YMP Classic Feed Archives - Yes Music Podcast

...brought to you by the letter, 'Q'.

The one hundred and nineteenth episode of the Yes Music Podcast, featuring some interesting facts and concepts beginning with the letter, 'Q'.

* Are there any Yes songs beginning with 'Q'?

* What links does Yes have with Queen?

* How might the legacy of Queen directly affect the new Yes album?

Listen and see if you spot any 'Q' concepts or tracks I have missed, then let me know by contacting me via any of the methods below.

Please get involved with the YMP e-book - for a copy of the guidelines, please see the full blog post on the front page of the website.

Please subscribe!

If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything. You can subscribe with an RSS reader, with iTunes, with the iOS Podcasts app, on your Blackberry, via email updates, via www.stitcher.com on Spreaker.com or via Tunein.com.

Show links

Queenonline

Roy Thomas Baker on Wikipedia

The Fairy Feller's Masterstroke

Ogre Battle

Brighton Rock

Death on Two Legs

The Prophet's Song

The Millionaire Waltz

ABWH Evening of Yes Music Plus

Theme music

The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert - I put it together from the following two creative commons sources: thanvannispen and archive.org

How to hype up the crowd...

The one hundred and eighteenth episode of the Yes Music Podcast, featuring an exploration of the music the band have used over the years to introduce their concerts.

* How many different pieces have been used?

* Are they all classical?

* Which is the most effective?

Listen and see if you agree, then let me know by contacting me via any of the methods below.

Please get involved with the YMP e-book - for a copy of the guidelines, please see the full blog post on the front page of the website.

Please subscribe!

If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything. You can subscribe with an RSS reader, with iTunes, with the iOS Podcasts app, on your Blackberry, via email updates, via www.stitcher.com on Spreaker.com or via Tunein.com.

Show links

Amazing studio photos on Facebook

Forgotten Yesterdays pages:

* Also Sprach Zarathustra

* Firebird Suite

* The Rite of Spring

* Le Sacre du Printemps

* Young Person's Guide to the Orchestra

Rome 1971 concert

Queen's Hall Devon 1971 concert

ABWH Evening of Yes Music Plus

Theme music

The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert - I put it together from the following two creative commons sources: thanvannispen and archive.org

Despite what I say in the episode, this is definitely the one hundred and seventeenth episode of the Yes Music Podcast, featuring some reflections on 2013 and some plans for 2014.

* Did the YMP achieve all its goals in 2013?

* What's coming up in 2014?

* What would you like to see?

Listen and see if you can think of anything you'd like to see in 2014, then let me know by contacting me via any of the methods below.

Please get involved with the YMP e-book - for a copy of the guidelines, please see the full blog post on the front page of the website.

Please subscribe!

If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything. You can subscribe with an RSS reader, with iTunes, with the iOS Podcasts app, on your Blackberry, via email updates, via www.stitcher.com on Spreaker.com or via Tunein.com. 

Theme music

The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert - I put it together from the following two creative commons sources: thanvannispen and archive.org

YMP update

A new studio album is under way! This is a brief update before proper episodes resume next week.

Please get involved with the YMP e-book - for a copy of the guidelines, please see the full blog post on the front page of the website.

Please subscribe!

If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything. You can subscribe with an RSS reader, with iTunes, with the iOS Podcasts app, on your Blackberry, via email updates, via www.stitcher.com on Spreaker.com or via Tunein.com.

Show links

Interview where Jon Davison broke the news!

The Creative Commons license we intend to use for the e-book

Progressive Nation at Sea 2014 (Jon Anderson headlining)

Theme music

The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert - I put it together from the following two creative commons sources: thanvannispen and archive.org

YMP update

The one hundred and sixteenth episode of the Yes Music Podcast, featuring a quick update at the festive season, 2013.

Please get involved with the YMP e-book - for a copy of the guidelines, please see the full blog post on the front page of the website.

Please subscribe!

