Pat Novak, for Hire is set on the San Francisco, California waterfront and depicts the city Pat Novak knows - a dark, rough place where the main goal is survival. Pat Novak is not a detective by trade. He owns a boat shop on Pier 19 where he rents out boats and does odd jobs to make money.

The series is popular among fans for its fast-paced, hard-boiled dialogue and action and witty one-liners. Each episode of the programs, especially with Jack Webb, follows the same basic formula; a foghorn sounds and Novak's footsteps are heard walking down the pier. He then pauses and begins with the line "Sure, I'm Pat Novak . . . for hire". The intro theme would start, during which Pat gives a monologue about the troubles along the waterfront and his job renting boats. Jack Webb narrates the story as well as playing Novak. He is cynical, and throws off lines such as "Around here a set of morals won't cause any more stir than Mother's Day in an orphanage ". He then introduces the trouble in which he finds himself this week. The dialogue is a continuous stream of similes typically found in pulp fiction. In So Long, Dixie Gillian, Novak describes a lady entering his show this way: "She sauntered in, moving slowly from side to side like a hundred and eighteen pounds of warm smoke. Her voice was alright, too. It reminded you of a furnace full of marshmallows."

Typically, a person unknown to Novak asks him to do an unusual or risky job, or he is suspicious because it sounds too easy. But Novak reluctantly accepts and quickly finds himself in hot water in the form of an unexplained dead body.

Pat Novak, for Hire is set on the San Francisco, California waterfront and depicts the city Pat Novak knows - a dark, rough place where the main goal is survival. Pat Novak is not a detective by trade. He owns a boat shop on Pier 19 where he rents out boats and does odd jobs to make money.

The series is popular among fans for its fast-paced, hard-boiled dialogue and action and witty one-liners. Each episode of the programs, especially with Jack Webb, follows the same basic formula; a foghorn sounds and Novak's footsteps are heard walking down the pier. He then pauses and begins with the line "Sure, I'm Pat Novak . . . for hire". The intro theme would start, during which Pat gives a monologue about the troubles along the waterfront and his job renting boats. Jack Webb narrates the story as well as playing Novak. He is cynical, and throws off lines such as "Around here a set of morals won't cause any more stir than Mother's Day in an orphanage ". He then introduces the trouble in which he finds himself this week. The dialogue is a continuous stream of similes typically found in pulp fiction. In So Long, Dixie Gillian, Novak describes a lady entering his show this way: "She sauntered in, moving slowly from side to side like a hundred and eighteen pounds of warm smoke. Her voice was alright, too. It reminded you of a furnace full of marshmallows."

Typically, a person unknown to Novak asks him to do an unusual or risky job, or he is suspicious because it sounds too easy. But Novak reluctantly accepts and quickly finds himself in hot water in the form of an unexplained dead body. 

YOURS TRULY, JOHNNY DOLLAR

For over twelve years, from 1949 through 1962 (including a one year hiatus in 1954-1955), this series recounted the cases "the man with the action-packed expense account, America’s fabulous freelance insurance investigator, Johnny Dollar". Johnny was an accomplished 'padder' of his expense account. The name of the show derives from the fact that he closed each show by totaling his expense account, and signing it "End of report... Yours Truly, Johnny Dollar".

Terry Salomonson in his authoritative "A Radio Broadcast Log of the Drama Program Yours Truly, Johnny Dollar", notes that the original working title was "Yours Truly, Lloyd London". Salomonson writes "Lloyd London was scratched out of the body of (the Dick Powell) audition script and Johnny Dollar was written in. Thus the show was re-titled on this script and the main character was renamed. Why this was done was unclear – possibly to prevent a legal run-in with Lloyd’s of London Insurance Company." Although based in Hartford, Connecticut, the insurance capital of the world, freelancer Johnny Dollar managed to get around quite a bit – his adventures taking him all over the world.

There were some unusual devices used in the show that help set it apart from other shows. There was no partner, assistant, or secretary for Johnny. The character closest to a continuing role was that of Pat McCracken of the Universal Adjustment Bureau, who assigned Johnny many of his cases. Another atypical aspect gave the show additional credibility – frequently, characters on the show would mention that they had heard about Johnny’s cases on the radio. Johnny often used his time when filling out his expense accounts to give the audience background information or to express his thoughts about the current case.

