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Wud Records Awesome RSS Feed
By Wud RecordsMusic
Wud Records Awesome RSS Feed episodes
- Andromeda: Don't Be a GoatDon't Be a Goat, from the album World 3 by Andromeda.Written, performed and produced by Andromeda.Copyright © 2001 Joe Ings/Amy McGill/Adam Bonner/Tom Brown.Thanks to Paul Mumford.Tracks salvaged from promo copy.See also:https://www.wudrecords.co.uk/archives/andromedahttps://www.wudrecords.co.uk/archives/andromeda/world-3https://www.bandmix.co.uk/trimorphous/https://www.wudrecords.co.uk/archiveshttps://linktr.ee/wudrecords6 min
- Andromeda: AA, from the album World 3 by Andromeda.Written, performed and produced by Andromeda.Copyright © 2001 Joe Ings/Amy McGill/Adam Bonner/Tom Brown.Part of a suite of tunes: A, B, CThanks to Paul Mumford.Tracks salvaged from promo copy.See also:https://www.wudrecords.co.uk/archives/andromedahttps://www.wudrecords.co.uk/archives/andromeda/world-3https://www.bandmix.co.uk/trimorphous/https://www.wudrecords.co.uk/archiveshttps://linktr.ee/wudrecords1 min
- Pyg: The Way It IsThe Way It Is by Pyg, from the 2001 Gruntings album.The original Gruntings recording was not to the satisfaction of Pyg so they re-made the thing and this was the result.These songs were recorded by Martin Dearmun.Copyright Transit Recordings 2001.All arrangements by Pyg.All songs were written by Malcolm Learmonth except Crying Shame which was written by Martin Dearmun.Martin Dearmun – vocals, acoustic guitar, dulcimerMalcolm Learmonth – acoustic and electric guitars, bouzoukiKes Cross – electric fiddleGeorge Davies – bassDave Danielli – drumsSome quotes:“A stomping good gyg.” – Pyg Breeders Weekly“We danced ’til our tales dropped off!” – Trotter Times“Possibly the best gig since feeding time.” – Scratchings GazettePyg were mostly a really good live band and their studio recorded material never really managed to entirely capture the essence of their live power. They played a loud kick-ass brand of what they termed ‘caustic folk’, quite a rocky variant of folk music, perhaps in a similar vein to The Levellers or The Waterboys but with a harder, edgier approach. The songwriting duo of Martin and Malcolm crafted wonderfully thought-provoking and hauntingly beautiful songs that stay in the memory once heard.See also:http://www.wudrecords.co.uk/archiveshttp://www.wudrecords.co.uk/archives/pyg-2http://www.wudrecords.co.uk/archives/pyg-2/gruntingshttps://twitter.com/WudRecords3 min
- Pyg: Touch And GoTouch And Go by Pyg, from the 2001 Gruntings album.The original Gruntings recording was not to the satisfaction of Pyg so they re-made the thing and this was the result.These songs were recorded by Martin Dearmun.Copyright Transit Recordings 2001.All arrangements by Pyg.All songs were written by Malcolm Learmonth except Crying Shame which was written by Martin Dearmun.Martin Dearmun – vocals, acoustic guitar, dulcimerMalcolm Learmonth – acoustic and electric guitars, bouzoukiKes Cross – electric fiddleGeorge Davies – bassDave Danielli – drumsSome quotes:“A stomping good gyg.” – Pyg Breeders Weekly“We danced ’til our tales dropped off!” – Trotter Times“Possibly the best gig since feeding time.” – Scratchings GazettePyg were mostly a really good live band and their studio recorded material never really managed to entirely capture the essence of their live power. They played a loud kick-ass brand of what they termed ‘caustic folk’, quite a rocky variant of folk music, perhaps in a similar vein to The Levellers or The Waterboys but with a harder, edgier approach. The songwriting duo of Martin and Malcolm crafted wonderfully thought-provoking and hauntingly beautiful songs that stay in the memory once heard.See also:http://www.wudrecords.co.uk/archiveshttp://www.wudrecords.co.uk/archives/pyg-2http://www.wudrecords.co.uk/archives/pyg-2/gruntingshttps://twitter.com/WudRecords6 min
