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John's new art piece leads to a discussion of accuracy and build quality in toys for grown men and sometimes children.
John's new art piece leads to a discussion of accuracy and build quality in toys for grown men and sometimes children.
Four-Byte Burger pixel art, by Jack Haegar (1985) re-digitized by Stuart Brown,
In 2003, The New York Times introduced a more unified Cheltenham typographic palette for its headline use in the print edition.
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John's new art piece leads to a discussion of accuracy and build quality in toys for grown men and sometimes children.
John's new art piece leads to a discussion of accuracy and build quality in toys for grown men and sometimes children.
Four-Byte Burger pixel art, by Jack Haegar (1985) re-digitized by Stuart Brown,
In 2003, The New York Times introduced a more unified Cheltenham typographic palette for its headline use in the print edition.

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