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Colin Marshall talks to Jeffrey DeShell, associate professor of English at the University of Colorado, Boulder and author of Arthouse, a novel that takes the form, structure, and aesthetic of each of its chapters from famous films like Yasujiro Ozu's Tokyo Story, Bela Tarr's Satantango, Arthur Ripley's Branded to Kill, Bernardo Bertolucci's The Conformist, and Jean-Luc Godard's Contempt. DeShell's protagonist, a "failed fortysomething film studies academic," lives through a story among the meth-dealing toughs of Pueblo, Colorado that pulls him through not the events, not the settings, but the very substance of the cinematic art of these and other classics of the "arthouse" theater.
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Colin Marshall talks to Jeffrey DeShell, associate professor of English at the University of Colorado, Boulder and author of Arthouse, a novel that takes the form, structure, and aesthetic of each of its chapters from famous films like Yasujiro Ozu's Tokyo Story, Bela Tarr's Satantango, Arthur Ripley's Branded to Kill, Bernardo Bertolucci's The Conformist, and Jean-Luc Godard's Contempt. DeShell's protagonist, a "failed fortysomething film studies academic," lives through a story among the meth-dealing toughs of Pueblo, Colorado that pulls him through not the events, not the settings, but the very substance of the cinematic art of these and other classics of the "arthouse" theater.
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