- Pyg: Seize the DaySeize the Day by Pyg, from the 2001 Gruntings album.The original Gruntings recording was not to the satisfaction of Pyg so they re-made the thing and this was the result.These songs were recorded by Martin Dearmun.Copyright Transit Recordings 2001.All arrangements by Pyg.All songs were written by Malcolm Learmonth except Crying Shame which was written by Martin Dearmun.Martin Dearmun – vocals, acoustic guitar, dulcimerMalcolm Learmonth – acoustic and electric guitars, bouzoukiKes Cross – electric fiddleGeorge Davies – bassDave Danielli – drumsSome quotes:“A stomping good gyg.” – Pyg Breeders Weekly“We danced ’til our tales dropped off!” – Trotter Times“Possibly the best gig since feeding time.” – Scratchings GazettePyg were mostly a really good live band and their studio recorded material never really managed to entirely capture the essence of their live power. They played a loud kick-ass brand of what they termed ‘caustic folk’, quite a rocky variant of folk music, perhaps in a similar vein to The Levellers or The Waterboys but with a harder, edgier approach. The songwriting duo of Martin and Malcolm crafted wonderfully thought-provoking and hauntingly beautiful songs that stay in the memory once heard.See also:http://www.wudrecords.co.uk/archiveshttp://www.wudrecords.co.uk/archives/pyg-2http://www.wudrecords.co.uk/archives/pyg-2/gruntingshttps://twitter.com/WudRecords5 min
- Pyg: Heavitree Hill/A Pillow of StarsHeavitree Hill by Pyg, from the 2001 Gruntings album.The original Gruntings recording was not to the satisfaction of Pyg so they re-made the thing and this was the result.These songs were recorded by Martin Dearmun.Copyright Transit Recordings 2001.All arrangements by Pyg.All songs were written by Malcolm Learmonth except Crying Shame which was written by Martin Dearmun.Martin Dearmun – vocals, acoustic guitar, dulcimerMalcolm Learmonth – acoustic and electric guitars, bouzoukiKes Cross – electric fiddleGeorge Davies – bassDave Danielli – drumsSome quotes:“A stomping good gyg.” – Pyg Breeders Weekly“We danced ’til our tales dropped off!” – Trotter Times“Possibly the best gig since feeding time.” – Scratchings GazettePyg were mostly a really good live band and their studio recorded material never really managed to entirely capture the essence of their live power. They played a loud kick-ass brand of what they termed ‘caustic folk’, quite a rocky variant of folk music, perhaps in a similar vein to The Levellers or The Waterboys but with a harder, edgier approach. The songwriting duo of Martin and Malcolm crafted wonderfully thought-provoking and hauntingly beautiful songs that stay in the memory once heard.See also:http://www.wudrecords.co.uk/archiveshttp://www.wudrecords.co.uk/archives/pyg-2http://www.wudrecords.co.uk/archives/pyg-2/gruntingshttps://twitter.com/WudRecords6 min
- Pyg: Waiting RoomWaiting Room by Pyg, from the 2001 Gruntings album.The original Gruntings recording was not to the satisfaction of Pyg so they re-made the thing and this was the result.These songs were recorded by Martin Dearmun.Copyright Transit Recordings 2001.All arrangements by Pyg.All songs were written by Malcolm Learmonth except Crying Shame which was written by Martin Dearmun.Martin Dearmun – vocals, acoustic guitar, dulcimerMalcolm Learmonth – acoustic and electric guitars, bouzoukiKes Cross – electric fiddleGeorge Davies – bassDave Danielli – drumsSome quotes:“A stomping good gyg.” – Pyg Breeders Weekly“We danced ’til our tales dropped off!” – Trotter Times“Possibly the best gig since feeding time.” – Scratchings GazettePyg were mostly a really good live band and their studio recorded material never really managed to entirely capture the essence of their live power. They played a loud kick-ass brand of what they termed ‘caustic folk’, quite a rocky variant of folk music, perhaps in a similar vein to The Levellers or The Waterboys but with a harder, edgier approach. The songwriting duo of Martin and Malcolm crafted wonderfully thought-provoking and hauntingly beautiful songs that stay in the memory once heard.See also:http://www.wudrecords.co.uk/archiveshttp://www.wudrecords.co.uk/archives/pyg-2http://www.wudrecords.co.uk/archives/pyg-2/gruntingshttps://twitter.com/WudRecords3 min
