Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
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2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
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3. Join the free Facebook Group ("The Self-Recording Band Community"):
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Episode Show Notes:

Sometimes, a single guitar tone just won't cut it. It sounds weak and out of place; no matter how we EQ and process it, something is still missing. What's the answer to this? Well, it's more guitars. 

Maybe you love the bottom end of one amp or pedal but also crave the mid-range of another. Well, guess what? You can have both by combining guitar tones.

This topic is broad and there are countless approaches to combining guitar tones and doubling guitar tracks. It's easy to become overwhelmed and throw everything at it,  but this can lead to a "more is less" result. Fear not, Benedikt and Malcom discuss their go-to methods in detail so that you can record with intention. 

The subtle differences between a double and a copied performance may seem insignificant, but they are crucial in shaping the overall sound. 

A double is a second performance of the same thing, not a copy and paste of the original performance. This distinction, while seemingly minute, will drastically affect the final tone.

What you'll learn from this episode:

• How subtle changes in the guitar's EQ can give you big results.
• Genre-based decision making. Is the 'Wall of Sound' approach appropriate for your recording?
• When is doubling guitar tracks necessary?
• What hardware to switch out and adjust when recording duplicate parts? Guitars, pickups, amps or pedals? 
• Why adding layers on top of a guitar take doesn't necessarily have to be another guitar. 

In conclusion, creating a unique guitar sound is a blend of understanding your tools, practising different techniques, and experimenting with various combinations.

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For full show notes go to: https://theselfrecordingband.com/185

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