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Jane Campion’s new POWER OF THE DOG includes a tense passage involving a banjo that plays as a nod to the 1972 John Boorman classic DELIVERANCE, but the two films’ shared thematic concerns go much deeper than banjo duels. Chief among those is the theme of toxic masculinity and its myriad manifestations, which we explore this week via DELIVERANCE’s four male archetypes and their misbegotten river adventure. Plus, we’re still getting feedback about LAST NIGHT IN SOHO, which means we’re still talking about that third-act twist.
Please share your comments, thoughts, and questions about DELIVERANCE, POWER OF THE DOG, or anything else in the world of film, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730.
Outro music: “Dueling Banjos” performed by Eric Weissberg and Steve Mandel
Learn more about your ad choices. Visit megaphone.fm/adchoices
By Genevieve Koski, Keith Phipps, Tasha Robinson & Scott Tobias4.6
782782 ratings
Jane Campion’s new POWER OF THE DOG includes a tense passage involving a banjo that plays as a nod to the 1972 John Boorman classic DELIVERANCE, but the two films’ shared thematic concerns go much deeper than banjo duels. Chief among those is the theme of toxic masculinity and its myriad manifestations, which we explore this week via DELIVERANCE’s four male archetypes and their misbegotten river adventure. Plus, we’re still getting feedback about LAST NIGHT IN SOHO, which means we’re still talking about that third-act twist.
Please share your comments, thoughts, and questions about DELIVERANCE, POWER OF THE DOG, or anything else in the world of film, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730.
Outro music: “Dueling Banjos” performed by Eric Weissberg and Steve Mandel
Learn more about your ad choices. Visit megaphone.fm/adchoices

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