If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything. You can subscribe with an RSS reader, with iTunes, with the iOS Podcasts app, on your Blackberry, via email updates, via www.stitcher.com on Spreaker.com or via Tunein.com.

Show links

The Creative Commons license we intend to use for the e-book

Progressive Nation at Sea 2014 (Jon Anderson headlining)

Theme music

The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert - I put it together from the following two creative commons sources: thanvannispen and archive.org

...brought to you by the letter, 'P'.

The one hundred and fifteenth episode of the Yes Music Podcast, featuring some interesting concepts and tracks beginning with the letter 'P'.

* Are there any'P'  band members?

* What concepts begin with 'P'?

* How many 'P' tracks are there?

Listen and see if you can spot anything I have missed out, then let me know by contacting me via any of the methods below.

Please get involved with the YMP e-book - for a copy of the guidelines, please see the full blog post on the front page of the website.

Please subscribe!

If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything. You can subscribe with an RSS reader, with iTunes, with the iOS Podcasts app, on your Blackberry, via email updates, via www.stitcher.com on Spreaker.com or via Tunein.com.

Show links

Jacob Moon website

Interview with Dave Potts

Twelve-tone technique of the Second Viennese School of composers

Surrealist movement

The Creative Commons license we intend to use for the e-book

Progressive Nation at Sea 2014 (Jon Anderson headlining)

Vote for Yes in the Rock and Roll Hall of Fame nominations

 

Theme music

The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert - I put it together from the following two creative commons sources: thanvannispen and archive.org

The best-known Yes track of all time

The one hundred and fourteenth episode of the Yes Music Podcast, featuring various performances of Owner of a Lonely Heart.

* How has this track been approached by different line-ups?

* What effect does Steve Howe have when he's present?

* Can anyone play that Rabin solo apart from him?

Listen and see if you agree with me, then get involved by contacting me via any of the methods below.

Please get involved with the YMP e-book - for a copy of the guidelines, please see the full show notes below...

 

E-book

As you probably know, we are planning a series of e-books covering the various stages of YES music and based around some of the Yes Music Podcast episodes.

Our first publication will cover the period from Tormato in 1978 to Talk in 1994 inclusive - a sixteen year span that saw many changes in the world’s greatest progressive rock band.

We are looking for contributions from YMP listeners in order to make this a community effort.

If you have anecdotes, images of the band or of memorabilia for inclusion in this e-book, we would love to include them.

Unfortunately, there’s a bit of information I need to give you now to make sure we all understand how we are going to run this project.

The e-books will be sold and ALL proceeds will be donated to an international music charity.

Before you submit anything, please note the following:

All material you send us must be owned by you and therefore your own copyright... this means for example that if you send us a photo, it must be YOU who took the photo and is therefore owned by you.

Please avoid sending photographs of standard album covers or other standard items - try and make your contribution as unusual as possible. We also don’t want to risk annoying any of the copyright holders of those original pieces of artwork - what we are really after is photos of treasured items you have in your collection, maybe even with you in the shot - so it’s obviously not an attempt to sell Roger Dean’s or anyone else’s artwork.

If you send an anecdote, make it first hand (it happened TO you or you were there when it happened and can vouch for it as a witness).

The e-book will be sold under what’s called a creative commons licence, so you will need to take a look at the details of that on the website to make sure you are happy with it.

This is a crowd-sourced, charity project so obviously, there will be no payment to anyone associated with these publications.

Everyone involved is donating their time, materials and expertise to create, edit and format the e-book but we may have to pay fees for online facilities to sell, distribute and collect monies from the sale of the e-book.

We will choose a distribution method that minimises these costs. All monies left after those costs will be donated to the chosen international music charity.

We have not yet finalised the price to purchasers of the e-book but intend it to be lower than the price of a single album on a well known download site.

We need to reserve the right to edit written material and to crop or edit photographic material as we see fit to ensure its appropriateness, or size, length or shape for publication.

We cannot return material to you so do not send actual(physical) items to us in the post, just send digital items via the following two ways:

* by email to [email protected] (as long as the attachments aren’t too big)

* or via the upload a file link into which you can also pu...

