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We trace the unlikely arc that carried poolside pandemic brainstorms into London Calling, a high-velocity variety show that’s genuinely all-ages without sanding off its edge.
As the Pandemic hit Las Vegas Paul Dabek and Captain Frodo dreamt by the pool of acts, podcast, and shows. As it turned out these dreams all came to fruition.
We get specific about how the show grew: a clear adult-facing voice, visuals that enchant kids on contact, and design that marries LED world-building with just a few tactile anchors—a lamppost here, an oak bar to sell entire neighborhoods of London. We talk quiet-loud pacing, compress-then-expand staging, and the power of a loose narrative frame (train rides, stations, quick jumps) that keeps momentum without burying acts in exposition. Think Covent Garden street magic flowing into Wimbledon athleticism, all while the ensemble’s micro-moments—prop handoffs, shared looks, quick riffs—telegraph trust.
Paul Dabeck opens the hood on the growth curve: from small houses and street pitches to winning pick of the fringe and selling five-figure ticket totals. He shares the marketing pivots that worked, why “family-friendly” is a tone not a label, and how sweat equity turned Facebook Marketplace parts into automated scenic that looks West End-ready. We also dive into his Vegas warehouse: a black box, workshop, and filming space evolving into Make It Rain, a community hub for artists to prototype, connect, and protect their mental health. It’s church-without-religion, where the faith is craft and the sermon is showing up.
If you care about showmaking—stagecraft, culture, and the long game of compounding relationships—this one’s a blueprint. We leave you with blunt takeaways: risk with purpose, design worlds with one tactile anchor, market like a story, film your late refinements, build a culture of generosity, and ship version one before you feel ready. Subscribe, share with a friend who builds in public, and drop us a note about the project you’re making right now. What plate are you willing to smash to make it sing?
You can find Paul at all the usual social media platforms and at his website @ PaulDabek.com
Support the show
...
After a long abscence our Merch Shop is back! Check out t-shirts, hoddies, and hats! Show yourself as a Follower of the Way of the Showman.
You can also "listen" to the Way of the Showman at youtube.
If you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify.
If you want to contact me about anyhthing ou can reach me on [email protected]
You can find out more on the Way of the Showman website.
Follow the Way of the Showman on Instagram.
If you're compelled to suport the showes and have the means to do so, you can suport the podcast financially at: https://www.buymeacoffee.com/captainfrodo
By Captain Frodo5
3232 ratings
We trace the unlikely arc that carried poolside pandemic brainstorms into London Calling, a high-velocity variety show that’s genuinely all-ages without sanding off its edge.
As the Pandemic hit Las Vegas Paul Dabek and Captain Frodo dreamt by the pool of acts, podcast, and shows. As it turned out these dreams all came to fruition.
We get specific about how the show grew: a clear adult-facing voice, visuals that enchant kids on contact, and design that marries LED world-building with just a few tactile anchors—a lamppost here, an oak bar to sell entire neighborhoods of London. We talk quiet-loud pacing, compress-then-expand staging, and the power of a loose narrative frame (train rides, stations, quick jumps) that keeps momentum without burying acts in exposition. Think Covent Garden street magic flowing into Wimbledon athleticism, all while the ensemble’s micro-moments—prop handoffs, shared looks, quick riffs—telegraph trust.
Paul Dabeck opens the hood on the growth curve: from small houses and street pitches to winning pick of the fringe and selling five-figure ticket totals. He shares the marketing pivots that worked, why “family-friendly” is a tone not a label, and how sweat equity turned Facebook Marketplace parts into automated scenic that looks West End-ready. We also dive into his Vegas warehouse: a black box, workshop, and filming space evolving into Make It Rain, a community hub for artists to prototype, connect, and protect their mental health. It’s church-without-religion, where the faith is craft and the sermon is showing up.
If you care about showmaking—stagecraft, culture, and the long game of compounding relationships—this one’s a blueprint. We leave you with blunt takeaways: risk with purpose, design worlds with one tactile anchor, market like a story, film your late refinements, build a culture of generosity, and ship version one before you feel ready. Subscribe, share with a friend who builds in public, and drop us a note about the project you’re making right now. What plate are you willing to smash to make it sing?
You can find Paul at all the usual social media platforms and at his website @ PaulDabek.com
Support the show
...
After a long abscence our Merch Shop is back! Check out t-shirts, hoddies, and hats! Show yourself as a Follower of the Way of the Showman.
You can also "listen" to the Way of the Showman at youtube.
If you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify.
If you want to contact me about anyhthing ou can reach me on [email protected]
You can find out more on the Way of the Showman website.
Follow the Way of the Showman on Instagram.
If you're compelled to suport the showes and have the means to do so, you can suport the podcast financially at: https://www.buymeacoffee.com/captainfrodo

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