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aka The Big Bang Theory and Modern Family.
The writing lesson in this episode focuses on something every single storyteller needs to know, so it's worth 12 minutes of your time. While you're walking the dog or on the treadmill or making lunch and cleaning the toilet (careful those earbuds don't fall in!).
Without giving a spoiler as to the big writing lesson in this episode, the general gist is around character development and writing believable characters.
For more on this topic, check out episodes 3: Mutant Mayhem and 4: Platonic and Mythic Quest.
Please hit follow wherever you listen to your podcasts, and leave a rating or review. It all helps!
And come join the mailing list for more storytelling goodness at writeintothewoods.com/writinglessonsfrom
Music by ReneSchulze1984 and Dmitrii from Pixabay
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aka Big Themes, Little Themes, Cardboard Box
Finally, I managed to watch Barbie! And I tried to stay away from the big themes and focus on the things that I found interesting as a storyteller.
Come and join the mailing list at www.writeintothewoods.com/writinglessonsfrom
John Cena is also mentioned in episodes 8 and 6! He gets everywhere.
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aka A lesson in originality and laziness
I almost didn't record this one, but here we go. Writing is joyful, but it can also make us angry, resentful, confused... All of these stories help us to learn too.
Also my new novel is out! And I said I'd put the link in the show notes...
Yellow Petals at Christmas: https://mybook.to/YellowPetals
Join the Writing Lessons From... mailing list: https://writeintothewoods.com/writinglessonsfrom/
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aka Writing a Billion-dollar Soap Opera
This week we're looking at WWE documentary Unreal, on Netflix, and the secrets (pure gold!) from their writers room. If you're interested in telling stories, or in the storytelling business, this one is a must watch/listen!
Please hit follow, rate/review, and come subscribe to the mailing list at www.writeintothewoods.com/writinglessonsfrom
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aka Creating Subplots and Tangents That Mean Something. Today we take a look at Hannah Gadby's comedy special Something Special, available on Netflix, and work out just why and how the storytelling works so well, so we can apply it to our own stories.
Please hit follow, and join the mailing list at www.writeintothewoods.com/writinglessonsfrom
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aka Killing Off a Great Character. Should you do it? When should you do it? HOW should you do it?
This week I take a look at season four of Only Murders in the Building (Disney+) and Peacemaker (Sky Max), and the agony but beauty in killing off a character who is well loved or vital to some part of your story.
Don't forget to hit follow, and come join the mailing list at writeintothewoods.com/writinglessonsfrom
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aka What the Hell Was That Ending? Yes, it's another episode about endings. Endings are so hard! Also, about dislikable characters AND writing fiction from fact.
If you enjoy this episode, please hit follow and you can find the blog post and the mailing list at www.writeintothewoods.com/writinglessonsfrom
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aka Can Two Characters Just Be Friends Without Kissing? Can two characters just be friends without resorting to kissing or sleeping together? Let's look at the creative writing and storytelling lessons from Platonic and Mythic Quest, both available on Apple TV.
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aka Doing Your Characters Justice. Let's talk about that ending of Ozark (available on Netflix and very bingeable!) and the creative writing and storytelling lessons we can learn from it. Massive spoilers in this one, I'm talking life and death. So hit follow/subscribe, make sure you've watched Ozark, then hit play!
Please hit follow or subscribe, and sign up to the mailing list at www.writeintothewoods.com.
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aka Writing with 40 Years of Character Development. I am a HUGE Teenage Mutant Ninja Turtle fan. HUGE! Was Mutant Mayhem everything I wanted it to be? Yes and no. But what glorious animation and what glorious writing and storytelling lessons we can learn from it!
Please hit follow or subscribe, and sign up to the mailing list at www.writeintothewoods.com.
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From the publisher's feed
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