest discoveries completely changed the scientific study of baboons, and many long-held assumptions about primate behavior.

Living closely with a number of different populations of baboons over the past half century, and closely observing their lives, Strum has learned more than any other human about baboons’ complex strategies of negotiation, collaboration, and resilience. And through her work, Strum has had to deal with an array of challenges – not just within her field itself, but in the changing ecology and landscape of Africa, as more people have taken over former baboon (and many other animals’) territories, creating new forms of human/animal conflicts, and changing the evolution of baboon society itself.

In addition to illustrating the incredibly interesting lives of baboons, Strum’s experiences tell us a great deal about how human science works, and the challenges that we face in trying to deal with the massive effects of the anthropocene on our fellow beings in the world. I know it’s simplistic to say that baboons and other primates have a lot to teach homo sapiens about how to live cooperatively together, but I do think that understanding more about primate life can in fact teach us a great deal about ourselves, if only we can begin to see that we humans are not at the top of a hierarchy that makes us “better than” or “smarter than” our evolutionary cohort.

Echoes of Our Origins combines natural history, adventure, memoir, feminism and like some of the its best antecedents in nature writing, asks us to think about and empathize with the natural world in previously unfamiliar ways.

I hope you enjoy our wide-ranging conversation as much as I did. While it is doubtful that I will ever get to Africa to see baboons in the wild for myself, Echoes has given me an unmatched opportunity to imagine these incredible animals.

I’ve been recommending this book to anyone interested in humanity, ecology, our history and our future.

Dr. Shirley C. Strum is a Professor of Anthropology and a Professor of the Graduate Division, School of Social Sciences, at the University of California, San Diego, and Director of the Uaso Ngiro Baboon Project in Kenya. Her first book was Almost Human: A Journey into the World of Baboons.

More about Dr. Shirley C. Strum here.

Buy the book here.

Publishing Talks started as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture. It has been great fun talking with people in the book industry about the evolution of publishing in the context of technology, culture, and economics. Today’s episode is an interview with Jordan Fleming of Owlcrate Press, who joins the  many editors, publishers and others I have spoken with, who have been innovators and leaders in independent publishing and bookselling in the past and into the present.

These conversations have been inspirational to me. I have had the pleasure of speaking with visionaries and entrepreneurs, editors, publishers and others who have influenced and changed contemporary literature and culture. I’ve also had the opportunity to speak with a number of friends and colleagues in the book business.

I really enjoy the opportunities to find out about the boundless creativity that motivates so many of us in the book business, and I also really enjoy talking to others in the business, who like me, have tried to make sense of it all in some way or another.

I was spurred to seek out Jordan by a story I read in Jane Friedman’s illustrious industry newsletter. Here’s the headline – “Subscription box service OwlCrate launches publishing arm: is this a glimpse of the future of publishing?”

That’s a pretty great entry point for a conversation.

In case you are not yet aware of the subscription box industry (for that is what it has become), “book box” subscription services offer readers in various genres selections of interesting and compelling books the companies think their fanbases will be interested in reading. Fans get rewarded with unique, special, and of course hopefully, surprising products related to their interests.

There are a good number of such services, including The Book Drop (literary fiction, curated by indie booksellers), Owlcrate and Fairyloot (YA, fantasy and romantasy), Bookish Box, Once Upon a Book Club, Literati Kids, and The Wordy Traveler.

Owlcrate stands out for its exclusive designs, signed hardcovers, and other bookish items that appeal to its dedicated audiences, and having been founded in 2015, appears to be the first of its kind in this area (not counting its historical forebears like the old Book of the Month Club and other similar continuation services).

And now, they are jumping from their massive success in serving readers to what might be considered a natural evolution, becoming publishers of original titles. It makes sense – with a direct to consumer business, they know their readers bettwe than anyone (other than perhaps the giant retailer who shall not be named here).

As Jordan Fleming wrote recently on the Owlcrate site: “We’ve always centered readers. We’ve always spotlighted artists. We’ve always made space.”

I really enjoyed learning about this business from Jordan, and was especially struck by not only her boundless energy and enthusiasm, but by what she said about placing Owlcrate and the other subscription services not as competitors, but as collaborators in growing communities. I think that is a truly powerful approach to what they do and will help them continue their success.