- Pyg: Crying Shame (G)Crying Shame by Pyg, from the 2001 Gruntings album.The original Gruntings recording was not to the satisfaction of Pyg so they re-made the thing and this was the result.These songs were recorded by Martin Dearmun.Copyright Transit Recordings 2001.All arrangements by Pyg.All songs were written by Malcolm Learmonth except Crying Shame which was written by Martin Dearmun.Martin Dearmun – vocals, acoustic guitar, dulcimerMalcolm Learmonth – acoustic and electric guitars, bouzoukiKes Cross – electric fiddleGeorge Davies – bassDave Danielli – drumsSome quotes:“A stomping good gyg.” – Pyg Breeders Weekly“We danced ’til our tales dropped off!” – Trotter Times“Possibly the best gig since feeding time.” – Scratchings GazettePyg were mostly a really good live band and their studio recorded material never really managed to entirely capture the essence of their live power. They played a loud kick-ass brand of what they termed ‘caustic folk’, quite a rocky variant of folk music, perhaps in a similar vein to The Levellers or The Waterboys but with a harder, edgier approach. The songwriting duo of Martin and Malcolm crafted wonderfully thought-provoking and hauntingly beautiful songs that stay in the memory once heard.See also:http://www.wudrecords.co.uk/archiveshttp://www.wudrecords.co.uk/archives/pyg-2http://www.wudrecords.co.uk/archives/pyg-2/gruntingshttps://twitter.com/WudRecords4 min
- Pyg: Wish I'd KnownWish I'd Known by Pyg, from the 2001 Gruntings album.The original Gruntings recording was not to the satisfaction of Pyg so they re-made the thing and this was the result.These songs were recorded by Martin Dearmun.Copyright Transit Recordings 2001.All arrangements by Pyg.All songs were written by Malcolm Learmonth except Crying Shame which was written by Martin Dearmun.Martin Dearmun – vocals, acoustic guitar, dulcimerMalcolm Learmonth – acoustic and electric guitars, bouzoukiKes Cross – electric fiddleGeorge Davies – bassDave Danielli – drumsSome quotes:“A stomping good gyg.” – Pyg Breeders Weekly“We danced ’til our tales dropped off!” – Trotter Times“Possibly the best gig since feeding time.” – Scratchings GazettePyg were mostly a really good live band and their studio recorded material never really managed to entirely capture the essence of their live power. They played a loud kick-ass brand of what they termed ‘caustic folk’, quite a rocky variant of folk music, perhaps in a similar vein to The Levellers or The Waterboys but with a harder, edgier approach. The songwriting duo of Martin and Malcolm crafted wonderfully thought-provoking and hauntingly beautiful songs that stay in the memory once heard.See also:http://www.wudrecords.co.uk/archiveshttp://www.wudrecords.co.uk/archives/pyg-2http://www.wudrecords.co.uk/archives/pyg-2/gruntingshttps://twitter.com/WudRecords5 min
- Murdock: NocturnalNocturnal by Murdock.NocturnalIf I were a woman, I'd slap you in the faceBut I'm not allowed to, not a part of your raceSome girls always tell me, "Equal rights aren't fair,They just get thrown out of the window", truly.If I were a crook, I wouldn't look you in the eye,Roaming round your boring shop, looking for crap to buy.Why do you always follow me?Why do you always stare at me?Is it I'm nocturnal?NocturnalYou think that I'm diseased because the things that I believeBut it is you, my friend, who ends up in the sticky end.Some sink so slowly, before they can be free,But I am not alone.If I were a Satanist, preaching in the streetI fear that I would be shot because of my beliefsBut if I were a Christian, or a Holy Man in an S.A. bandThen maybe they'd adore me.NocturnalYou think that I'm diseased because the things that I believeBut it is you, my friend, who ends up in the sticky end.Some sink so slowly, before they can be free,But I am not alone, no.Paul Russell: vocals, guitarAdam Hughes: bassPeter Haig: drumsDavid Breeze: lead guitarLyrics by Paul Russell, music by Murdock.Strings: Debbie CodlingFender Rhodes: Joe CatchesideCopyright © & ℗ Murdock 2001.Recorded at PMC Studios, Plymouth.Engineered and mastered by Phil Sheppard.See also:http://www.wudrecords.co.uk/archiveshttp://www.wudrecords.co.uk/archives/murdockhttps://twitter.com/WudRecords4 min
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SC don't do support so we're leaving, slowly. UK/EU rock label since 1984. Demos, oddities, archives, WIP. Releases on Bandcamp etc. AI-free zone. All reposts shared to BlueSky and 'X'.
