Zig At The Gig podcast

Jimkata are a three-piece anthemic, synth-washed, electro-rock band based out of Ithaca and Los Angeles. With a triumph of swirling analog synths, infectious pop hooks and candid lyrics, Jimkata have built a distinct sound which has been resonating with listeners across the country. Friends since middle school, Evan Friedell, Aaron Gorsch and Packy Lunn infuse Jimkata, (named after the so-bad-it’s-good 1985 gym-fu caper Gymkata) with both an adventurous musical streak and relatable lyrical themes

MAY 4TH Winchester Lakewood OH TICKETS 

https://www.ticketweb.com/event/jimkata-c-level-abstract-sounds-the-winchester-tickets/13055915

Jimkata's Info

https://jimkata.com/?fbclid=IwAR2AB9ZcTXLMfWKiYbOslX_s8cltwPf-XSN9y8Qt90fRY4BiHkw9feoE7O4

jimkatamusic

This is a re-upload of my conversation with the late great Mark Stewart Rest In Power!

For those who don't know 

Mark Stewart is an artist, vocalist, producer and songwriter from Bristol. As a founding member of The Pop Group and as a soloist, Stewart has remained an anarchic and pioneering figure since the punk era, a constant source of discordance amongst the frontiers of post-punk, dub, industrial and electronic music. In a body of work driven by an explosive form of lyricism and inspired by radical politics, protest movements, theory, philosophy, technology, art and poetry, Stewart has fearlessly cultivated a revelatory collision of ideas, ideals and influences throughout an indisputably ground-breaking and seditious career. Empowered by the DIY incentives of punk Stewart initiated The Pop Group in 1977, subsequently producing some of the most original and combative music of both the post-punk and contemporary era. From 1977 until 1980 Stewart led the charge in a group that completely eschewed punk’s formalism for something far greater. Producing epiphanic, irrepressible anthems, including She’s Beyond Good & Evil and We Are All Prostitutes, both in 1979, as well as masterful, seminal albums including Y in 1979 and For How Much Longer Do We Tolerate Mass Murder? in 1980, The Pop Group ignited the revolutionary aesthetic potential of post-punk. The impact of this first incarnation left an immensely significant legacy ultimately leading to the group’s reformation in 2010. With 2015’s refined return Citizen Zombie and 2016’s audacious left-turn Honeymoon On Mars, the group emphatically renewed their relevance, proving as incendiary as ever. Stewart continues to operate as a crucial impetus in the bands ongoing mission. In 1980 Stewart embarked on his solo career inspired by the sounds he had heard during a visit to New York the same year. The virtuosic scratching and early hip hop propagated by Kiss FM’s Kool DJ Red Alert, coupled with the impact of a pile driver at a construction site Stewart happened to encounter there, was enough to encourage his visionary next step. In 1982 Stewart consolidated these encounters into coherent possibilities, forming a group called The Maffia and linking up with producer Adrian Sherwood and his cutting edge label On-U Sound. Alongside a rotating cast of session players, initially comprised of members of African Head Charge, Creation Rebel & Dub Syndicate, and later made up of Doug Wimbish, Keith LeBlanc and Skip McDonald (the erstwhile rhythm section of The Sugarhill Gang) Stewart & The Maffia fashioned an abrasive confection of dub reggae, early hip hop and industrial noise that was shattering, seismic and completely ahead of its time. Headed by an iconic version of William Blake’s eponymous ancient poem, Stewart & The Maffia unveiled the Jerusalem EP in 1982, swiftly followed by their cult 1983 LP Learning To Cope With Cowardice. Stewart later moved to Mute Records in 1985 for the ferocious proto-industrial militancy of As The Veneer of Democracy Starts to Fade and successive appearances on the label continued to break untold new ground, from 1987’s Mark Stewart to 1990’s Metatron and 1995’s Control Data. Stewart has continued to plot an utterly uncompromising and individual course into the 2000s, with a streak of solo material that has included Edit, The Politics of Envy, The Exorcism of Envy and Experiments. Preserving his vociferous energy and defiant stance whilst advancing, as always, into unfamiliar territories, this work bears all the traces of Stewart’s enduring severity and modernism, an exploratory power reinforced by a host of legendary collaborators and artistic descendants including the likes of Primal Scream, Keith Levene (Public Image Ltd / The Clash), Richard Hell, Kenneth Anger, Daddy G (Massive Attack), Lee ‘Scratch’ Perry, The Bug, Kahn (Kahn & Neek, Young Echo) and Factory Floor. Stewart continues to exert an inestimable impact on a disparate range of ensuing artists and scenes. His work has been acknowledged and celebrated as a vital inspiration by the likes of Nick Cave, Trent Reznor (Nine Inch Nails), James Murphy (LCD Soundsystem), Tricky, Massive Attack, St Vincent and countless others, while his eye for unorthodox extremity has instigated myriad new evolutions, blueprinting industrial, trip-hop, noise-hop, dance-punk and many other subsequent conceptions. Through a staunch, unrelenting desire to confront, deconstruct and make anew, Stewart has become of the most influential and forward-looking luminaries of post-punk, or indeed, any other form of music. An artist often imitated but never bettered. Mark's Info https://www.markstewartmusic.com/ https://www.facebook.com/markstewartm...

