Come one, come all to the Sirk Du Soleil as the Deep Cut trio discusses Todd Hayne’s Far From Heaven. Ben compares his Deep Cut Pick to Haynes’ critically acclaimed, subsequent melodrama Carol to show the breadth of the director’s approach to melodrama, but Eli and Wilson aren’t so convinced. Wilson feels that it’s a shallow imitation of the Women’s Picture auteur Douglas Sirk, while Eli questions the movie’s sociopolitical outlook from the early 2000’s. Can Ben open the discussion to the movie’s merits? What’s a color score? And will Eli ever shut up about Psycho (1998)?

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Read Scott Higgins’ essay on the color score in Far From Heaven (Chapter 9, pages 101-113).