Written, composed and performed by ZICO (Boaz Goldberg): Classical Guitar, Lead Vocals, Electric Guitar, Backing Vocals, Tambourine

Produced, mixed & engineered by ZICO (Boaz Goldberg)

Co-produced by Dorin Shauly

Recorded at ZICO's place in May 2026

Cover art & design by Boaz Goldberg

A very special thanks goes to Dorin Shauly

Lyrics:

Hear, it comes again

I can’t decide now when it’s

Time to go

I was your fountain pen

You were my arrow and we

Drew that bow

Stay with me

Should I stay?

With me

We are both not free

but…

A picnic in a tent

Let’s make it happen it’s a

Place for rent

This is my final wish

Surprise me silent like a

Huge goldfish

Stay with me

Should I stay?

With me

We are both not free

but…

Stay with me

Stay with me

Should I stay?

With me

Is it time to flee?

Stay with me

Stay with me

Stay

*

Check out ZICO's latest full LP, "Reverse Reverbe" -

ZICO - Reverse Reverbe (Full Album)

https://www.youtube.com/watch?v=EiqpXzkzcnk

Bandcamp Huge Goldfish:

https://zico3.bandcamp.com/track/huge-goldfish

*

מילים, לחן וביצוע: זיקו (בועז גולדברג): גיטרה קלאסית, שירה, גיטרה חשמלית, קולות רקע, טמבורין

הפקה, מיקס וטכנאות קול: בועז גולדברג

מפיקה שותפה: דורין שאולי

הוקלט בבית של זיקו, מאי 2026

עיצוב העטיפה וציור: בועז גולדברג

תודה מיוחדת לדורין שאולי

*

האזינו לאלבום המלא האחרון של זיקו

https://www.youtube.com/watch?v=EiqpXzkzcnk

Huge Goldfish בנדקמפ

https://zico3.bandcamp.com/track/huge-goldfish

***

For more information about ZICO please visit:

https://filmfreeway.com/TomorrowsGone

https://skug.at/smile-now-cry-later-t...

https://thenewordermag.com/tno/charli...

https://www.furious.com/perfect/boazg...

https://www.imdb.com/title/tt10329506/

https://boazgol.wixsite.com/muzicoblo...

***

Watch TOMORROW'S GONE full movie HD online (English Subtitles) -

https://vimeo.com/ondemand/tomorrowsgone

for French subtitles, go to: vimeo.com/ondemand/429189

“מחר כבר עבר" בתרגום לעברית - כאן:

https://jfc.org.il/movie/77897-2/

For more music from ZICO, please go to Bandcamp or any other streaming platform (Spotify, Apple Music, Youtube etc.)

https://zico3.bandcamp.com/

All tracks written, composed and performed by ZICO (Boaz Goldberg): Vocals, Electric Guitar, Classical Guitar, Bass Guitar, Korg Synthesizer, Wind Chimes, Percussion, Drums, Cymbals, Thunder Tube

Produced, mixed, edited & mastered by Boaz Goldberg

Yearning

An almost forgotten piece of a cassette recording with my little sister's voice from the electronic answering machine of my family home somewhere in the 90`s leads to a loop-oriented transcendental Ambient Noise. This piece, minus the new opening, was originally called "Kobi Wake Up" and was taken from the album I released for the long lost duo of Kobi Or and me, NEMEK. It's my contemporary addition to NEMEK's album, and while I was working on it, I knew I would use it for my next album as well - just so it wouldn't fall through the cracks.

Ode to Sean Derrick Cooper Marquardt

What would have happened if Len Boukhman had been a little late even more or had simply skipped the session we scheduled in early November 2008 at Ambience Studios in Ramat Gan with engineer Dar Nahmias? It was just a few days after I returned from a very interesting vacation in Berlin, where I saw several noise performances that blew me away. One of them was by noise artist and master of Accidental Guitar Sean Derrick Cooper Marquardt, and this piece was completely built with his spirit echoing every second of it. Memories of SDCM performance, textures, sounds, loops, magic. The track was actually completely ready when Len arrived late, had lots of Dar’s whiskey and burned in her brilliant poem. Len and I originally called it "P.R." and it came out under our little duo called Nail and Flashlights. Thanks to A.I sound technologies, I removed Len's vocals just to go back to the original version of the track, before Len knocked on Ambience Studios door. At the same time, I added a few elements that weren't in the original recording. Now, without Len's text, I knew what the new track title would be. Easy.