No fewer than eight actors played Johnny Dollar. Dick Powell, of Rogue’s Gallery fame, cut the original audition tape, but chose to do Richard Diamond, Private Detective instead. Gerald Mohr, of The Adventures of Philip Marlowe fame, auditioned in 1955, prior to Bob Bailey getting the title role. Through the first three actors to play Johnny Dollar (Charles Russell, Edmond O'Brien, and John Lund), there was little to distinguish the series from many other radio detective series. Dollar was just another hard-boiled detective in a medium that was overloaded with the stereotype. Charles Russell, the first to play the role, would throw silver dollars to bellboys and waiters. Luckily, this trite gimmick did not survive long. 

YOURS TRULY, JOHNNY DOLLAR

For over twelve years, from 1949 through 1962 (including a one year hiatus in 1954-1955), this series recounted the cases "the man with the action-packed expense account, America’s fabulous freelance insurance investigator, Johnny Dollar". Johnny was an accomplished 'padder' of his expense account. The name of the show derives from the fact that he closed each show by totaling his expense account, and signing it "End of report... Yours Truly, Johnny Dollar".

Terry Salomonson in his authoritative "A Radio Broadcast Log of the Drama Program Yours Truly, Johnny Dollar", notes that the original working title was "Yours Truly, Lloyd London". Salomonson writes "Lloyd London was scratched out of the body of (the Dick Powell) audition script and Johnny Dollar was written in. Thus the show was re-titled on this script and the main character was renamed. Why this was done was unclear – possibly to prevent a legal run-in with Lloyd’s of London Insurance Company." Although based in Hartford, Connecticut, the insurance capital of the world, freelancer Johnny Dollar managed to get around quite a bit – his adventures taking him all over the world.

There were some unusual devices used in the show that help set it apart from other shows. There was no partner, assistant, or secretary for Johnny. The character closest to a continuing role was that of Pat McCracken of the Universal Adjustment Bureau, who assigned Johnny many of his cases. Another atypical aspect gave the show additional credibility – frequently, characters on the show would mention that they had heard about Johnny’s cases on the radio. Johnny often used his time when filling out his expense accounts to give the audience background information or to express his thoughts about the current case.

No fewer than eight actors played Johnny Dollar. Dick Powell, of Rogue’s Gallery fame, cut the original audition tape, but chose to do Richard Diamond, Private Detective instead. Gerald Mohr, of The Adventures of Philip Marlowe fame, auditioned in 1955, prior to Bob Bailey getting the title role. Through the first three actors to play Johnny Dollar (Charles Russell, Edmond O'Brien, and John Lund), there was little to distinguish the series from many other radio detective series. Dollar was just another hard-boiled detective in a medium that was overloaded with the stereotype. Charles Russell, the first to play the role, would throw silver dollars to bellboys and waiters. Luckily, this trite gimmick did not survive long.

The character of Philip Marlowe was too good to stay off stage for long though. A year later CBS decided to take a chance on reviving the show. Norman Macdonnell was producer/director; Gene Levitt, Robert Mitchell, Mel Dinelli, and Kathleen Hite wrote the scripts; and Richard Aurandt was responsible for the music. CBS cast Gerald Mohr to star as Philip Marlowe, with Roy Rowan as announcer. Philip Marlowe, being a loner, was really the only regular character, but throughout the three years the series ran a long string of high-quality supporting Hollywood actors appeared on the show. Performing alongside Mohr at various times were Jeff Corey, Howard McNear, Parley Baer, Lawrence Dobkin, Virginia Gregg, Gloria Blondell, and Lou Krugman. The CBS production ran from September 26, 1948 to September 29, 1950 with an additional short summer run from July 7 to September 15, 1951.

This revival of Philip Marlowe was more favorably received, probably because of a combination of writing and acting. No one could duplicate the writing of Raymond Chandler, but this group of writers was very good. While Chandler's distinctive similes were largely lacking, the strong dry, sarcastic narration was there, and the way Gerald Mohr delivered the lines had a way of making you forget that they weren't written by Chandler. Mr. Mohr seemed born for the part of the cynical detective. His voice and timing were perfect for the character. In a letter to Gene Levitt, one of the show's writers, Raymond Chandler commented that a voice like Gerald Mohr's at least packed personality; a decided an improvement over his opinion of the original show. By 1949 the show had the largest audience in radio.

