Listen in to Emma and Malla Nunn’s chat about her new YA release, Sugar Town Queens. Set in South Africa against the backdrop of a community grappling with the last impacts of apartheid and deep economic disparity, watch the friendship between three fiercely independent and uniquely individual young women blossom. Sugar Town Queens celebrates what it means to be empowered when the odds are stacked against you, the power of 'Ubuntu' and the sweetness of first love. In this interview for YA Book Stack, Malla shares some of the struggles she had with writing the text, the importance of celebrating the human experience and how all of her stories are, at the very core, tales of identity. For more on YA Book Stack, visit https://www.vate.org.au/ya-book-stack.
Born and raised in Swaziland on the far edges of the British Empire, Malla Nunn attended a boarding school specially set up for 'mixed race' children. The students at the school spent their time learning the Bible, breaking the rules, and then lying about it. In common with most colonial institutions, stealing, fighting, and violence were commonplace. It was in this charged atmosphere that Nunn developed a fascination with bad behaviour, risk and punishment. After her family migrated to Australia to escape apartheid, Nunn graduated with a double degree in English and History and then earned a Master of Arts in Theater Studies from Villanova University. Faced with a life of chronic under-employment, she dabbled in acting and screenwriting. She wrote and directed three award-winning films, including Servant of the Ancestors, which won Best Documentary awards at film festivals in Chicago, Los Angeles, and Zanzibar, and was shown on national television in Australia. She married in a traditional Swazi ceremony. Her bride price was eighteen cows. She now lives and works in a weatherboard house with a tin roof and an olive tree in the garden in Sydney, Australia.

YA Book Stack is back for 2022! Poppy Nwosu, editor of the recently published horror tales anthology, Hometown Haunts: #LoveOzYA Horror Tales, joins Emma to traverse through what is scary and what makes a tale especially horrific. Emma (a scaredy-cat) and Poppy (a genre-fiction aficionado) hone in on some of their favourite stories from the publication; chatting about the ways in which these short stories could be used in the classroom to unpack theme, writing style, or even the power of graphic artistry. From fears about environmental damage, monsters that sneak up in the night, and spirits that haunt the land, Hometown Haunts unsettles the reader and leads them to realise that at the end of the day, we are all scared of something. For more on YA Book Stack, visit https://www.vate.org.au/ya-book-stack.
Poppy Nwosu is an author of young adult fiction. She has published three romantic contemporary novels called Making Friends with Alice Dyson (2019), Taking Down Evelyn Tait (2020), and Road Tripping with Pearl Nash (2021), and is the creator of the 2021 YA anthology Hometown Haunts: #LoveOzYA Horror Tales. Her work has been shortlisted for the SPN Book of the Year award, Adelaide festival Unpublished Manuscript Award and the Readings Young Adult Book Prize, and has been awarded the SA Writers Fellowship residency at Varuna Writers House, as well as an Arts SA grant. She has appeared at Adelaide Writers Week and Salisbury Writers Festival among others. Growing up surrounded by cane fields and rainforest, Poppy studied music at university before living overseas in Ireland. She is now based in Adelaide, Australia.

Peta Lyre is far from typical but she tries hard to appear so by following a series of well-crafted rules and routines dictated by her psychologist to assist with blending in. Through Peta Lyre’s Rating Normal’s stream-of-consciousness narrative, we accompany Peta as she navigates life seeking to be ‘normal’. As readers, we explore what it means to be normal, who and what is normal and ultimately, whether being normal is all that it is made out to be. With empathy and compassion, Whateley unveils what life is like for Peta who has multiple diagnoses and has undertaken years of therapy in order to assist with managing her triggers and we are asked to challenge the typical ‘rules’ of behaviour. Why would we want to be ‘normal’ and at what cost? In this interview for YA Book Stack, Whateley elaborates on the anxieties and uncertainties of living in a world that doesn’t suit how Peta’s mind works and shares the reasons for her many inspirations – from Frankenstein, to Romantic poetry, and Icelandic instrumentalist music. Anna Whateley’s debut #ownvoices novel Peta Lyre’s Rating Normal is shortlisted for the CBCA book awards. She also has an essay titled ‘Noisy Silence’ in Growing Up Disabled in Australia, edited by Carly Findlay. Her next novel, Tearing Myself Together, will be released early 2022 with Allen & Unwin. When coronavirus spread, Anna founded the bookish chat show #AusChat just to keep the community together, and the YouTube channel is now funded in part by the Australian Arts Council. She uses her YouTube and Twitch presence to collaborate and connect with the writing community and more broadly with composers, gamers, and interesting folk all around the world. Anna has a PhD in young adult fiction (literary criticism) and has taught sociology and YA/children’s literature to preservice teachers. She loves to attend writer events, conferences, twitter storms, and book launches, and is also a strong advocate for the neurodivergent community.