Gold Chops

One of my favorite tracks on this album. Those who know my "Headless Elvis" will recognize the melody and chord progression from the opening track, “Gabi My Friend”. Part of the track was also incorporated into my documentary film about Charlie Megira, “Tomorrow’s Gone”. However, "Gold Chops" sounds very different for several reasons. A. Here the guitar sound comes from the guitar amp only and without a softening direct channel. The result is a real raw treat, very Vilde. B. Here we hear the entire track, without edits and without any kind of additions, twists or turns from the Korg synth. Since it was engineered by Sagi Barnes in 2017, I don’t think I’ve ever heard this track like this. I think we immediately edited it, and some would say - castrated it. In short, the moment I discovered this lost gold treasure, it was clear to me that it was worth pulling it from the depths of the well into the light.

Marenight

This track is also based on a track from "Headless Elvis". There it was called "Dear Narcoza 2" and I was always upset that on my debut album I shortened it and didn't let it develop and go wild. I felt like I hadn't exhausted its potential. In this new version, the piece is almost unrecognizable. It's about six times longer, and it develops into a dark rampage at the peak of which I’m maneuvering between nine different channels. The name chosen for the title, "Marenight," encompasses several alternative ideas that could’ve been suitable as well, such as "Launch Nights", "Ballistic Missiles from Iran" and more. In the end, I chose an option that everyone can identify with. A reverse nightmare, with lotsa Reverse Reverbe...

For more music from ZICO, please go to Bandcamp or any other streaming platform (Spotify, Apple Music, Youtube etc.)

https://zico3.bandcamp.com/

All tracks written, composed and performed by ZICO (Boaz Goldberg): Vocals, Electric Guitar, Classical Guitar, Bass Guitar, Korg Synthesizer, Wind Chimes, Percussion, Drums, Cymbals, Thunder Tube

Produced, mixed, edited & mastered by Boaz Goldberg

Yearning

An almost forgotten piece of a cassette recording with my little sister's voice from the electronic answering machine of my family home somewhere in the 90`s leads to a loop-oriented transcendental Ambient Noise. This piece, minus the new opening, was originally called "Kobi Wake Up" and was taken from the album I released for the long lost duo of Kobi Or and me, NEMEK. It's my contemporary addition to NEMEK's album, and while I was working on it, I knew I would use it for my next album as well - just so it wouldn't fall through the cracks.

Ode to Sean Derrick Cooper Marquardt

What would have happened if Len Boukhman had been a little late even more or had simply skipped the session we scheduled in early November 2008 at Ambience Studios in Ramat Gan with engineer Dar Nahmias? It was just a few days after I returned from a very interesting vacation in Berlin, where I saw several noise performances that blew me away. One of them was by noise artist and master of Accidental Guitar Sean Derrick Cooper Marquardt, and this piece was completely built with his spirit echoing every second of it. Memories of SDCM performance, textures, sounds, loops, magic. The track was actually completely ready when Len arrived late, had lots of Dar’s whiskey and burned in her brilliant poem. Len and I originally called it "P.R." and it came out under our little duo called Nail and Flashlights. Thanks to A.I sound technologies, I removed Len's vocals just to go back to the original version of the track, before Len knocked on Ambience Studios door. At the same time, I added a few elements that weren't in the original recording. Now, without Len's text, I knew what the new track title would be. Easy.

Gold Chops

One of my favorite tracks on this album. Those who know my "Headless Elvis" will recognize the melody and chord progression from the opening track, “Gabi My Friend”. Part of the track was also incorporated into my documentary film about Charlie Megira, “Tomorrow’s Gone”. However, "Gold Chops" sounds very different for several reasons. A. Here the guitar sound comes from the guitar amp only and without a softening direct channel. The result is a real raw treat, very Vilde. B. Here we hear the entire track, without edits and without any kind of additions, twists or turns from the Korg synth. Since it was engineered by Sagi Barnes in 2017, I don’t think I’ve ever heard this track like this. I think we immediately edited it, and some would say - castrated it. In short, the moment I discovered this lost gold treasure, it was clear to me that it was worth pulling it from the depths of the well into the light.