CBS capitalized on the popularity of Philip Marlowe to introduce a look-alike show a few months later, Yours Truly, Johnny Dollar. During the period both shows were broadcast, Johnny Dollar played second fiddle to the popular Philip Marlowe. Even after Marlowe went off the air in 1951, Dollar remained an average detective show. That was to end Oct 3, 1955 when Yours Truly, Johnny Dollar changed everything; the writers, the format to 15 minutes and the lead actor. The new 15 minute episodes staring Bob Bailey dominated detective/mystery drama from then until its last broadcast, September 30, 1962. That date and that broadcast are generally considered as the last of the radio drama broadcasts.

Philip Marlowe continued to find limited success in the movies and television in America and England after his radio career ended. Several quality presentations of Chandler's character were produced by the BBC in the 1990's. But the death of Chandler's wife pulled him into severe depression and put an end any effective writing. His last unfinished book, Poodle Springs, was finished by Robert B. Parker, a good friend who tried to remain faithful to the Chandler style. Unfortunately, the critics did not agree.

Philip Marlowe, the gritty, no nonsense American detective lived and vanished from the quill of a writer raised in Europe. He will remain a classic buried in the modern world of fighting crime with technology.

RICHARD DIAMOND, PRIVATE DETECTIVE

In 1945, Dick Powell portrayed Phillip Marlowe in the movie "Murder My Sweet" based on Raymond Chandler's novel "Farewell My Lovely". This was a radical departure in character for Mr. Powell from a Hollywood song and dance man to a hard-boiled detective. On June 11,1945, Lux Radio Theatre brought "Murder My Sweet" to radio, again with Dick Powell in the lead. These two performances prompted his selection for the part of Richard Rogue, in Rogue's Gallery after his role for Lux Radio Theatre and Richard Diamond came four years later.

Richard Diamond, Private Detective came to NBC in 1949. Diamond was a slick, sophisticated detective, with a sharp tongue for folks who needed it. Diamond enjoyed the detective life, but not as much as entertaining his girl, Helen Asher. After each show, he would croon a number to his Park Avenue sweetheart. Mr. Powell, a former song and dance man, was perfect for the role. He added an extra dimension to the 40's hokey private eye drama.

Diamond was a rough gumshoe that would often get knocked on the head with a revolver butt or other items. His counterpart on the police force was Lt. Levinson who often accepted Diamond's help reluctantly. Levinson would claim to get stomach trouble whenever Diamond would call him and would take bicarbonate to settle his aching stomach. Although they always seem at odds with each other, Diamond and Levinson were best friends.

The plot theme remained fairly constant throughout the entire run of the show, Diamond getting beat up and solving a tough murder case with the support of the police department. Remarkably, for all the gun fights, Diamond never got shot. And for all his bravado, he had a serious case of vertigo.

Helen Asher was portrayed by Virginia Gregg, who also played the part of Brooksie on Let George Do It and Betty Lewis on Yours Truly, Johnny Dollar. Blake Edwards wrote the early shows and also directed a few. Music was composed by David Baskerville and later by Frank Wirth.

In January of 1951, the series moved to ABC under the full sponsorship of Camel cigarettes. Then in May of 1953, the series moved to CBS but all shows were repeats from the 1950-51 Rexall sponsored season on NBC.

Richard Diamond was one of the radio shows which successfully moved to television with David Janssen, later of The Fugitive fame, in the title role of Richard Diamond. The opening scene of the television show often featured the long lovely legs of Mary Tyler Moore, who went on to fame in The Dick Van Dyke Show and The Mary Tyler Moore Show. Mary was replaced on the Richard Diamond show when it became known that she owned the mystery legs.

RICHARD DIAMOND, PRIVATE DETECTIVE

In 1945, Dick Powell portrayed Phillip Marlowe in the movie "Murder My Sweet" based on Raymond Chandler's novel "Farewell My Lovely". This was a radical departure in character for Mr. Powell from a Hollywood song and dance man to a hard-boiled detective. On June 11,1945, Lux Radio Theatre brought "Murder My Sweet" to radio, again with Dick Powell in the lead. These two performances prompted his selection for the part of Richard Rogue, in Rogue's Gallery after his role for Lux Radio Theatre and Richard Diamond came four years later.