Wud! You have just been wudded. ;-)
We're very sorry but we're still unable to reply to SC messages. We can read them but cannot reply. Please email [email protected] instead. We answer most emails within a week.
ACTIVE ARTISTS:
Flicker, Dark Company, Pok the Bard, The Bastard Sons of Dennis
LEGACY ARTISTS:
Alchemeon, Clonk!, Dr Watson, The Ug Brothers, Alien Heat, Rough Terrain, The Subterraineans, The Addled Eggs, The Masters of Drone, Laughing Sun, Wud, Lemming Meringue, Sirius Rising, Now, Fooog Dinboffin and the Release, Mark Drower and the Everyones
ARCHIVE ARTISTS:
Andromeda, Critical Error, Dayglow, Demon Groove Lizards, Ember, Fruit Bats, Goodstaff, Guarana, Murdock, Prism, Pyg, Recluse, Search Party, Spacegoats, Stephen Yates, The Chillun, Watershed
* For DIY musicians:
Looking to grow your fanbase? Here's a proven strategy for success. It's a bit time-consuming at first because you need to work at it often. However, the awesome results will make it worth your while:
http://www.wudrecords.co.uk/miscellaneous/be-discovered-on-social-media
That article was published in March 2017. While some of the links may no longer work, the theory absolutely will. Try it for yourself!
* Unfortunately...
Due to brexshit, broken britain, rip-off britain, corruption, lies and bias in the media, bigotry, racism, intolerance, polarisation, the fact that some of our family members would not be allowed to remain post-brexit, state-sponsored child trafficking (yes, that's right, we said it - it's pretty shocking, start reading from here if you don't believe it: https://forced-adoption.com/), an increasing sense of frustration and exasperation, and general total weariness of being treated with nothing but derision, ignorance and contempt by the entire shebang since the early 80s, we decided enough was enough and moved our entire operation from brexeter in the uk to begin our grand brexodus in 2017. We are now brefugees, living in brexile very near the border of the Czech Republic, Austria and Germany. If you live in (the crumbling remains of) the uk, do yourself a favour and leave. The upgrade in life quality will blow your mind.
* What do we stand for as a label?
We support all independent musicians who are doing something we find interesting. Our team members all have formal music education qualifications.
We are against corporate brainwash muzak, their puppet friends in the mass media, and many other corporate activities. We will fight their desecration of music until either it stops or we die.
We believe in helping others in the face of corrupt laws and a broken system. We are pro democracy, green energy and free speech.
We're politically liberal. We cannot support the republicans, maga or gun violence in the usa. We don't see there's any real difference, other than in name, between the christian far right in the USA and the taliban in Afghanistan.
In the uk we are broadly pro LibDem/Green/Labour/SNP. We are VERY anti-tory, bnp, ukip, and any of their friends and associates. We have no trust at all in the uk right wing press monopoly and the bbc. Beware the bbc and its claims of neutrality. It is the propaganda mouthpiece of the tory party. It even charges a propaganda tax called the licence fee. But we like Test Match Special and Radio 6, so does that make us hypocrites...? Hmm.
We support independence for Scotland, Wales, Northern Ireland and Cornwall. We support the individual and the underdog. We are anti-putin and his war, and pro-Ukraine.
Please notice the careful use of capitals. Capital letters imply respect!
We're only interested in the colour of your soul. Not your skin, hair or socks.
We like cricket! Most of us support Somerset County Cricket Club.