Like H.G. Clouzot’s DIABOLIQUE, Cory Finley’s directorial debut THOROUGHBREDS develops around a plot between two women who enter into a pact to murder a purely malevolent man, but to much different effect. After discussing our reactions to THOROUGHBREDS’ hyper-formal style and disconcerting ending, we dig into how the two films compare and contrast in terms of their many stylistic flourishes, their motivations for murder, and their respective killer conspiracies. Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your cinematic radar.

Please share your comments, thoughts, and questions about DIABOLIQUE, THOROUGHBREDS, or both by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730. Your Next Picture Show: • Keith: Serge Bromberg and Ruxandra Medrea’s CLOUZOT’S INFERNO• Genevieve: Anna Deavere Smith and Kristi Zea’s NOTES FROM THE FIELD• Scott: Clarence Brown’s INTRUDER IN THE DUST

Outro Music: The Sweet Hurt, “All The Things”

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