Richard Diamond, Private Detective came to NBC in 1949. Diamond was a slick, sophisticated detective, with a sharp tongue for folks who needed it. Diamond enjoyed the detective life, but not as much as entertaining his girl, Helen Asher. After each show, he would croon a number to his Park Avenue sweetheart. Mr. Powell, a former song and dance man, was perfect for the role. He added an extra dimension to the 40's hokey private eye drama.

Diamond was a rough gumshoe that would often get knocked on the head with a revolver butt or other items. His counterpart on the police force was Lt. Levinson who often accepted Diamond's help reluctantly. Levinson would claim to get stomach trouble whenever Diamond would call him and would take bicarbonate to settle his aching stomach. Although they always seem at odds with each other, Diamond and Levinson were best friends.

The plot theme remained fairly constant throughout the entire run of the show, Diamond getting beat up and solving a tough murder case with the support of the police department. Remarkably, for all the gun fights, Diamond never got shot. And for all his bravado, he had a serious case of vertigo.

Helen Asher was portrayed by Virginia Gregg, who also played the part of Brooksie on Let George Do It and Betty Lewis on Yours Truly, Johnny Dollar. Blake Edwards wrote the early shows and also directed a few. Music was composed by David Baskerville and later by Frank Wirth.

In January of 1951, the series moved to ABC under the full sponsorship of Camel cigarettes. Then in May of 1953, the series moved to CBS but all shows were repeats from the 1950-51 Rexall sponsored season on NBC.

Richard Diamond was one of the radio shows which successfully moved to television with David Janssen, later of The Fugitive fame, in the title role of Richard Diamond. The opening scene of the television show often featured the long lovely legs of Mary Tyler Moore, who went on to fame in The Dick Van Dyke Show and The Mary Tyler Moore Show. Mary was replaced on the Richard Diamond show when it became known that she owned the mystery legs.

RICHARD DIAMOND, PRIVATE DETECTIVE

In 1945, Dick Powell portrayed Phillip Marlowe in the movie "Murder My Sweet" based on Raymond Chandler's novel "Farewell My Lovely". This was a radical departure in character for Mr. Powell from a Hollywood song and dance man to a hard-boiled detective. On June 11,1945, Lux Radio Theatre brought "Murder My Sweet" to radio, again with Dick Powell in the lead. These two performances prompted his selection for the part of Richard Rogue, in Rogue's Gallery after his role for Lux Radio Theatre and Richard Diamond came four years later.

Richard Diamond, Private Detective came to NBC in 1949. Diamond was a slick, sophisticated detective, with a sharp tongue for folks who needed it. Diamond enjoyed the detective life, but not as much as entertaining his girl, Helen Asher. After each show, he would croon a number to his Park Avenue sweetheart. Mr. Powell, a former song and dance man, was perfect for the role. He added an extra dimension to the 40's hokey private eye drama.

Diamond was a rough gumshoe that would often get knocked on the head with a revolver butt or other items. His counterpart on the police force was Lt. Levinson who often accepted Diamond's help reluctantly. Levinson would claim to get stomach trouble whenever Diamond would call him and would take bicarbonate to settle his aching stomach. Although they always seem at odds with each other, Diamond and Levinson were best friends.

The plot theme remained fairly constant throughout the entire run of the show, Diamond getting beat up and solving a tough murder case with the support of the police department. Remarkably, for all the gun fights, Diamond never got shot. And for all his bravado, he had a serious case of vertigo.

Helen Asher was portrayed by Virginia Gregg, who also played the part of Brooksie on Let George Do It and Betty Lewis on Yours Truly, Johnny Dollar. Blake Edwards wrote the early shows and also directed a few. Music was composed by David Baskerville and later by Frank Wirth.

In January of 1951, the series moved to ABC under the full sponsorship of Camel cigarettes. Then in May of 1953, the series moved to CBS but all shows were repeats from the 1950-51 Rexall sponsored season on NBC.

Richard Diamond was one of the radio shows which successfully moved to television with David Janssen, later of The Fugitive fame, in the title role of Richard Diamond. The opening scene of the television show often featured the long lovely legs of Mary Tyler Moore, who went on to fame in The Dick Van Dyke Show and The Mary Tyler Moore Show. Mary was replaced on the Richard Diamond show when it became known that she owned the mystery legs.

The world's best insurance detective solves two cases today

Hard-hitting detective radio ferom the golden age of radio