Brooklyn-based goth-folk duo Charming Disaster’s upcoming fifth album Super Natural History is a musical cabinet of curiosities featuring songs inspired by both the natural world and the metaphysical realm; the cover art itself is composed of curios and oddities collected on their travels or gifted to them by fans. The album was produced by band members Ellia Bisker and Jeff Morris, half the tracks recorded at Figure 8 in Brooklyn, NY, the rest at Tonal Park in Takoma Park, MD, with the last song being a home recording. Super Natural History will be released on CD, as a 12-inch colored vinyl LP and on all digital platforms on March 3, 2023. The duo’s latest release unites the worlds of magic and science with ten songs that explore subjects like witchcraft, monsters, and the underworld alongside bats, plants, poisons, and parasites. Super Natural History is an alchemical experiment of sorts—magic and science may seem like contradictory concepts, but for Charming The Disaster they are opposite sides of the same coin: alternate ways to see the world and consider its mysteries.

April 29th, 2023 Wiz Bang Cleveland OH Tickets https://checkout.square.site/buy/V2DMOUQROCY4QZUUDY3VFYUA

Charming Disaster's

Info preorder link: https://charmingdisaster.com/supernaturalhistory

Website: www.charmingdisaster.com

Facebook: www.facebook.com/charmingdisaster

Instagram: http://instagram.com/charmingdisasterband

YouTube: http://youtube.com/charmingdisasterband

Bandcamp: http://charmingdisaster.bandcamp.com

Spotify: https://open.spotify.com/artist/1RjkfhamohczSXjFy5WcZh

Motion And Picture is a cinematic soundscape of honest lyrical introspection and reactive

MIIRROR'S Info 

https://miirrors.bandcamp.com/

https://open.spotify.com/artist/2SwDo6SQHqyEiiZv0M0K9K

Cellophane Jane is a Glam Rock Power trio founded by Cleveland, Ohio native Lex Moda in 2017. What started as a week-long meditative project to record, mix, and master a collection of ten songs as a mini-LP roared into a full-throttle, non-stop rock n’ roll parade.

The Marauders Last Show

https://fb.me/e/L8oi5JOg

Cellophane Jane's Info

https://www.cellophanejane.com

Cellophane Jane & C-Level

https://open.spotify.com/track/16tCMNF2IAT1oJplctVykz?si=8d26f66878424a66

IF...