Marenight

This track is also based on a track from "Headless Elvis". There it was called "Dear Narcoza 2" and I was always upset that on my debut album I shortened it and didn't let it develop and go wild. I felt like I hadn't exhausted its potential. In this new version, the piece is almost unrecognizable. It's about six times longer, and it develops into a dark rampage at the peak of which I’m maneuvering between nine different channels. The name chosen for the title, "Marenight," encompasses several alternative ideas that could’ve been suitable as well, such as "Launch Nights", "Ballistic Missiles from Iran" and more. In the end, I chose an option that everyone can identify with. A reverse nightmare, with lotsa Reverse Reverbe...

All tracks written, composed and performed by ZICO (Boaz Goldberg): Vocals, Electric Guitar, Classical Guitar, Bass Guitar, Korg Synthesizer, Wind Chimes, Percussion, Drums, Cymbals, Thunder Tube

Produced, mixed, edited & mastered by Boaz Goldberg

Yearning

An almost forgotten piece of a cassette recording with my little sister's voice from the electronic answering machine of my family home somewhere in the 90`s leads to a loop-oriented transcendental Ambient Noise. This piece, minus the new opening, was originally called "Kobi Wake Up" and was taken from the album I released for the long lost duo of Kobi Or and me, NEMEK. It's my contemporary addition to NEMEK's album, and while I was working on it, I knew I would use it for my next album as well - just so it wouldn't fall through the cracks.

Ode to Sean Derrick Cooper Marquardt

What would have happened if Len Boukhman had been a little late even more or had simply skipped the session we scheduled in early November 2008 at Ambience Studios in Ramat Gan with engineer Dar Nahmias? It was just a few days after I returned from a very interesting vacation in Berlin, where I saw several noise performances that blew me away. One of them was by noise artist and master of Accidental Guitar Sean Derrick Cooper Marquardt, and this piece was completely built with his spirit echoing every second of it. Memories of SDCM performance, textures, sounds, loops, magic. The track was actually completely ready when Len arrived late, had lots of Dar’s whiskey and burned in her brilliant poem. Len and I originally called it "P.R." and it came out under our little duo called Nail and Flashlights. Thanks to A.I sound technologies, I removed Len's vocals just to go back to the original version of the track, before Len knocked on Ambience Studios door. At the same time, I added a few elements that weren't in the original recording. Now, without Len's text, I knew what the new track title would be. Easy.

Gold Chops

One of my favorite tracks on this album. Those who know my "Headless Elvis" will recognize the melody and chord progression from the opening track, “Gabi My Friend”. Part of the track was also incorporated into my documentary film about Charlie Megira, “Tomorrow’s Gone”. However, "Gold Chops" sounds very different for several reasons. A. Here the guitar sound comes from the guitar amp only and without a softening direct channel. The result is a real raw treat, very Vilde. B. Here we hear the entire track, without edits and without any kind of additions, twists or turns from the Korg synth. Since it was engineered by Sagi Barnes in 2017, I don’t think I’ve ever heard this track like this. I think we immediately edited it, and some would say - castrated it. In short, the moment I discovered this lost gold treasure, it was clear to me that it was worth pulling it from the depths of the well into the light.

Marenight

This track is also based on a track from "Headless Elvis". There it was called "Dear Narcoza 2" and I was always upset that on my debut album I shortened it and didn't let it develop and go wild. I felt like I hadn't exhausted its potential. In this new version, the piece is almost unrecognizable. It's about six times longer, and it develops into a dark rampage at the peak of which I’m maneuvering between nine different channels. The name chosen for the title, "Marenight," encompasses several alternative ideas that could’ve been suitable as well, such as "Launch Nights", "Ballistic Missiles from Iran" and more. In the end, I chose an option that everyone can identify with. A reverse nightmare, with lotsa Reverse Reverbe...

