This Tuesday, October 28, I'm hosting The Short Take — a free, one-time-only live workshop for film lovers who want to watch and think together.

We'll watch an award-winning 22-minute short from 2017 that looks at queer history — and who gets to tell it. It's a film I haven't stopped thinking about in the last 8 years.

Then, we'll rewatch key scenes and unpack how the film's form (e.g. blocking, shot choice, editing, production design, and more) shapes what it makes us feel.

🗓️ When: Tuesday, Oct 29 → 2 PM ET / 11 AM PT / 7 PM Europe

💡 More info on The Short Take

🎟️ Register free (no replay)

What if the most powerful insights about a film don't come from watching it alone — but from talking it through with curious people who notice what you missed, and help you turn half-formed thoughts into something deeper?

In this episode, I share why I built The Long Take —

A space for deep, layered, perspective-shifting conversations about film — and how a spirit of collaboration, attention, and trust can transform how we see movies…and ourselves

We kick off Nov 2 with a zero-prep welcome session. 👉 Save your seat

How can a film with a queer protagonist, written by a queer playwright, and directed by a queer man… not be a queer film? That's the tricky question I'm tackling with The Choral, the WWI period drama that just premiered at the Toronto International Film Festival (TIFF).

In this episode: my Ralph Fiennes/Nicholas Hytner fangirling, why the film works as a crowd-pleaser but flattens queerness and other marginalized identities, and the bigger questions it raises about reclaiming — or sanitizing — queer history.

🎟 Plus, a sneak peek at Living Out Loud, my FREE three-day summit on queer and trans storytelling happening Oct 3–5.

👉 Sign up for Living Out Loud

Alice Winocour's Couture is a backstage film about the fashion world — less about the clothes than the bodies who wear them, shape them, and photograph them. It's a film about the ways that commerce and fashion (and medicine) shape and damage women's bodies.

As a Winocour fan and researcher since 2015, Alex Heeney connects Couture to Winocour's explorations of traumatized bodies, outsiders, and backstage stories throughout her body of work.

🎟 If you want to explore a film together in conversation — not just listen in — join me for Living Out Loud, my free Queer and Trans Storytelling Summit happening the first weekend of October.

On Day 3, I'll be hosting a short film screening and live group discussion — and you're invited.

👉 Save your seat here.

At TIFF, Alex dives into Iranian filmmaker Farnoosh Samadi's Between Dreams and Hope, a powerful film about a trans man in Iran navigating the dehumanizing maze of gender-affirming care — and connects it to two others, from Canada and France, that reveal how patriarchy, money, and bureaucracy shape queer and trans survival. These aren't straight reviews so much as reflections on how films spark curiosity, uncover hidden systems, and resist erasure.

✨ Don't miss it! This October, join me for Living Out Loud — a FREE three-day live online summit all about queer and trans stories and queer and trans history.

Sign up here

Joachim Trier's new film, Sentimental Value, is already a buzzy hit. Alex Heeney has been thinking and writing about Trier's films for more than a decade, and this one sharpened her sense of what she values in his work. In this episode out of TIFF, she look at the film's portrait of a complicated family, the way it reframes familiar Trier themes, and how it speaks to his other films.

✨ This fall I'm hosting an exclusive live event where we'll unpack Trier's work together — the kind of deep-dive conversation you can't get from the podcast.

👉Spots will be limited, so make sure you're on the waitlist here.

What happens when a story that once felt modern… suddenly doesn't? And what does that tell us about the limits — and possibilities — of the stories we tell about women?

In this solo episode, Seventh Row Editor-in-Chief Alex Heeney tracks a shift in perspective — hers, and maybe yours too.

📍 How a 2021 film reopened an old question 📍 Why Far from the Madding Crowd (2015) once felt strikingly modern — and what I see in it now 📍 And what this tells us about how our expectations for stories about women have changed — fast

Along the way, I dig into:

• How the marriage plot continues to shape the kinds of stories we tell about women

• The limits of romantic "choice" when that's the only choice on offer

• Why stories that include romance aren't the problem — but centering it might be

• And how our expectations for women's stories are shifting — fast

🎟️ Want to know what the 2021 pick is? Join Reel Ruminators to find out — and be part of the conversation.

