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This week in the Writing Break cafe, we're digging into QueryTracker's live data to map the real supply and demand of the slush pile. Two genres are topping agents' wish lists while barely showing up in submissions, and five genres are facing the opposite problem.
Then we head to the querying trenches for a reality check: current response timelines, why silence is the new rejection, the brutal math of agent signings, and what agents actually wish writers knew before hitting send.
🛋️Overthinking Couch Topics:
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This week we kick things off with a publishing conundrum: a major publisher is now offering editors optional disclosure of AI use by writers after contracts are already signed. What's the point? We want your thoughts.
Then we settle onto the Overthinking Couch for a deep dive into multiple points of view.
🛋️Overthinking Couch Topics:
Next Episode: We're giving the narrator a break and heading to the query trenches for updates and a reality check.
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This week, we open the cafe with a toast to Dolly Parton and the 332-million-book literacy legacy she built with the Imagination Library.
In publishing news: the Anthropic settlement disbursement timeline; HarperCollins's appetite for more AI payouts; Audible's AI voice expansion; and why the "godfather of AI" still needed a human writer.
Then we settle onto the Overthinking Couch for a deep dive into third-person POV.
🛋️Overthinking Couch Topics:
Next Episode: Multi-POV manuscripts: giving every point-of-view character a distinct voice and keeping your readers oriented when the narrator changes every chapter.
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When you choose a narrator, you're choosing whose personality the reader will inhabit for an entire book. Get it wrong, and you might find yourself rewriting 80,000 words. (I've seen it happen.)
We're using Vivian the Professional Mourner as our case study to explore what first-person narrators can and can't tell us, why filter words create distance, and how to leverage your character's unique knowledge without slipping into omniscient narration.
🛋️Overthinking Couch Topics:
Next Episode: Third-Person POV
The Writing Break podcast is a six-time award-winning show for writers who want writing tips and publishing insights. Hosted by a freelance book editor with 20+ years of experience editing for major publishing houses.
Subscribe because you deserve a Writing Break.
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Last week we established that voice is the narrator's personality. This week, we look at all five elements that make up voice and see if your narrator is a real person or just you in disguise.
🛋️Overthinking Couch Topics:
Next episode: first person vs. third person. Is your close third narrator just the protagonist in a trench coat?
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Welcome to Season 10 of Writing Break! This season is all about voice, which is the thing literary agents, publishers, and readers fall in love with. In this premiere, we're setting up our makeshift Overthinking Conference Room to nail down the vocabulary that will guide us through the entire season.
🛋️ Overthinking Couch Topics:Subscribe because you deserve a Writing Break.
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Season 10 is on hold because the rules for literary agents just changed, and not necessarily in the author's favor. This episode tells you exactly what questions to ask before you sign (or pay for) anything.
🛋️ Overthinking Couch Topics:The New Literary Agent Ethics RulesHost: Rosemi Mederos, America's Editor
Production: Allon Media
Website: writingbreak.com |
Contact: [email protected]
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We're closing the book on genre, two seasons, dozens of subgenres, and a lot of overthinking later. This week we revisit some highlights: novel architecture and the dreaded middle-of-the-book slump, why cross-genre mashups can backfire if you get too ambitious, the tension between writing what you love and writing what sells, adaptation lessons from film and video games, and how genres evolve to match whatever readers are actually afraid of right now.
Did I miss a genre you wanted covered? Let me know.
Next up: Season 10 is all about voice, including what it actually is and how to find yours. F
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Genres and subgenres are ever-evolving. This week, we trace one horror lineage from a crumbling 1764 castle all the way to today's femgore boom, dig into a detective fiction metamorphosis that spans three centuries and two continents, and sit with a publishing story that should unsettle every working writer, one where AI hijacked a fired journalist's own byline to keep publishing under his name.
Plus: this week's overthinking prompt, built to work whether you write genre fiction or literary fiction.
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How much can you really accomplish in two minutes?
This week on Writing Break, I share a simple exercise I call The Two-Minute Wait, which can help you better understand your relationship with time and improve the way you manage it.
We also discuss this year's International Booker Prize news before exploring storytelling traditions from around the world, including Nordic noir, magical realism, Gothic horror fiction, wuxia, Japanese literary fiction, West African oral storytelling, and the art of translation.
Whether you're looking to become more productive or broaden your understanding of storytelling, this episode offers practical ideas you can apply immediately.
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