On this episode we dig into how
Run Woman Run explores coming of age in your thirties through an Indigenous perspective. This episode features Editor-in-Chief Alex Heeney, Executive Editor Orla Smith, and Contributing Editor Lindsay Pugh. On this episode:
- Coming of age in their 30s episodes (1:42)
- Run Woman Run (5:16)
- How the film depicts trauma (13:43)
- Asivak Koostachin as the spirit of Tom Longboat (19:00)
- The anti-romcom (24:02)
- Land depiction (34:37)
- Health and "tough love" (37:06)
- Why Run Woman Run should have been longer (1:00:13)
- What settler critics often miss (1:15:34)
- Conclusion (1:18:16)
Show Notes
- Read Alex's review of Run Woman Run
- Read Orla's interview with Kímmapiiyipitssini: The Meaning of Empathy director Elle-Máijá Tailfeathers
- Read Laura Anne Harris' interview with The Road Forward director Marie Clements
- Read Alex's interview with Monkey Beach director Loretta Todd
- Read Alex's interview with Blood Quantum director Jeff Barnaby
- Read our list of the best Canadian films of 2021, including Night Raiders, Bootlegger, Red Snow, and Kímmapiiyipitssini
- Pre-order Existential detours: Joachim Trier's cinema of indecisions and revisions, the first book to ever be published on Joachim Trier.
- Stay tuned for Orla's interview with director Zoe Leigh Hopkins
Related episodes
- Ep. 89: Spinster and The Forty-Year-Old Version: Coming of age at forty
- Ep. 63: Indigenous YA, part 2
- Ep. 62: Indigenous YA, part 1
- Ep. 54: I Used to Go Here and Unexpected: Kris Rey’s thirtysomethings
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