Stefany Anne Golberg is a writer for magazines such as The Smart Set, the former Critic-in Residence at Drexel University, a multi-media artist, and a founding member of Flux Factory, an arts collective in New York. Her husband Morgan Meis has a PhD in Philosophy is a founding member of Flux Factory as well, and is a recipient of the Whiting Award. Together their book Dead People, a collection of literary and critical obituaries, is due out from Zero Books in June of this year.

As this week’s episode is about remembering and attempting to understand the significance of the dead it seems appropriate here at the start to offer up a short excerpt from Hegel’s Phenomenology of Spirit:

The dead individual, by his having detached and liberated his being from his action or his negative unity, is an empty particular, merely existing passively for some other, at the mercy of every lower irrational organic agency, and the [chemical, physical] forces of abstract material elements, both of which are now stronger than himself, the former on account of the life which they have, the latter on account of their negative nature.(1) he family keeps away from the dead this dishonouring of him by the desires of unconscious organic agencies and by abstract elements, puts its own action in place of theirs, and weds the relative to the bosom of the earth, the elemental individuality that passes not away. Thereby the family makes the dead a member of a community(2) which prevails over and holds under control the powers of the particular material elements and the lower living creatures, which sought to have their way with the dead and destroy him.

In this episode you’ll hear from Thomas J.J. Altizer on Hegel and the death of God, an clip from Gene Martin and Reverend AA Allen and the gospel hymn “God’s Not Dead,”a bit of dialogue from the television show True Detective, a clip from the documentary film “Manufacturing Consent,” and Dan Lett’s “Yeah It’s All Right.”