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Abby, Dan, and Patrick conclude their viewing of Sophie Fiennes’ and Slavoj Žižek’s A Pervert’s Guide to Cinema (2006). It’s the last stretch of the film, the part where Žižek tries to bring everything together, and it thus gives Abby, Dan, and Patrick a chance to assess the Guide in its entirety. How compelling is the film’s grand unifying theory of subjectivity, lack, and the work of film as a medium that teaches us “how to desire”? What does it mean that all films are ultimately, per Žižek, about the “impossibility of making a film” as such? What’s at stake in for Žižek in the film of Hitchcock and Lynch specifically, and why do the films so neatly showcase the perils of both getting exactly what you want and not knowing what you want after all? What are Žižek’s blind spots vis-à-vis gender, violence, and comedy? And what’s really going on with that favorite adverb of his – “precisely”?

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