The one hundred and fourteenth episode of the Yes Music Podcast, featuring various performances of Owner of a Lonely Heart.

* How has this track been approached by different line-ups?

* What effect does Steve Howe have when he's present?

* Can anyone play that Rabin solo apart from him?

Listen and see if you agree with me, then get involved by contacting me via any of the methods below.

Please get involved with the YMP e-book - for a copy of the guidelines, please see the full show notes below...

 

E-book

As you probably know, we are planning a series of e-books covering the various stages of YES music and based around some of the Yes Music Podcast episodes.

Our first publication will cover the period from Tormato in 1978 to Talk in 1994 inclusive - a sixteen year span that saw many changes in the world’s greatest progressive rock band.

We are looking for contributions from YMP listeners in order to make this a community effort.

If you have anecdotes, images of the band or of memorabilia for inclusion in this e-book, we would love to include them.

Unfortunately, there’s a bit of information I need to give you now to make sure we all understand how we are going to run this project.

The e-books will be sold and ALL proceeds will be donated to an international music charity.

Before you submit anything, please note the following:

All material you send us must be owned by you and therefore your own copyright... this means for example that if you send us a photo, it must be YOU who took the photo and is therefore owned by you.

Please avoid sending photographs of standard album covers or other standard items - try and make your contribution as unusual as possible. We also don’t want to risk annoying any of the copyright holders of those original pieces of artwork - what we are really after is photos of treasured items you have in your collection, maybe even with you in the shot - so it’s obviously not an attempt to sell Roger Dean’s or anyone else’s artwork.

If you send an anecdote, make it first hand (it happened TO you or you were there when it happened and can vouch for it as a witness).

The e-book will be sold under what’s called a creative commons licence, so you will need to take a look at the details of that on the website to make sure you are happy with it.

This is a crowd-sourced, charity project so obviously, there will be no payment to anyone associated with these publications.

Everyone involved is donating their time, materials and expertise to create, edit and format the e-book but we may have to pay fees for online facilities to sell, distribute and collect monies from the sale of the e-book.

We will choose a distribution method that minimises these costs. All monies left after those costs will be donated to the chosen international music charity.

We have not yet finalised the price to purchasers of the e-book but intend it to be lower than the price of a single album on a well known download site.

We need to reserve the right to edit written material and to crop or edit photographic material as we see fit to ensure its appropriateness, or size, length or shape for publication.

We cannot return material to you so do not send actual(physical) items to us in the post, just send digital items via the following two ways:

* by email to [email protected] (as long as the attachments aren’t too big)

* or via the upload a file link into which you can also put [email protected]

We will credit the material used in the e-book to you so please provide an exact form ...

CD/DVD purchased 2013

The one hundred and thirteenth episode of the Yes Music Podcast, featuring the new Steven Wilson remixes of Close to the Edge.

 

* Why would you fork out the money for a new version of Close to the Edge?

* How could the original be improved?

* What does 2013 technology add to the 70s classic?

Listen and see if you agree with me, then get involved by contacting me via any of the methods below.

For a copy of the e-book guidelines, please see the full show notes.

 

E-book

As you probably know, we are planning a series of e-books covering the various stages of YES music and based around some of the Yes Music Podcast episodes.

Our first publication will cover the period from Tormato in 1978 to Talk in 1994 inclusive - a sixteen year span that saw many changes in the world’s greatest progressive rock band.

We are looking for contributions from YMP listeners in order to make this a community effort.

If you have anecdotes, images of the band or of memorabilia for inclusion in this e-book, we would love to include them.

Unfortunately, there’s a bit of information I need to give you now to make sure we all understand how we are going to run this project.

The e-books will be sold and ALL proceeds will be donated to an international music charity.

Before you submit anything, please note the following:

All material you send us must be owned by you and therefore your own copyright... this means for example that if you send us a photo, it must be YOU who took the photo and is therefore owned by you.