David's Info

https://www.davidheatley.com

Scott crow is an international speaker,  author, and story teller who is proudly from a working-class background. He has engaged his varied life as a coop business co-owner, political organizer, educator and strategist, activist, filmmaker, dad, and musician. For over two decades, he has focused on diverse socio-political issues and the explorations of creating and exercising counter-power to capitalism, Power, and unsustainable civilization. 

eMERGENCY heARTS is an anarchist-run indie collaborative media hub in Austin, TX that spotlights post-punk, outsider and non-genre specific music, in addition to industrial music, goth, new wave, electronica,

Founded by author, musician and art dealer Scott Crow (Lesson Seven,E), the vision is for music and other media to build an umbrella entity that supports artists, outside the mainstream where they can collaborate and experiment across artistic disciplines in a society that often devalues culture makers outside of the mainstream.

Scott's info 

www.scottcrow.org

https://www.emergencyhearts.com

From Coma To Catharsis is the second full exploratory mission in the current five-piece

John's Info

https://www.theroyalarctic.com/new-page-2

Ivan Julian has been one of music's most celebrated players and most in-demand collaborators for more than four decades.  

Indeed, Ivan Julian has spent his life soaking up a wealth of experiences, musical and otherwise. The son of a Navy officer, he grew up in such exotic locales as Guantanamo Bay, Cuba, nurturing a sensitive, creative streak that quickly manifested itself musically. At the age of 13, while living in Washington, D.C., he became the singer in a Led Zeppelin  cover band; the following year, he began playing guitar. Having already studied bassoon and saxophone, Julian spent his high school years studying music theory as  a part-time student in a college program. At 19, his wanderlust led him to London, where he joined U.K. R&B hitmakers The Foundations, (Build Me Up Buttercup) with whom he toured throughout Great Britain and Europe. It was during one of these tours that he decided to stay on in Macedonia to absorb and study the musical scales and rhythms that would have a major influence on his playing.    

Then Julian returned to the U.S. and settled in New York, just in time to become part of the emerging punk rock movement. A founding member of the seminal Richard Hell and the Voidoids, he was now playing alongside trend-setting punk poet Hell, fabled guitarist Robert Quine and drummer Marc Bell (a.k.a. Marky  Ramone). Julian’s instrumental and songwriting contributions to the band’s classic  album Blank Generation established him as one of the scene’s most acclaimed and influential axemen. 

After the Voidoids disbanded, Julian stepped out to form the Outsets as a vehicle for his own vocal and songwriting efforts. Combining rock, funk and  African rhythms, the Outsets became a beloved fixture on New York’s burgeoning  club scene, winning considerable critical acclaim for such releases as the debut single  “I’m Searchin’ for You”/”Fever,” a self-titled EP produced by Garland Jeffreys and  the posthumously released The Punk/Funk Voodoo Collection. Teaming up with Bush  Tetras singer Cynthia Sley Julian’s next band, the Lovelies, won substantial  attention with the release of the Mad Orphan LP. Also, during this time he regrouped with former bandmate Richard Hell to do an extensive tour of Japan. 

By this point, Julian’s abilities as a collaborator had become sought after by a wide array of acts. He plays on “The Call Up” and “Ivan Meets GI Joe” with The Clash (on their Sandinista album), collaborated with Afrika Bambaataa and Bernie  Worrell of Parliament/Funkadelic. He also joined England’s Shriekback for two  tours of North America and Europe. Julian spent much of the 1990s touring and recording with Matthew Sweet.  

In recent years, Ivan has concentrated mainly on studio work, producing and/or recording artist such as Sean Lennon and producing three albums by The  Fleshtones. He’s also developed his recording studio, SuperGiraffeSound into one of New York’s hottest new recording facilities, working with numerous local, national and international bands. 

His solo LP, The Naked Flame was named one of the best records of the year by several trade magazines in Europe and the states including Trouser Press. Soon after came The Fauntleroys EP, Below the Pink Pony, a collaboration with Alejandro Escovedo, Nick Tremulis and Linda Pittman.    

His newest album ‘Swing Your Lanterns’ is available on PRAVDA Records. The songs encompass his experiences of the past five years and more; Some of which, we have all lived through. 

Ivan's Info

Web site

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Spotify 

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