All tracks written, composed and performed by ZICO (Boaz Goldberg): Vocals, Electric Guitar, Classical Guitar, Bass Guitar, Korg Synthesizer, Wind Chimes, Percussion, Drums, Cymbals, Thunder Tube

Produced, mixed, edited & mastered by Boaz Goldberg

Yearning

An almost forgotten piece of a cassette recording with my little sister's voice from the electronic answering machine of my family home somewhere in the 90`s leads to a loop-oriented transcendental Ambient Noise. This piece, minus the new opening, was originally called "Kobi Wake Up" and was taken from the album I released for the long lost duo of Kobi Or and me, NEMEK. It's my contemporary addition to NEMEK's album, and while I was working on it, I knew I would use it for my next album as well - just so it wouldn't fall through the cracks.

Ode to Sean Derrick Cooper Marquardt

What would have happened if Len Boukhman had been a little late even more or had simply skipped the session we scheduled in early November 2008 at Ambience Studios in Ramat Gan with engineer Dar Nahmias? It was just a few days after I returned from a very interesting vacation in Berlin, where I saw several noise performances that blew me away. One of them was by noise artist and master of Accidental Guitar Sean Derrick Cooper Marquardt, and this piece was completely built with his spirit echoing every second of it. Memories of SDCM performance, textures, sounds, loops, magic. The track was actually completely ready when Len arrived late, had lots of Dar’s whiskey and burned in her brilliant poem. Len and I originally called it "P.R." and it came out under our little duo called Nail and Flashlights. Thanks to A.I sound technologies, I removed Len's vocals just to go back to the original version of the track, before Len knocked on Ambience Studios door. At the same time, I added a few elements that weren't in the original recording. Now, without Len's text, I knew what the new track title would be. Easy.

Gold Chops

One of my favorite tracks on this album. Those who know my "Headless Elvis" will recognize the melody and chord progression from the opening track, “Gabi My Friend”. Part of the track was also incorporated into my documentary film about Charlie Megira, “Tomorrow’s Gone”. However, "Gold Chops" sounds very different for several reasons. A. Here the guitar sound comes from the guitar amp only and without a softening direct channel. The result is a real raw treat, very Vilde. B. Here we hear the entire track, without edits and without any kind of additions, twists or turns from the Korg synth. Since it was engineered by Sagi Barnes in 2017, I don’t think I’ve ever heard this track like this. I think we immediately edited it, and some would say - castrated it. In short, the moment I discovered this lost gold treasure, it was clear to me that it was worth pulling it from the depths of the well into the light.

Marenight

This track is also based on a track from "Headless Elvis". There it was called "Dear Narcoza 2" and I was always upset that on my debut album I shortened it and didn't let it develop and go wild. I felt like I hadn't exhausted its potential. In this new version, the piece is almost unrecognizable. It's about six times longer, and it develops into a dark rampage at the peak of which I’m maneuvering between nine different channels. The name chosen for the title, "Marenight," encompasses several alternative ideas that could’ve been suitable as well, such as "Launch Nights", "Ballistic Missiles from Iran" and more. In the end, I chose an option that everyone can identify with. A reverse nightmare, with lotsa Reverse Reverbe...

For more music from ZICO, please go to Bandcamp or any other streaming platform (Spotify, Apple Music, Youtube etc.)

https://zico3.bandcamp.com/

Ocean Beach, San Diego. One of the most beautiful and magical places on earth. I lived there for a year when I was 12 years old. I haven’t been there since the early 1990s and I find myself full of yearning for that faraway atmosphere. This is my little homage - Classical guitar, nonchalant humming, a touch of percussion, and a crashing ocean wave.

Produced & engineered by ZICO (Boaz Goldberg)

Written, composed and performed by ZICO (Boaz Goldberg): Classical Guitar, Vocals, Percussion

Recorded at ZICO's place in April, 2026

Cover art design by Boaz Goldberg

Photographed by Giora Goldberg

This track is the second single from ZICO's full LP, "Reverse Reverbe"

For more music from ZICO, please go to Bandcamp or any other streaming platform (Spotify, Apple Music, Youtube etc.)

https://zico3.bandcamp.com/

the Single version from my upcoming album, "Reverse Reverbe".

words and music: ZICO (Boaz Goldberg)

Guitar & Vocals: ZICO (Boaz Goldberg)

Produced by ZICO (Boaz Goldberg)

Not Anemoia

Why do I

Love crumbling villas

And such

I dig those Parrots

So much

Is it foolish to stare

At a jackal

Whose mother is Dutch?

