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Tim and Jen start spooky season early with a shockingly dark release from Disney, Return to Oz.
Jen forgot to mention that the main reason the film does not resembles the MGM film from 1939 apart from the Ruby Slippers™ is because all of the trappings of the MGM version were and are copyrighted. In fact, Disney had to shell out to use that plot device in the film. Hence, while Walter Murch’s desire to make a moive closer in spirit to the L. Frank Baum material is admirable, it most likely played second fiddle to the demands of copyright law.
Additionally, the movie finally made a profit from a 1949 re-release, not “like twenty years later” or whatever Jen glibly claimed.
Animator Doug Aberle made a video where he talks about his process for animating the demise of the Nome King. Plus, he includes interviews with the late Will Vinton.
If you want more details about the drama between Sarah Polley and Terry Gilliam, you can read an excerpt from her memoir here.
Hosted on Acast. See acast.com/privacy for more information.
By Have You Seen This?4.5
3434 ratings
Tim and Jen start spooky season early with a shockingly dark release from Disney, Return to Oz.
Jen forgot to mention that the main reason the film does not resembles the MGM film from 1939 apart from the Ruby Slippers™ is because all of the trappings of the MGM version were and are copyrighted. In fact, Disney had to shell out to use that plot device in the film. Hence, while Walter Murch’s desire to make a moive closer in spirit to the L. Frank Baum material is admirable, it most likely played second fiddle to the demands of copyright law.
Additionally, the movie finally made a profit from a 1949 re-release, not “like twenty years later” or whatever Jen glibly claimed.
Animator Doug Aberle made a video where he talks about his process for animating the demise of the Nome King. Plus, he includes interviews with the late Will Vinton.
If you want more details about the drama between Sarah Polley and Terry Gilliam, you can read an excerpt from her memoir here.
Hosted on Acast. See acast.com/privacy for more information.

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