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Does every generation get the Kong it deserves? That’s the question on our minds with the release of Jordan Vogt-Roberts’ new take on the great ape, KONG: SKULL ISLAND, which inspired us to go all the way back to the source: 1933’s medium-defining KING KONG. In this half of the discussion, we attempt to separate the movie from the cinema myth, grapple with some less savory aspects of the film’s legacy, and give Keith a few more opportunities to rail against the term “dated.” Plus, a few of the many, many great comments we received in response to our last discussion on GET OUT.
Please share your comments, thoughts, and questions about KING KONG, KONG: SKULL ISLAND, or any other Kongs present and future, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730.
Learn more about your ad choices. Visit megaphone.fm/adchoices
By Genevieve Koski, Keith Phipps, Tasha Robinson & Scott Tobias4.6
782782 ratings
Does every generation get the Kong it deserves? That’s the question on our minds with the release of Jordan Vogt-Roberts’ new take on the great ape, KONG: SKULL ISLAND, which inspired us to go all the way back to the source: 1933’s medium-defining KING KONG. In this half of the discussion, we attempt to separate the movie from the cinema myth, grapple with some less savory aspects of the film’s legacy, and give Keith a few more opportunities to rail against the term “dated.” Plus, a few of the many, many great comments we received in response to our last discussion on GET OUT.
Please share your comments, thoughts, and questions about KING KONG, KONG: SKULL ISLAND, or any other Kongs present and future, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730.
Learn more about your ad choices. Visit megaphone.fm/adchoices

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