C'est la vie

Urban Renewal

Is crap

Led light leads

To a trap

Take your miniature pig

To the park now

And get a good nap

Ohhhhh Anemoia

Me?

Ohhhhhhhhhh

It ain’t no Anemoia

Ohhhhh Anemoia

Who, Me?

Ohhhhhhhhhh

It ain’t no Anemoia

I’m stuck between two eras

I am the JSA of Koreas

Hilton Lounge

Where coffee

Turns back the clock

Late Night Stories

knock knock

Tell me when will you realize

That time travel hits

Like a shock?

Ohhhhh Anemoia

Who, Me?

Ohhhhhhhhhh

It ain’t no Anemoia

Ohhhhh Anemoia

Me?

Ohhhhhhhhhh

It ain’t no Anemoia

Your time is now

This is a track taken from the album THE LAST INTERESTING REVOLUTION by CNAQUE POP. For Full Album listening please go to ZICO'S (Boaz Goldberg) Bandcamp or any other streaming platform (Spotify, Apple Music, Youtube etc.)

https://zico3.bandcamp.com/

* * *

Israeli band Cnaque/Pop, which operated from 1994 to 1999 in Tel Aviv, never missed an opportunity to miss an opportunity. Although it was the hottest band of its time, performing dozens of times and having many hits, a trendy party line and fans, its childish behavior and the conservatism of the record companies meant that it never released an album in real time.

Today, almost 20 years after its founding and after the band had gained a certain mythological reputation among an audience that had not attended any of its performances, the band members decided to release that Rock-N-Roll album of that long gone period, to give it a chance.

“The Last Interesting Revolution” is based on studio recordings, demos, and a few performances and rehearsals. Surprisingly, the music has not aged. On the contrary, it sounds more refreshing, edgy and contemporary today than ever, perhaps because Israeli music has only moved backwards since the 1990s. The lyrics are still bright, the guitars produced by Ram Orion and others are still hot, and the combination of Glam Rock, Disco Punk and old-school Israeli Mizrahi music within Britpop is still original.

The fact that the band had a trendy message and even spun the pre-hipster line "We're not a band, we're hair stylists, this isn't a song, this is a shirt, give us money" has no contest today. Almost everything has become more boring and grayer.

Beyond the fact that the album will provide an opportunity to listen to beautiful songs that have been lost, it's an opportunity to make a small historical correction, a kind of archaeological salvage dig: to remind you that somewhere in the nineties there were some snobs in suits who tried to do something different, with bright Technicolor dreams, and failed. So let's repeat the request in the song: give us money.

In short:

The best band in the world. Formed in 1994, it played countless shows but miraculously managed to miss every opportunity that came its way to sign with a record company or label. Cnaque/Pop went through several incarnations - from punk rock to Britpop to glam rock. It disbanded in 1999. All of its members (except one) went on to have successful journalism careers.

Watch a short documentary about the band by director Yaniv Sardel:

www.youtube.com/watch?v=YL2Oahm3apE

Credits:

Lyrics: Roy Chicky Arad

Music: Dvir Volk, Boaz Goldberg, Nitzan Horesh

Recorded in 1996

Roy Chicky Arad: Lead Vocals

Dvir Volk: Guitars, Vocals

Boaz Goldberg: Bass Guitar, Vocals

Nitzan Horesh: Electric Guitar, Vocals

Lenny Ben Basat: Drums, Vocals

Musical production: Cnaque/Pop and Eyal Even Zur

Released January 14, 2014

For more music from ZICO, please go to Bandcamp or any other streaming platform (Spotify, Apple Music, Youtube etc.)

https://zico3.bandcamp.com/

This is the first song that Gabi Abudraham, later to be known as CHARLIE MEGIRA, recorded on his 4-channel tape. It happened in 1999 and it was titled "Pink World" (OLAM VAROD). This is the early version of track 2 from my full LP, HEADLESS ELVIS and it's a cover version of the 1999 recording.

https://zico3.bandcamp.com/

"Pink World" official music video at: https://www.youtube.com/watch?v=UBnG0OCZ1is

The original Megira's recording was lost, but what was not lost is the whole movement of the song inside my head. It was supposed to be a song by Les` Lost Boys (Naarey Ha-Hefker) - the short-lived duo of Gabi and mine. We worked on it a lot and then we stopped, but I - even in periods where I had not played for many years - saved it. And saved. And saved. Now the song "Pink World" is reborn, and this time I do the guitars and vocals. Charlie Megira would call such an act: “the other possibility”. A bit like you see in one of his favorite films, “Mulholland Drive”, with all the parallel realities happening there. Eventually I chose to release it as an outtake from my documentary film about CHARLIE MEGIRA, Tomorrow's Gone (available to watch on Vimeo-on-demand). This song is also part of my solo LP as ZICO, titled "Headless Elvis" and available here at my Bandcamp profile.

