Our monthlong horror-fest begins with dueling looks at the original folk-horror standard-bearer The Wicker Man and the Nicolas Cage he-man-women-hating reboot.

Join us for the episode that came closest to costing Matt & Rob their sanity. If you can survive their discussion of Joshua Oppenheimer’s harrowing doc The Act of Killing, you’ll be rewarded(?) with a manic, unfocused take-down of the all-time-stinker Epic Movie. There are no heroes here, only survivors.

Brew yourself a nice stiff drink of turpentine and settle in as our mismatched pair debate the merits of Paul Thomas Anderson’s midcentury mind-bender The Master and the vampire/werewolf fight flick Underworld.

Here’s a pairing to convince you life is pain all the way down, as the boys tackle Bela Tarr’s existential marathon The Turin Horse and the Happy Madison also-ran The Animal.

Sally forth with the boys for a very English double-feature as they tackle Ben Wheatley’s Renaissance head-trip A Field in England and the cosmic council flats invasion flick Attack the Block.

This week our two ronin blow into town to talk the American Samurai-flick recut Shogun Assassin and the Lonely Island music-doc parody Popstar: Never Stop Never Stopping.

We’ve got a double-dose of the Dutch master as our boys dive deep on Paul Verhoeven’s Starship Troopers and Showgirls. Would you like to know more?

Join us as our pair tackles Elia Kazan’s pre-HUAC antisemitism expose Gentleman’s Agreement and Joe Dante’s anarchic Gremlins 2.

Listen up, pigs: We’ve got your killer tire movie, as requested, but don’t expect us to get excited about it. Remember: none of this matters.

Our boys debate whether is nobler to suffer the slings and arrows of Nazi occupation, or to take up arms against a sea of Universal monsters, as they discuss Ernst Lubitsch’s classic To Be or Not to Be and the comic monster mash-up Abbott and Costello Meet Frankenstein.