Please avoid sending photographs of standard album covers or other standard items - try and make your contribution as unusual as possible. We also don’t want to risk annoying any of the copyright holders of those original pieces of artwork - what we are really after is photos of treasured items you have in your collection, maybe even with you in the shot - so it’s obviously not an attempt to sell Roger Dean’s or anyone else’s artwork.

If you send an anecdote, make it first hand (it happened TO you or you were there when it happened and can vouch for it as a witness).

The e-book will be sold under what’s called a creative commons licence, so you will need to take a look at the details of that on the website to make sure you are happy with it.

This is a crowd-sourced, charity project so obviously, there will be no payment to anyone associated with these publications.

Everyone involved is donating their time, materials and expertise to create, edit and format the e-book but we may have to pay fees for online facilities to sell, distribute and collect monies from the sale of the e-book.

We will choose a distribution method that minimises these costs. All monies left after those costs will be donated to the chosen international music charity.

We have not yet finalised the price to purchasers of the e-book but intend it to be lower than the price of a single album on a well known download site.

We need to reserve the right to edit written material and to crop or edit photographic material as we see fit to ensure its appropriateness, or size, length or shape for publication.

We cannot return material to you so do not send actual(physical) items to us in the post, just send digital items via the following two ways:

* by email to [email protected] (as long as the attachments aren’t too big)

* or via the upload a file link into which you can also put [email protected]

The one hundred and thirteenth episode of the Yes Music Podcast, featuring the new Steven Wilson remixes of Close to the Edge.

 

* Why would you fork out the money for a new version of Close to the Edge?

* How could the original be improved?

* What does 2013 technology add to the 70s classic?

Listen and see if you agree with me, then get involved by contacting me via any of the methods below.

For a copy of the e-book guidelines, please see the full show notes.

 

E-book

As you probably know, we are planning a series of e-books covering the various stages of YES music and based around some of the Yes Music Podcast episodes.

Our first publication will cover the period from Tormato in 1978 to Talk in 1994 inclusive - a sixteen year span that saw many changes in the world’s greatest progressive rock band.

We are looking for contributions from YMP listeners in order to make this a community effort.

If you have anecdotes, images of the band or of memorabilia for inclusion in this e-book, we would love to include them.

Unfortunately, there’s a bit of information I need to give you now to make sure we all understand how we are going to run this project.

The e-books will be sold and ALL proceeds will be donated to an international music charity.

Before you submit anything, please note the following:

All material you send us must be owned by you and therefore your own copyright... this means for example that if you send us a photo, it must be YOU who took the photo and is therefore owned by you.

Please avoid sending photographs of standard album covers or other standard items - try and make your contribution as unusual as possible. We also don’t want to risk annoying any of the copyright holders of those original pieces of artwork - what we are really after is photos of treasured items you have in your collection, maybe even with you in the shot - so it’s obviously not an attempt to sell Roger Dean’s or anyone else’s artwork.

If you send an anecdote, make it first hand (it happened TO you or you were there when it happened and can vouch for it as a witness).

The e-book will be sold under what’s called a creative commons licence, so you will need to take a look at the details of that on the website to make sure you are happy with it.

This is a crowd-sourced, charity project so obviously, there will be no payment to anyone associated with these publications.

Everyone involved is donating their time, materials and expertise to create, edit and format the e-book but we may have to pay fees for online facilities to sell, distribute and collect monies from the sale of the e-book.

We will choose a distribution method that minimises these costs. All monies left after those costs will be donated to the chosen international music charity.

We have not yet finalised the price to purchasers of the e-book but intend it to be lower than the price of a single album on a well known download site.

We need to reserve the right to edit written material and to crop or edit photographic material as we see fit to ensure its appropriateness, or size, length or shape for publication.

We cannot return material to you so do not send actual(physical) items to us in the post, just send digital items via the following two ways:

* by email to [email protected] (as long as the attachments aren’t too big)

* or via the upload a file link into which you can also put [email protected]

We will credit the material used in the e-book to you so please provide an exact form by which you would like ...