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Peter and Susannah talk with Joey Keegin and Phil Christman about their pieces on Christian hardcore and ’80s, ’90s post-punk respectively. The blend of nostalgia and genuine appreciation makes for a powerful and enthusiastic back and forth between the two guests, with Pete chiming in and Susannah remaining respectfully silent.
They discuss what makes derivative Christian music bad, and how some Christian hardcore escaped the fate of imitative mediocrity. They also discuss the way that YouTube comments provide a strange Covid-era community of nostalgia for the children of the ’80s and ’90s.
Then, Pete and Susannah talk with Plough’s own Joy Clarkson about her newly-published title Aggressively Happy, a how-to guide to finding joy. Unlike many such guides which focus on one’s internal state, this book encourages readers to find joy in the actual goodness of the world: it is an anti-stoic text.
Most controversially, Joy makes the case that Pride and Prejudice’s sycophantic vicar, Mr. Collins, is unfairly maligned and is a model of appropriate ambition, resilience, and contentment.
4.8
4444 ratings
Peter and Susannah talk with Joey Keegin and Phil Christman about their pieces on Christian hardcore and ’80s, ’90s post-punk respectively. The blend of nostalgia and genuine appreciation makes for a powerful and enthusiastic back and forth between the two guests, with Pete chiming in and Susannah remaining respectfully silent.
They discuss what makes derivative Christian music bad, and how some Christian hardcore escaped the fate of imitative mediocrity. They also discuss the way that YouTube comments provide a strange Covid-era community of nostalgia for the children of the ’80s and ’90s.
Then, Pete and Susannah talk with Plough’s own Joy Clarkson about her newly-published title Aggressively Happy, a how-to guide to finding joy. Unlike many such guides which focus on one’s internal state, this book encourages readers to find joy in the actual goodness of the world: it is an anti-stoic text.
Most controversially, Joy makes the case that Pride and Prejudice’s sycophantic vicar, Mr. Collins, is unfairly maligned and is a model of appropriate ambition, resilience, and contentment.
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