On the Mish, Jackson’s Aunty and his annoying little cousins spend another hot Australian summer. This time, his Aunty brings a mysterious boy with a troubled past, Tomas, to stay. Jackson and Tomas’ friendship evolves over the summer as they spend time together, work on an art project and bond over their shared cultural history and connections. For Jackson, spending time with Tomas forces him to confront the relationships he has with his friends and family, as well as his place in the community. A novel about love, identity and acceptance, Jackson learns to accept and embrace the young man he is becoming. In this YA Book Stack interview, Gary delves into the importance of the intersectionality of his text, of highlighting the experience of young, queer men and shares his insights on the way he sees his text being used for study in the English classroom.
Gary Lonesborough is a Yuin man, who grew up on the Far South Coast of NSW as part of a large and proud Aboriginal family. Growing up a massive Kylie Minogue and North Queensland Cowboys fan, Gary was always writing as a child, and continued his creative journey when he moved to Sydney to study at film school. Gary has experience working in Aboriginal health, the disability sector (including experience working in the Youth Justice System), and the film industry. He was Bega Valley Shire Council Young Citizen of the Year, won the Patrick White Young Indigenous Writers' Award, and has received a Copyright Agency First Nations Fellowship. The Boy from the Mish is Gary's debut YA novel.

Rawah Arja's The F Team follows ‘The Wolf Pack’ as their school is threatened with closure due to poor enrolment numbers and a declining reputation. Tariq Nader and his friends are required by their new school principal to assist with cleaning up the school’s image through the participation in a rugby tournament. But there’s a catch. They must cooperate and work in a team with boys from a school in Cronulla, their sworn enemies. From family, racism, prejudice and to the power of friendship and acceptance, The Wolf Pack navigate the pressures of the responsibility to keep their school open whilst learning about their place in the world as young men. In this episode of YA Book Stack, Rawah reveals her motivations, inspirations and impetus for writing this narrative and shares her key messages and takeaways for young adult readers. For interview notes and Rawah's recommended reading, visit: https://www.vate.org.au/ya-book-stack.
Rawah Arja is a writer and teacher from Western Sydney. Her first novel The F Team has been shortlisted for numerous literary awards including the Ethel Turner Prize for Young People’s Literature and the Victorian Premier’s Literary Award for Writing for Young Adults. Her writing has featured in Second City: Essays From Western Sydney (2021), Arab, Australian, Other (2019), SBS Voices and at the Sydney Writer’s Festival. She has received a fellowship from WestWords Varuna Emerging Writers’ Residential Program, is a member of the Finishing School collective of women writers, and teaches creative writing at schools and workshops.

Leanne Hall’s recent publication, The Gaps, pries into the vulnerability, strength, safety, danger and uncertainties that young women face in the world. When sixteen-year-old Yin is abducted, the news shocks the community of Balmoral Ladies College. A gripping feminist novel about the racism, sexism and privilege that exists in the world of young adults, The Gaps is a perfect text for the middle years English classroom. In this conversation Leanne will unpack her writing motivations and processes, as well as explore the text features that lend The Gaps to engaging and meaningful study. For interview notes and Leanne's recommended reading, listening and viewing, visit: https://www.vate.org.au/ya-book-stack.
Leanne Hall is an author of young adult and children’s fiction. Her debut novel, This Is Shyness, won the Text Prize for Children’s and Young Adult Writing, and was followed by a sequel, Queen of the Night. Her novel for younger readers, Iris and the Tiger, won the Patricia Wrightson Prize for Children’s Literature at the 2017 NSW Premier’s Literary Awards. Her latest novel, The Gaps, was published in 2021. Leanne works as a children’s and YA specialist at an independent bookshop.