Words and Music by Goldberg-Abudraham (Les` Lost Boys/ Naarey Ha-Hefker, 2000)

Boaz Goldberg (ZICO): Electric Guitar, Vocals

Produced by Boaz Goldberg & Sagi Barnes

Recording Engineer, Mix & Mastering: Sagi Barnes

"Pink World" was recorded in 2017

Taken from the album KAPUT by NEMEK. full album available at ZICO 's (Boaz Goldberg) Bandcamp and all the other music platforms (Spotify etc.)

https://zico3.bandcamp.com/

1 - בורזום ועוד משהו

Burzum and Another Thing

2 - קובי תתעורר

Koby Wake Up

3 - יותר אור

More Light

4 - דימה

Dima

5 - חלום על סוודר צהוב

Yellow Sweater Dream

6 - אש - ג'ינגל 106FM

Fire - 106FM Jingle

7 - ההבדל בין נויז לנויז

The Difference Between Noise and Noise

8 - נמק

Nemek

9 - ג'ימי רעמים

Jimmy Thunders

10 - ספגטים

Spaghetti

11 - כואב לאהוב

Love Hertz

12 - נמק - גרסת סוני אנד שר

Nemek Deshaped - Sony and Share Version

13 - מקום שקט

In a Silent Place

14 - קובי תתעורר 2

Koby Wake Up 2

NEMEK* are:

Koby Or - Vocals & Texts

Boaz Goldberg - Electric Guitar, Drums, Wind Chimes, Bass & Classic Guitars, Korg Synth, Percussion, Voices on Track 8

This Album is dedicated to the one and only Koby Or (1948 - 2023)

All Tracks Produced and Mastered by Boaz Goldberg except:

Track 4: Mastered by Yohai Ben Zvi; Additional Mastering By Sagi Barnes

Track 8: Produced by Boaz Goldberg and Dar Nahmias; Mixed and Mastered by Dar Nahmias; Additional Mix, Mastering and Overdubs by Boaz Goldberg

Track 12: Produced and Deshaped by Sony and Share - Boaz (Zico) Goldberg & Liad (Lousha) Loushi; Engineering, Mastering and Electronics by Liad Loushi (Jew Ecsotic)

All Tracks Recorded in 2008 except:

Track 10: Recorded Live to Console in 2009 at OzenBar

Track 12: Recorded in 2025 at Lousha’s place

Tracks 2, 14: Recorded in 2025 at Garage Radionit & Zico’s bed; Basic Loop Recorded in 2010 at The Zimmer

Tracks thank yous: Der Big Lousha, Ambience Studios, Yaron Sarel and Leon Feldman, Danny Blich, Yaron Aharoni, Nati Ornan, The Zimmer

All fragments Recorded in 2008 except:

Track 1: Recorded in 2006 via bezeq

Fragments thank yous: Mommy’s Place, Amir Kertes, Molly Nilsson, Am Israel High @106FM, Allenby 94, My Beloved Mom & Lucy

Sleeve Design by Avi Bohbot

Sleeve Front Photo: Billy Levy

Additional Photos:

General Thank yous: Julia Cameron, El Bootkeh, Adir Sharon, Barbara, The Schmoks, Yaniv Deetroittt, Masha, Ram Orion, Charlie Megira, Adam Koman, Guy Lancot, Meytal Russo, Elad Zeev, Avi Bohbot, Tamir Albert, Kol Hacampus, Haim Vitali Cohen, Billy Levy, Bolea Rock @City Mouse, Len Boukhman, The Zimmer, Michael Zolotov, Uri Bash, Sag de Dag, Dorin Shauly

*Nemek = Necrosis