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Peter and Susannah have a long, polyphonic conversation with Rowan Williams about his new collection of plays, Shakeshafte and Other Plays; about a Christianity that can accommodate the whole of the world; about the poet David Jones, the artist Eric Gill, and the destructiveness of aesthetic fundamentalism.
Then they turn to a discussion of the war, and of the role of art in a time of war. The archbishop closes in a prayer for peace and justice.
Peter and Susannah then speak with their colleague Maureen Swinger about her piece “Doing Bach Badly,” about the history of the Saint Matthew Passion and of its role in the liturgical life of the Bruderhof. They reflect on the way that singing can put you in a position to experience grace, and Maureen recalls a very specific experience of singing as conversion from her teenage years.
 By Plough
By Plough4.8
4545 ratings
Peter and Susannah have a long, polyphonic conversation with Rowan Williams about his new collection of plays, Shakeshafte and Other Plays; about a Christianity that can accommodate the whole of the world; about the poet David Jones, the artist Eric Gill, and the destructiveness of aesthetic fundamentalism.
Then they turn to a discussion of the war, and of the role of art in a time of war. The archbishop closes in a prayer for peace and justice.
Peter and Susannah then speak with their colleague Maureen Swinger about her piece “Doing Bach Badly,” about the history of the Saint Matthew Passion and of its role in the liturgical life of the Bruderhof. They reflect on the way that singing can put you in a position to experience grace, and Maureen recalls a very specific experience of singing as conversion from her teenage years.

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