What happens when you watch a film — not just to be entertained — but to reflect, notice, and share?

In this episode, Alex Heeney (curator of Reel Ruminators) sits down with Hazel Shaw, a UK member of the community, to uncover what really makes this unique movie-of-the-month space so rewarding — and how it sparks discoveries you might not expect.

Together, they talk about:

• What happens when you watch films that aren't suggested by an algorithm

• Why gathering with film lovers from around the world can change the way you see a film

• Why some of the most surprising film conversations happen in spaces where no one needs to agree.

• The "aha" moments that can sneak up on you while watching and reflecting on a film.

• The lasting rewards of being exposed to films you might have overlooked on your own.

Whether you're already curious about Reel Ruminators or simply interested in what happens when film-watching becomes a shared, intentional practice, this episode offers a thoughtful, behind-the-scenes look — with reflections that may just surprise you, too.

🔗 Learn more about Reel Ruminators

Ten years on, 45 Years hasn't lost an ounce of its emotional weight. In fact, it might just cut deeper.

On this episode, host and Seventh Row Editor-in-Chief Alex Heeney is joined by Lindsay Pugh (Woman in Revolt) to revisit Andrew Haigh's masterpiece about a childless couple celebrating their 45 the wedding anniversary in the same week that a traumatic secret from the past comes to light.

We talk about:

• What makes this story hit differently as we have aged

• Why the film's focus on emotional repression, delayed gratification, and public performance feels so radical

• How Haigh's queer lens shapes his portrayal of a straight relationship

• What gets added (and deepened) in the move from short story to screenplay

• Why Charlotte Rampling and Tom Courtenay deliver two of the most nuanced, unforgettable performances of the century

• How Haigh's blocking — the way actors move through space and interact physically — works hand-in-hand with the dialogue to show us what's shifting beneath the surface, like tension, avoidance, closeness, or control

Whether you're watching for the first time or the fifteenth, 45 Years is a film that evolves with you — and we unpack why.

🎟️ Reel Ruminators: http://seventh-row.com/reelruminators

🎥 Guide to One of the Best Films of 2024: seventh-row.com/guide

🪩 Find Lindsay Pugh at Woman in Revolt

📚 Book on Andrew Haigh's film Lean on Pete

💡Read Alex's interview with Andrew Haigh (2021) – audio excerpted in the episode

🎧 Andrew Haigh films/TV on the Seventh Row Podcast

Ep 155 Halina Reijn's Babygirl with Lindsay Pugh

Ep. 163 Joan Micklin Silver's Chilly Scenes of Winter and Crossing Delancey feat. Lindsay Pugh

Ep. 117 The North Water (dir. Andrew Haigh)

Ep. 110 Weekend (dir. Andrew Haigh) and End of the Century: Brief Encounters

Ep. 94 HBO's Looking

Ep. 7 Andrew Haigh's Lean on Pete

In this episode, Alex Heeney digs into Celine Song's Materialists, a film about Lucy, a matchmaker struggling with her own love triangle. Will Lucy (Dakota Johnson) choose love — in the form of her poor ex John (Chris Evans) — or money with eligible bachelor Harry (Pedro Pascal)? And can love and money even co-exist?

With its charming cast, elegant blocking, and standout sound design, Materialists could have been a sharp, class-conscious rom-com.

But for all its promise, it ends up skimming the surface.

You will hear:

• What works well in the film, including the visual storytelling and sound design

• Where the film struggles, especially with its thin characterization and reluctance to fully engage with class and money

• Comparisons with other works, such as Gossip Girl (2007–2012) and Patricia Rozema's Mansfield Park (1999), that tackle similar themes with more depth

🎟️ Reel Ruminators: http://seventh-row.com/reelruminators

🎥 Guide to One of the Best Films of 2024: seventh-row.com/guide

📚 Kelly Reichardt ebook: http://reichardtbook.com

💡Lindsay Pugh on Materialists

Ep 137: Luca Guadagnino's Challengers

TIFF 2024 Ep 7: Luca Guadagnino's Queer

Ep. 172 and 173: Jane Austen Wrecked My Life — a film that delivers more fully on the promise of a smart, satisfying modern rom-com.