This is what Owlcrate says about their publishing endeavor: “Every title we select is read, debated, and championed by a member of our curation team who loved it. We don’t rely on algorithms. We don’t chase trends. We rely on readers and curate our own art. OwlCrate Press simply lets us keep doing what we’ve always done; only now, we are inviting our community to help us create the stories they want to see.”

Owlcrate Press’s debut fantasy/horror anthology was Monsters in Masquerade, in which they reserved space for unpublished authors, furthering their values of supporting emerging writers.

“OwlCrate Press opens the door for new and emerging authors at a time when publishing risks becoming monopolized by a select few. As established book subscription services like OwlCrate move into publishing, they decentralize a gatekept industry and offer more equitable options for authors, from bestselling names to debut voices. With one of the highest-paying anthology models I’ve seen, alongside open submissions and an emphasis on diverse backgrounds, OwlCrate Press represents a new kind of publishing: reader-powered, author-prioritized, and built for the future.”—Sarah Mughal Rana, MPhil, University of Oxford, contributor to the anthology

Jordan Fleming is head of community for Owlcrate, and is now the head of publishing for Owlcrate Press. Their journey began with the highly-regarded Words & Whimsy Book Club, where they built strong connections with hundreds of authors and fostered a vibrant literary community. Jordan brings their deep expertise and unwavering passion for ethical publishing to OwlCrate Press.

Korinna Ede is the founder of Owlcrate, which is headquartered in Vancouver, British Columbia, Canada. Its book subscription boxes are packed and shipped from a fulfillment center in Portland, Oregon, USA.

Link to Owlcrate and Owlcrate Press

Article in The Bookseller about the launch

Monsters in Masquerade (Exclusive Edition)

Publishing Talks started as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture. It was great fun talking with people in the book industry about the evolution of publishing in the context of technology, culture, and economics.

In the past few years, I’ve talked with a variety of editors, publishers and others who have been innovators and leaders in independent publishing and bookselling in the past and into the present.

These conversations have been inspirational to me. I have had the pleasure of speaking with visionaries and entrepreneurs, editors, publishers and others who have influenced and changed contemporary literature and culture. I’ve also had the opportunity to speak with a number of friends and colleagues in the book business.

I really enjoy the opportunities to find out about the boundless creativity that motivates so many of us in the book business, and I also really enjoy talking to others in the business, who like me, have tried to make sense of it all in some way or another. That’s one of the reasons I have frequently sought out other publishing consultants, gurus, and observers over the years, to talk about various topics in publishing. Sometimes it is about the history of books, but more often during the past almost twenty years of this series, conversations have centered on change and the future of publishing.

And that brings me to Thad McIlroy, a publishing consultant and author whose aptly named website is The Future of Publishing. As you can imagine, Thad and I had a great time together, and I hope you will enjoy hearing what he has to say, especially about emerging technology. Thad is a really smart guy who understands publishing from multiple perspectives.

AI discussions cannot be avoided at this point. My current thinking is that the version of AI we have now (LLMs) is not going to be the AI technology that will eventually take over our world. In the meantime, human creativity is still valued and it would surprise no one if there is a massive backlash against this technology before too long, especially as it is applied to the creative arts. Would love to hear what listeners think, so feel free to comment.

Here’s what Thad sent me as a working bio: “Writing and publishing are in my blood—my father was an author and broadcaster, and Kenneth Grahame (The Wind in the Willows) was my third cousin. I began as a bookseller in Toronto, then founded Virgo Press (1977) and co-founded book distributor Beatty & Church (1979). In 1985, I created what I believe was the first trade book using desktop publishing technology.

Now based in San Francisco, I’m an electronic publishing consultant, and author. I co-founded Publishing Technology Partners and serve as contributing editor at Publishers Weekly, focusing on AI and innovation. My latest book is  (2024, re 2025). I’ve authored dozens of books and articles exploring publishing technology, metadata, and industry transformation.”

Thad’s current interests are focused on AI. Here is a recent post of his on Onix 3 (if you’re not in the book business, this piece may be a bit in the weeds for you, but if you are in the business and care about data, search and findability, this matters – alot.)